Elizabeth O'Neill Verner Paintings & Artwork for Sale | Elizabeth O'Neill Verner Art Value Price Guide

Apr. 26, 2025
Three miniature etchings: Elizabeth Quale O'Neill Verner, American (1883 - 1979), Edwin Gray Cassedy, American (1885 - 1950), 2 3/4"H x 2 1/8"W (plate), 8 1/8"H x 6"W (mat) (largest)
Est: $200 - $300
Three miniature etchings: Elizabeth Quale O'Neill Verner, American (1883 - 1979), Edwin Gray Cassedy, American (1885 - 1950), Edwin Gray Cassedy: Georgetown, 1944 and Luynes Chateau, 1944. Both pencil signed and dated lower right and exhibited at Corcoran Art Gallery. Elizabeth Quale O'Neill Verner: Sword Gates, Charleston. Pencil signed lower right.
Ripley Auctions
Apr. 25, 2025
Elizabeth O'Neill Verner (2pcs)
Est: $8,000 - $9,000
Elizabeth O'Neill Verner (South Carolina, 1883-1979) Pair works: OLD JOE and OLD MARY pastel on silk, framed, signed & titled on verso H9" 8 7/8" (2pcs) Provenance: Private collection Other Notes: Verso with old label: Childs Gallery, Boston
Charlton Hall
Apr. 24, 2025
Elizabeth O'Neill Verner
Est: $300 - $500
Elizabeth O'Neill Verner (South Carolina,1883-1979) GOING TO THE BATTERY etching, framed, signed & titled in pencil plate H5" W3 1/2" Provenance: Fort Wayne Museum of Art, 1979 Douglas Kenyon, Inc, c.1986 A Southern Gentleman
Charlton Hall
Apr. 24, 2025
Elizabeth O'Neill Verner
Est: $200 - $400
Elizabeth O'Neill Verner (South Carolina,1883-1979) BIT OF LEGARE STREET, CHARLESTON etching, framed, signed & titled in pencil plate H5" W3 1/4" Provenance: Douglas Kenyon, Inc, c.1986 A Southern Gentleman
Charlton Hall
Apr. 05, 2025
Elizabeth O'Neill Verner
Est: $600 - $900
(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, "Side Entrance Charleston." Brilliant work signed and titled lower segment. Some slight yellowing but overall good condition. Sight size: H5 1/4" W3 3/4" (without mat and frame) Sold from the collection of a Spartanburg, South Carolina family.
Wooten & Wooten Auctioneers
Apr. 05, 2025
Elizabeth O'Neill Verner
Est: $600 - $900
(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, "Bit of Legare St Charleston." Signed and titled lower segment. Excellent work in well kept condition with some slight yellowing consistent with age. Sight size: H5 1/2" W4 3/4" (without mat and frame) Sold from the collection of a Spartanburg, South Carolina family.
Wooten & Wooten Auctioneers
Apr. 04, 2025
Elizabeth O'Neill Verner, American/South Carolina 1883-1979, "On the Road to Folly", etching, Sheet: 11 1/4 x 13 1/4 in. (28.6 x 33.7 cm.), Frame: 15 3/4 x 16 3/4 x 7/8 in. (40 x 42.5 x 2.2 cm.)
Est: $1,000 - $1,500
Elizabeth O'Neill Verner American/South Carolina, 1883-1979 "On the Road to Folly" etching pencil-signed, titled and numbered "10/80" lower margin, "Elizabeth O'Neill Verner Studio, Charleston, SC" and "Schindler's Antique Shop, Charleston, SC" labels on backing paper, framed.
Neal Auction Company
Jan. 26, 2025
FRAMED SIGNED ELIZABETH O'NEILL VERNER PRINT, TITLE "BLUE BABY"
Est: $400 - $600
Framed Signed Elizabeth O'Neill Verner Print, title is "Blue Baby". Elizabeth O'Neill Verner (1883-1979) is one of South Carolina's most famous artists, she produced numerous works recording the people and scenes of her native state, which today are internationally recognized and collected as a quintessential vision of Southern life. This piece measures 13.75" x 12" and weighs 1 lb 11 oz. Purchased at the Tradd Street Press. The Elizabeth O'Neill Verner Gallery, in Charleston, SC, was founded at 38 Tradd Street in 1938 by the noted Charleston artist, Elizabeth O'Neill Verner. Verner called it "The Tradd Street Press" as she had her etching press installed in the back room, which also served as her studio.
