Frans Vervloet Paintings & Artwork for Sale | Frans Vervloet Art Value Price Guide

May. 13, 2026
FRANS VERVLOET (1795-1872) 'Florence' twilight view of boatmen on a canal watercolour signed and inscribed
Est: £100 - £200
FRANS VERVLOET (1795-1872) 'Florence' twilight view of boatmen on a canal watercolour signed and inscribed 18 x 27.5cm
John Nicholson's Fine Art Auctioneers & Valuers
Mar. 26, 2026
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €8,000 - €12,000
INNERES EINER GROSSEN KIRCHE Öl auf Leinwand. 61 x 46,5 cm. Rechts unten signiert und datiert „F. Vervloet 185(?)“. In vergoldetem Rahmen. Blick in das Langhaus einer alten Kirche mit hohem Kreuzrippengewölbe. Im Vordergrund eine Prozession mit Messdienern und diversen Klerikern, die vom Chorraum durch das Tor des Lettners in das Hauptschiff zieht und dort auf meist kniende und betende Kirchenbesucher trifft. Der Messdiener in der Mitte des Vordergrunds ein Kruzifix mit beiden Händen tragend, die ihn seitlich Begleitenden jeweils einen großen Leuchter mit brennender Kerze haltend. Das Licht fällt vom Chorraum und den oberen Fenstern des Langhauses ins Innere und sorgt für ein Wechselspiel zwischen Licht und Schatten. Malerische Darstellung in der bekannten Art des Künstlers. (1472179) (18)
Hampel Fine Art Auctions
Mar. 26, 2026
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €15,000 - €25,000
BLICK AUF DIE KREUZGÄNGE DER KARTAUSE VON SAN MARTINO IN NEAPEL Öl auf Leinwand. 38 x 53 cm. Rechts unten signiert „F. Vervloet“. In vergoldetem Prunkrahmen. Blick über die Brüstung des oberen Kreuzganges auf den Innenhof der Kartause mit den Kreuzgängen, zwei Staffagefiguren und dem Durchblick auf das Meer und die Küste unter hellblauem Himmel, teils durch das untergehende Sonnenlicht gelblich verfärbt. Feine qualitätvolle Darstellung in reduzierter Farbgebung. (14721710) (18) Frans Vervloet, 1795 Mechelen – 1872 Venice VIEW OF THE CLOISTERS OF THE CHARTERHOUSE OF SAN MARTINO IN NAPLES Oil on canvas. 38 x 53 cm. Signed “F. Vervloet” lower right.
Hampel Fine Art Auctions
Feb. 19, 2026
Frans Vervloet Il Canal Grande
Est: €3,000 - €4,000
Firmato e situato in basso a destra "Vervloet Venice"
DAMS Casa d'Aste
Nov. 27, 2025
Vervloet, Frans: 1821. Fröhliche Runde mit neapolitanischen Fischern beim Wein trinken
Est: €4,000 - €4,500
Fröhliche Runde mit neapolitanischen Fischern beim Wein trinken. Öl auf Papier, auf Karton kaschiert. 21 x 27,7 cm. Unten links monogrammiert und datiert "FV napoli 1822". Eine kleine Gesellschaft von Neapolitanern hat sich um einen einfachen Holztisch versammelt. Sie genießen den Wein aus einer großen Karaffe, während ein Austernfischer daneben seine Muscheln verarbeitet. Die lebendige Studie dürfte als eine mögliche Bildidee für Vervloets eindrucksvolle neapolitanischen Hafenansichten gedient haben, die der Künstler ab 1820 in verschiedenen Versionen malte. Andreas Stolzenburg, Hamburg, bestätigte die Autorschaft Vervloets nach Begutachtung des Originals (mdl. am 23. Juli 2025). - Provenienz: Aus der Sammlung des dänischen Malers David Jacob Jacobsen (1821 Kopenhagen - 1871 Florenz, Annotation in brauner Feder auf dem Schmuckrahmen verso). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Oct. 22, 2025
Frans Vervloet
Est: €20,000 - €30,000
(Mechlin 1795–1872 Venice) Venice, a View from the Piazzetta dei Leoncini of St. Mark’s Square signed, dated F. Vervloet 1866, oil on panel, 53 x 43 cm, framed Provenance: Private Collection, Belgium.
Dorotheum
Sep. 30, 2025
Il Canal Grande
Est: €3,000 - €4,000
Firmato e situato in basso a destra "Vervloet Venice"
DAMS Casa d'Aste
Sep. 09, 2025
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €8,000 - €10,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Jul. 10, 2025
Sala da caffè sul Bosforo
Est: €3,000 - €5,000
Firmato e datato in basso a destra: F. Vervloet 1844. In cornice.
DAMS Casa d'Aste
Jul. 10, 2025
Il Canal Grande
Est: €3,000 - €4,000
Firmato e situato in basso a destra "Vervloet Venice"
DAMS Casa d'Aste
Jun. 17, 2025
DANIEL HERNANDEZ MORILLO (Peru, 1856 - 1932). "Lady", Paris, 1902. Oil on canvas. Signed, dated and located in the lower right corner. Measurements: 81 x 66 cm; 106 x 91 cm (frame).