Charleston Estate Services Auctions & Appraisals
Dec. 28, 2024
2 Pastel Portraits Attributed to Elizabeth Verner.
Est: $3,000 - $6,000
Artist(s): Attributed to Elizabeth Quale O'Neill Verner (America, 1883-1979) Medium: Pastel on panel. Signature(s): Woman's portrait is signed "Verner", lower left. The other is signed "Elizabeth ON Verner", lower right. Paperwork: Inscribed en verso is the name Harry A. Bellows with a California address, though proof of purchase was not provided. Damage: Vertical lines of separation to both. Streak through woman's shoulder. Paint loss to frames. Measurement(s): 9 1/2" x 7 1/2" (sight), 15" x 13" (frames) In-house shipping is available. Please see our website regarding our in-house shipping procedures.
Direct Auction Galleries, Inc.
Nov. 14, 2024
E. O'NEILL VERNER 'MILLWOOD' SIGNED LITHOGRAPH
Est: $200 - $300
Elizabeth O'Neill Verner (American/South Carolina 1883-1979), 'Millwood', offset lithograph, 1962, depicting moss on the ruins of a Southern plantation, signed in plate and signed in pencil on bottom center right, center left has 'repro' in pencil, with The Tradd Street Press / Elizabeth O'Neil Verner Studio label to verso. Framed. Approximate dimensions: sight: h. 16.75", w. 21.5"; frame h. 26.5", w. 30.5", d. 1"
Ahlers & Ogletree Inc.
Oct. 20, 2024
Alfred Heber Hutty (American/Louisiana, 1877-1954), Elizabeth O'Neill Verner (American/South Carolina, 1883-1979)
Est: $1,000 - $1,500
Alfred Heber Hutty (American/Louisiana, 1877-1954) Elizabeth O'Neill Verner (American/South Carolina, 1883-1979) "Low Country Cabin" "Fisherman on Santee" two etchings on paper latter pencil-signed and inscribed "repro" in lower margins, former pencil-signed, snail monogram, titled, and inscribed "only three printed". Each matted, glazed and framed.
New Orleans Auction Galleries
Oct. 16, 2024
Elizabeth O'Neill Verner
Est: $15,000 - $20,000
(American/South Carolina,1883-1979) Manda's Cabin (title based on etching of the same view), signed lower right "...Verner", pastel on silk on board, 19 x 14 in.; silver gilt frame, 20 x 15 in. Provenance: The Collection of Peter and Betsy Mead, Orange, Virginia; Buchanan and Kiguel, Alexandria, Virginia; Private Maryland Collection
Brunk Auctions
Oct. 16, 2024
Elizabeth O'Neill Verner
Est: $15,000 - $25,000
(American/South Carolina,1883-1979) Hoeing the fields, signed lower right "Elizabeth O'Neill Verner", pastel on silk on board, 19 x 14 in.; modern black painted frame, 20 x 15 in. Provenance: The Collection of Peter and Betsy Mead, Orange, Virginia; Buchanan and Kiguel, Alexandria, Virginia; Private Maryland Collection
Brunk Auctions
Oct. 16, 2024
Elizabeth O'Neill Verner
Est: $6,000 - $8,000
(American/South Carolina, 1883-1979) Flower Seller, signed bottom edge, "E O Verner", pastel on paper, 9 x 8-1/2 in.; modern wood frame, 11-1/2 x 11 in. Provenance: Charlton Hall Galleries, West Columbia, South Carolina, 2012; Private Maryland Collection
Brunk Auctions
Oct. 13, 2024
ELIZABETH O'NEILL VERNER DRYPOINT ETCHING SIGNED
Est: $900 - $1,200
Original Elizabeth O'Neill Verner (1883-1979) Drypoint Etching "St. Philips Gate", signed lower and titled in pencil by the artist, 2-1/2 x 2 in. (plate). In frame 5.5"x7.25". Weight 7 oz. Considered the matriarch of the Charleston Renaissance, Elizabeth O'Neill Verner created images of her native city that would, over time, come to be viewed as the quintessential aesthetic definition of Charleston and the South Carolina Lowcountry. The daughter of a rice broker, Verner began drawing as a child. She studied locally with Alice Ravenel Huger Smith before spending two years under Thomas Anshutz tutelage at the Pennsylvania Academy of the Fine Arts. Returning to Charleston in 1903, she married E. Pettigrew Verner and raised two children. During this period, she studied informally, painting scenes of Charleston in her spare time and studying Japanese printing techniques. In 1923, she took up etching. In 1925 established her own studio in Charleston. A founding member of the Charleston Etchers Club, Verner was a respected leader in the city's art community. Along with Alice Smith, Anna Heyward Taylor, and Alfred Hutty, she played a pivotal role in Charleston's dramatic mid-century cultural renewal. Her works showcased Charleston's natural beauty and charm, including: live oaks draped in moss; tall cypress trees in abandoned rice preserves; colorful flower women; and the streets and alleyways of the city, a favorite motif. An extremely articulate artist, Verner taught (William Melton Halsey was a early student), lectured, and authored four books illustrated with her etchings. She also illustrated DuBose Heyward's Porgy and Bess. In recognition of her contribution to the arts, the state of South Carolina named a prestigious annual art award after Verner. Her works are represented in the collections of national institutions such as the Metropolitan Museum of Art and Smithsonian American Art Museum, as well as leading museums across the Southeast.
Charleston Estate Services Auctions & Appraisals
Oct. 13, 2024
ELIZABETH O'NEILL VERNER DRYPOINT ETCHING SIGNED
Est: $900 - $1,200
Original Elizabeth O'Neill Verner (1883-1979) Drypoint Etching "St Michael's Alley", signed lower and titled in pencil by the artist, 2-1/2 x 2 in. (plate). In frame 5.5"x7.25". Weight 7 oz. Considered the matriarch of the Charleston Renaissance, Elizabeth O'Neill Verner created images of her native city that would, over time, come to be viewed as the quintessential aesthetic definition of Charleston and the South Carolina Lowcountry. The daughter of a rice broker, Verner began drawing as a child. She studied locally with Alice Ravenel Huger Smith before spending two years under Thomas Anshutz tutelage at the Pennsylvania Academy of the Fine Arts. Returning to Charleston in 1903, she married E. Pettigrew Verner and raised two children. During this period, she studied informally, painting scenes of Charleston in her spare time and studying Japanese printing techniques. In 1923, she took up etching. In 1925 established her own studio in Charleston. A founding member of the Charleston Etchers Club, Verner was a respected leader in the city's art community. Along with Alice Smith, Anna Heyward Taylor, and Alfred Hutty, she played a pivotal role in Charleston's dramatic mid-century cultural renewal. Her works showcased Charleston's natural beauty and charm, including: live oaks draped in moss; tall cypress trees in abandoned rice preserves; colorful flower women; and the streets and alleyways of the city, a favorite motif. An extremely articulate artist, Verner taught (William Melton Halsey was a early student), lectured, and authored four books illustrated with her etchings. She also illustrated DuBose Heyward's Porgy and Bess. In recognition of her contribution to the arts, the state of South Carolina named a prestigious annual art award after Verner. Her works are represented in the collections of national institutions such as the Metropolitan Museum of Art and Smithsonian American Art Museum, as well as leading museums across the Southeast.
Charleston Estate Services Auctions & Appraisals
Oct. 03, 2024
Elizabeth O'neill Verner Print
Est: $10 - $10,000
Framed And Under Glass: 14.5" X 11.75".
Berner's Auction Gallery
Sep. 20, 2024
Elizabeth O'Neill Verner
Est: $2,000 - $3,000
Elizabeth O'Neill Verner (South Carolina, 1883-1979) THE OAKS PLANTATION GATES, GOOSE CREEK, SC pencil on paper, framed, signed: lower right, inscribed: Ex Libris Hurst Waterman Conant, lower left sight H12 1/4" W11 1/2" Provenance: Southern private collection Literature: Heitzler, Michael J. GOOSE CREEK: A DEFINITIVE HISTORY. Charleston, SC: The History Press, 2005. Other Notes: Hurst Waterman Conant (b.1899) owned The Oaks in the 1940s.
Charlton Hall
Sep. 20, 2024
Elizabeth O'Neill Verner
Est: $6,000 - $8,000
Elizabeth O'Neill Verner (South Carolina, 1883-1979) COAST PALM WITH DUNES, SOUTH CAROLINA pastel on panel, framed, signed H21" W26" Provenance: Florida collection
Charlton Hall
Sep. 20, 2024
Elizabeth O'Neill Verner
Est: $10,000 - $20,000
Elizabeth O'Neill Verner (South Carolina, 1883-1979) ANCIENT OAK (Middleton Place) pastel, framed, signed sight H19 1/2" W23 3/4" Provenance: McFadden Estate
Charlton Hall
Sep. 20, 2024
Elizabeth O'Neill Verner
Est: $500 - $800
Elizabeth O'Neill Verner (South Carolina, 1883-1979) ST. MICHAEL'S ALLEY, CHARLESTON etching, framed, signed & titled sight H3 1/2" W2 1/2" Provenance: Late H. Arthur Brown, Jr.
Charlton Hall
Sep. 10, 2024
ELIZABETH O'NEILL VERNER (American, 1883-1979) A Pair of Pastel Portraits: Old Joe and Old Mary (9 x 8 7/8 in (22.9 x 22.5 cm).framed 15 5/8 x 15 5/8 x 3/4 in (39.7 x 39.7 x 1.9 cm).)
Est: $4,000 - $6,000
ELIZABETH O'NEILL VERNER (American, 1883-1979) A Pair of Pastel Portraits: Old Joe and Old Mary each signed 'Elizabeth O'Neill Verner' (lower right); each titled (in pencil on the reverse of the panel) and identified on labels from Childs Gallery, Boston (affixed to the backing paper) pastel on silk mounted to board 9 x 8 7/8 in (22.9 x 22.5 cm). framed 15 5/8 x 15 5/8 x 3/4 in (39.7 x 39.7 x 1.9 cm). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 08, 2024
ELIZABETH O'NEILL VERNER "MARY WASHINGTON"
Est: $275 - $325
Elizabeth O'Neill Verner signed print "Mary Washington". Pencil signed. Purchased from the artist at her Tradd Street Studio in Charleston. Professionally framed and matted. 14.75"x11 1/2"x1/2". Weight 1 lb 11 oz. PROVENANCE: A Charleston Private Estate.
Charleston Estate Services Auctions & Appraisals
Aug. 03, 2024
Elizabeth O'Neill Verner Collotype Print of Charleston.
Est: $100 - $200
Signed in pencil lr, framed. Frame 16 by 12 7/8 inches. Plate 12 inches by 9 inches.
Casco Bay Auctions
Jul. 28, 2024
FRAMED SIGNED ELIZABETH O'NEILL VERNER PRINT, TITLE "BLUE BABY"
Est: $500 - $700
Framed Signed Elizabeth O'Neill Verner Print, title is "Blue Baby". Elizabeth O'Neill Verner (1883-1979) is one of South Carolina's most famous artists, she produced numerous works recording the people and scenes of her native state, which today are internationally recognized and collected as a quintessential vision of Southern life. This piece measures 11.25" x 12" and weighs 1 lb 11 oz. Purchased at the Tradd Street Press. The Elizabeth O'Neill Verner Gallery, in Charleston, SC, was founded at 38 Tradd Street in 1938 by the noted Charleston artist, Elizabeth O'Neill Verner. Verner called it "The Tradd Street Press" as she had her etching press installed in the back room, which also served as her studio.
Charleston Estate Services Auctions & Appraisals
Jul. 28, 2024
2 ELIZABETH O'NEILL VERNER MARY WASHINGTON & OLD JOE
Est: $300 - $400
Elizabeth O'Neill Verner signed prints "Mary Washington" and "Old Joe". Pencil signed. Professionally framed and matted. Purchased from Mrs. Verner and signed at her studio on Tradd Street, Charleston in 1971. In frame each 9"x10.25"x1". Weight combined 2 lb 9 oz
Charleston Estate Services Auctions & Appraisals
Jul. 24, 2024
ELIZABETH O'NEILL VERNER - PINEAPPLE GATES ETCHING
Est: $300 - $500
Elizabeth O'Neill Verner (American, 1883 - 1979). Pineapple Gates, Charleston, etching. Titled in graphite lower left, signed and numbered 12/100 in graphite lower right.
Litchfield Auctions
Jun. 27, 2024
ELIZABETH O'NEIL VERNER (1883-1979) PRINT
Est: $50 - $10,000
Print of Westpoint. Dimensions: (Frame) H 19.75" x W 16" (Sight) H 13.5" x W 10" Condition: Light age toning to paper.
Westport Auction
Jun. 27, 2024
Other Places by Elizabeth O'Neill Verner
Est: $200 - $400
Columbia, South Carolina: Bostick & Thornley, 1946, inscribed to the grandfather of the consignor "My darling Harry from Beth, Elizabeth O'Neill Verner / Nov.1st 1946" Provenance: Private Charleston Collection
Brunk Auctions
Jun. 27, 2024
Elizabeth O'Neill Verner
Est: $30,000 - $40,000
(American/South Carolina, 1883-1979) Charleston Rooftop View, pastel on textured French pastel artist's board, signed lower right "E O Verner", 21-1/4 x 25-1/2 in.; modern gilt wood frame, 29-1/4 x 33-3/4 in. Provenance: Given by the artist to consignor's grandfather and then by descent in the family of the consignor; Private Charleston Collection Note on the history of this recent discovery: As the owner of the Elizabeth O'Neill Verner painting I'd like to give a little history as to how I acquired this beautiful and unique piece. My grandfather, Harry John O'Neill, was Beth (Elizabeth O'Neill) Verner's older brother. They were extremely close and he promoted her career. He was always supportive of her. My mother, Terence O'Neill, was Harry's oldest daughter. We all lived in downtown Charleston within walking distance of each other and had a lovely friendship with Aunt Beth. She would often be on the sidewalk in front of her studio chatting to neighbors and tourists alike. My mother would take us to visit and watch her paint and she loved the company of family. She was loaded with personality and so sweet to us. We were oblivious to her talent at that time but as children, we just loved watching her work. This painting which I've inherited was gifted to my mother by Aunt Beth, along with another of marsh & oak trees, probably around the early 1950's. We grew up seeing it at our house and when my mother died, 22 years ago, my brother inherited it. He passed away last September and he thoughtfully left the painting to me. It has never been shown or even viewed by the public so it's sort of a "discovery". It evokes a lot of memories of growing up in Charleston and having the wonderful experiences we had as children. We had no idea how privileged we were, way back in the 1940's & 50's to live in this city and wander the streets unencumbered by crowds of tourists and we really had no idea how privileged we were to have Elizabeth O'Neill Verner as our lovely Aunt Beth!
Brunk Auctions
Jun. 23, 2024
FRAMED SIGNED ELIZABETH O'NEILL VERNER PRINT, TITLE "BLUE BABY"
Est: $400 - $600
Framed Signed Elizabeth O'Neill Verner Print, title is "Blue Baby". Elizabeth O'Neill Verner (1883-1979) is one of South Carolina's most famous artists, she produced numerous works recording the people and scenes of her native state, which today are internationally recognized and collected as a quintessential vision of Southern life. This piece measures 13.75" x 12" and weighs 1 lb 11 oz. Purchased at the Tradd Street Press. The Elizabeth O'Neill Verner Gallery, in Charleston, SC, was founded at 38 Tradd Street in 1938 by the noted Charleston artist, Elizabeth O'Neill Verner. Verner called it "The Tradd Street Press" as she had her etching press installed in the back room, which also served as her studio.
Charleston Estate Services Auctions & Appraisals
May. 30, 2024
Elizabeth O'Neill Verner (American/South Carolina)
Est: $3,000 - $5,000
Elizabeth O'Neill Verner (American/South Carolina, 1883-1979), "Portrait of a Man with Cane and Pipe", pastel on silk laid on board, faintly signed lower left, 9 1/16 in. x 8 11/16 in., unframed. Note: Charleston native Elizabeth ONeill Verner was one of South Carolinas most prominent artists of the early twentieth century a matriarch of the Charleston Renaissance. Working primarily in pastel and printmaking, she depicted the architecture, street scenes and citizens of her hometown. Verner received early art training from Alice Ravenel Huger Smith followed by a stint at the Pennsylvania Academy of the Fine Arts in Philadelphia. In 1907, she married and had two children, with art-making a pursuit occupying only her spare time for many years. In 1923, she opened a printmaking studio and produced images of Charleston and its environs. Upon the unexpected death of her husband in 1925, Verner sought out commissions to provide a steady income and became a dedicated historic preservationist of nearby municipalities and institutions. In addition to her focus on architecture, she also excelled as a portraitist and figure painter. Her distinctive pastel drawings of Charlestons flower women and vegetable vendors are among her best-known works. At one point, the mayor of Charleston threatened to outlaw the activities of the vendors, but Verner came to their defense. Not only was she indebted to them as models for her work, but she believed in their contributions to the charming fabric of Charleston. Verner is represented in the collections of the Metropolitan Museum of Art, Smithsonian American Art Museum and leading museums across the South. Ref.: Verner, Elizabeth ONeill (1883-1979). The Johnson Collection. www.thejohnsoncollection.org. Accessed May 2, 2024.
Neal Auction Company
May. 25, 2024
Charleston Renaissance School
Est: $400 - $700
Early 20th century possibly the work of Elizabeth O'Neill Verner working in Charleston, South Carolina (1883-1979). Excellently rendered piece with no signature but the paper does have watermark at lower edge. Very good condition. H20 1/2" W13" (full margins) Sold from the collection of a Charleston, South Carolina lady.
Wooten & Wooten Auctioneers
May. 25, 2024
Elizabeth O'Neill Verner
Est: $300 - $600
(Charleston, South Carolina, 1883-1979) Original dry point etching titled, High Battery. Signed lower right and titled lower left. Nice color with no yellowing and framed for display. Sight size: H3" W2 1/4" Sold from the collection of a Port Royal, South Carolina gentleman.
Wooten & Wooten Auctioneers
May. 12, 2024
ELIZABETH O'NEILL VERNER CYPRESS SWAMP
Est: $200 - $300
Elizabeth O'Neill Verner (Charleston Renaissance, 1883-1979); lithograph of etching Cypress Swamp, signed and marked by Ms. Verner in pencil "repro". Sheet 8.75"x12". Minor spots to border. Weight 8 oz.
Charleston Estate Services Auctions & Appraisals
May. 07, 2024
Elizabeth O'Neill Verner (American 1883-1979), 'St. Michael's Alley (Looking west)', Etching on Paper; together with two signed photo prints Frame: 15 x 12 in. (38.1 x 30.5 cm.)
Est: $500 - $700
Elizabeth O'Neill Verner (American 1883-1979), 'St. Michael's Alley (Looking west)', Etching on Paper; together with two signed photo prints
Weschler's
Apr. 21, 2024
ELIZABETH QUALE O NEILL VERNER RURAL PASTEL PAINTING
Est: $100 - $150
Elizabeth Quale O Neill Verner, American, 1883 to 1979, pastel painting on paper depicting a rural scene with an African woman sitting in a cart pulled by an ox. Signed lower left. Framed. Several paper labels, M. H. Hartmann, Kaufmanns, on the backside. Elizabeth Verner is known for Portrait, floral, genre, etcher. A leader in establishing Charleston, South Carolina as a dynamic cultural center, Elizabeth Verner depicted the historic citys seemingly endless supply of subject matter including lush landscape, architectural landmarks, and local people. Many of her paintings were pastel on silk. She was also proficient as an etcher and a part of the Charleston Etchers Club whose members did etchings of Charleston's historic architecture. Their work, published in national media, brought widespread attention to the charms of the area. She worked especially hard, printing her own plates and selling prints, and during the spring seasons opened her studio to tourists and housed visitors in her home. She also served as a guide to Charleston and wrote and illustrated several books that furthered her own career as well as promoted Charleston as a visitor destination. One of a kind artwork.
Antique Arena Inc
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $1,000 - $1,500
Elizabeth O'Neill Verner (South Carolina, 1883-1979) MANDA'S CABIN etching, framed, signed, titled & numbered 74/100 sight H7 1/2" W5 1/4" Provenance: Private collection
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $600 - $900
Elizabeth O'Neill Verner (South Carolina, 1883-1979) CLOSE NEIGHBORS etching, unframed, signed, titled & numbered 21/80 sheet H9" W8 1/2" Provenance: Private collection
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $600 - $900
Elizabeth O'Neill Verner (South Carolina, 1883-1979) ON MEETING STREET, CHARLESTON etching, framed, signed & titled sight H7 3/4" W5 1/2" Provenance: Private collection
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $300 - $500
Elizabeth O'Neill Verner (South Carolina, 1883-1979) RIVALS etching, framed, signed & numbered Elizabeth O'Neill Verner, 71/100, and inscribed: IMP VH sight H7 1/2" W5 3/4" Provenance: Private collection Other Notes: William Van Hettinga (1938-1989) lived in New York City and is know for his calligraphy and abstract art. In 1978 he retired and moved to Charleston, South Carolina. Mr. Van Hettinga assisted Ms. Verner in completing some of her unfinished edition on her presses. These prints are on fine BFK Rives paper and are pencil signed by both Mr. Van Hettinga and Ms. Verner.
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $400 - $600
Elizabeth O'Neill Verner (South Carolina, 1883-1979) SATURDAY MORNING AT THE MARKET etching, framed, signed & numbered Elizabeth O'Neill Verner, 65/80, and inscribed: IMP VH sight H11" W10" Provenance: Private collection Other Notes: William Van Hettinga (1938-1989) lived in New York City and is know for his calligraphy and abstract art. In 1978 he retired and moved to Charleston, South Carolina. Mr. Van Hettinga assisted Ms. Verner in completing some of her unfinished edition on her presses. These prints are on fine BFK Rives paper and are pencil signed by both Mr. Van Hettinga and Ms. Verner.
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $200 - $400
Elizabeth O'Neill Verner (South Carolina, 1883-1979) ST MICHAEL'S SPIRE etching, framed, signed Elizabeth O'Neill Verner, and inscribed: IMP VH PP sight H7 3/4" W5 1/4" Provenance: Private collection Other Notes: William Van Hettinga (1938-1989) lived in New York City and is know for his calligraphy and abstract art. In 1978 he retired and moved to Charleston, South Carolina. Mr. Van Hettinga assisted Ms. Verner in completing some of her unfinished edition on her presses. These prints are on fine BFK Rives paper and are pencil signed by both Mr. Van Hettinga and Ms. Verner.
Charlton Hall
Apr. 05, 2024
Elizabeth O'Neill Verner
Est: $200 - $400
Elizabeth O'Neill Verner (South Carolina, 1883-1979) TRADD STREET, CHARLESTON etching, framed, signed & numbered Elizabeth O'Neill Verner, 76/80, and inscribed: IMP VH sight H7 1/4" W5 1/2" Provenance: Private collection Other Notes: William Van Hettinga (1938-1989) lived in New York City and is know for his calligraphy and abstract art. In 1978 he retired and moved to Charleston, South Carolina. Mr. Van Hettinga assisted Ms. Verner in completing some of her unfinished edition on her presses. These prints are on fine BFK Rives paper and are pencil signed by both Mr. Van Hettinga and Ms. Verner.
Charlton Hall
Apr. 03, 2024
E. O'NEILL VERNER 'MILLWOOD' SIGNED LITHOGRAPH
Est: $200 - $300
Elizabeth O'Neill Verner (American/South Carolina 1883-1979), 'Millwood', offset lithograph, 1962, depicting moss on the ruins of a Southern plantation, signed in plate and signed in pencil on bottom center right, center left has 'repro' in pencil, framed. Approximate dimensions: sight: h. 16.75", w. 21.5"; frame h. 26.5", w. 30.5", d. 1"
Ahlers & Ogletree Inc.
Mar. 27, 2024
Washington Hall West Point Etching by Elizabeth O'Neill Verner (South Carolina, 1883-1979)
Est: $1,000 - $1,500
Washington Hall West Point New York Ethcing on Paper Signed l.l. 13 x 9.25 inches (sight) 20 x 16 inches (frame) Overall good condition.
Lewis & Grant Auctions
Mar. 27, 2024
West Point Chapel Etching by Elizabeth O'Neill Verner (South Carolina, 1883-1973)
Est: $1,000 - $1,500
Chapel West Point, New York Etching on Paper Signed l.r. 13 x 9.25 inches (sight) 20 x 16 inches (frame) Overall good condition.
Lewis & Grant Auctions
Mar. 09, 2024
Elizabeth O'Neill Verner 1883-1979 Springtime Comes (Dolly)
Est: $4,000 - $6,000
Elizabeth O'Neill Verner (1883-1979): Springtime Comes (Dolly) pastel on panel c. 1955; signed in pencil lower right, titled to label on verso 10 x 8 in. (25.4 x 20.3 cm.), Frame: 16 x 13 1/2 in. (40.6 x 34.3 cm.) Provenance: Verner Gallery (label to verso)
Abell Auction