Est: €8,000 - €10,000
DANIEL HERNANDEZ MORILLO (Peru, 1856 - 1932). "Lady", Paris, 1902. Oil on canvas. Signed, dated and located in the lower right corner. Measurements: 81 x 66 cm; 106 x 91 cm (frame). In this work, Daniel Hernández Morillo, Peruvian master trained in the European academic tradition, presents us with exquisite refinement and luminous sensibility the feminine elegance of the Belle Époque. It is an oil on canvas of impeccable workmanship, in which the artist displays his technical mastery at the service of an intimate and enveloping atmosphere. The figure, captured in a closed frame, is shown wrapped in a delicate white mantilla, embroidered with subtle embroidery that plays with the light. The face, with dark eyes, soft features and flesh tones of rosy delicacy, conveys mischievousness with its oblique gaze and smile insinuated in lips finely outlined in carmine. The treatment of color and light reveals the hand of a painter influenced by late French academicism, but who introduces in this work an almost symbolist sensibility. The lighting (soft, golden, as of a sunset sifted by leaves) caresses the iridescent silk of the mantilla and awakens mauve and golden reflections on the canvas, enveloping the figure in a halo of autumnal serenity. The vine leaves that surround her, together with the rose stem subtly arranged, reinforce the idea of a suggested natural environment, where the lady merges with the vegetable in a poetic gesture of evocation. This work, created during the artist's stay in Paris, testifies to his ability to transcend decorative realism and endow his figures with an almost timeless emotional density. It is an example of the transitional painting between academic preciosity and the intimate atmospheres of fin-de-siècle modernism. Daniel Hernández began his training in Lima in 1878, having Leonardo Barbieri as his first teacher. Later he traveled to Paris on a government scholarship. In the French capital he visits Ignacio Merino, who recommends him to go to Italy. Ten years pass between workshops, museums and an intense study, traveling through France, Italy and Spain. He finally settled in Paris, and there he met Fortuny, Padilla and Villegas, Spanish artists whose influence assimilated his painting. During these years he competed in various competitions, obtaining the second medal at the Paris Salon of 1899, the gold medal at the Universal Exposition of 1900 and the Legion of Honor on the same date, awards that demonstrate the acceptance he enjoyed in Europe during the last years of the nineteenth century. Since then, Hernandez was declared Honoris Causa in all the Salons. He was also awarded at the Ibero-American Exposition in Seville. In 1912 he returned to America, working between Montevideo and Buenos Aires, always painting portraits and exhibiting his work. Soon after he returned to Paris, where he lived through the Great War, but he returned to Lima in 1918, called by President Jose Pardo to assume the direction of the recently founded National School of Fine Arts, a position he held until his death in 1932. Daniel Hernández left a varied work, including marine watercolors, landscapes, still lifes and numerous sketches. He also painted many portraits, such as the portrait of Pierola in Paris in 1899. He painted Pardo and other Peruvian leaders, as well as illustrious figures such as Bolivar and Pizarro. His so-called "perezosas" deserve special mention, compositions featuring ladies resting on couches, in environments full of sensuality and richness. With them he won the medals of 1899 and 1900. Hernández developed a precious style with a marked balance between drawing and color, revealing a perfect technical mastery. A man of his time, on the basis of his academicist language appear certain notes of impressionist influence. Daniel Hernández is represented in the Prado Museum in Madrid and in the museum that bears his name in Huancavelica (Peru), as well as in other outstanding Peruvian and foreign art galleries.
Setdart Auction House
May. 20, 2025
Frans Vervloet (1795-1872), ‘The Ponte Vecchio in Florence’ & ‘The Palazzo Vecchio in Florence’
Est: €1,500 - €3,000
Frans Vervloet (1795-1872), ‘The Ponte Vecchio in Florence’ & ‘The Palazzo Vecchio in Florence’ both signed ‘F Vervloet, Florence’ lower right.
Vendu Rotterdam
Mar. 29, 2025
FRANS VERVLOET (1795-1872)
Est: €1,500 - €2,000
FRANS VERVLOET (1795-1872) Femme à la rose Huile sur panneau Signée et datée 1820 (?) sur la table 29,5 x 21,5 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Mar. 20, 2025
FRANS VERVLOET SALA DA CAFFÈ SUL BOSFORO
Est: €3,000 - €5,000
Firmato e datato in basso a destra: F. Vervloet 1844. In cornice.
DAMS Casa d'Aste
Mar. 19, 2025
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €8,000 - €10,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Feb. 06, 2025
FRANS VERVLOET (BELGIAN 1795-1872), VIEW OF FLORENCE
Est: £300 - £500
FRANS VERVLOET (BELGIAN 1795-1872)VIEW OF FLORENCEWatercolourSigned and inscribed 'Florence' (lower right)16.5 x 31cm (6¼ x 12 in.)Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts.
Dreweatts 1759 Fine Sales
Dec. 12, 2024
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €8,000 - €10,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Nov. 28, 2024
Frans Vervloet Sala da caffè sul Bosforo
Est: €5,000 - €10,000
Firmato e datato in basso a destra: F. Vervloet 1844. In cornice.
DAMS Casa d'Aste
Nov. 24, 2024
Attribué à Frans VERVLOET (1795 - 1872) L'aumône à Naples
Est: €1,000 - €1,500
Attribué à Frans VERVLOET (1795 - 1872) L'aumône à Naples Huile sur toile 32 x 47,5 cm Avec cadre : 45 x 61 cm Porte une inscription au revers du châssis '46,5 + 30,5' et une étiquette ancienne de vente déchirée Oil on canvas, 12.5 x 18.5 in, with frame : 17.7 x 24 in
Osenat
Oct. 19, 2024
FRANS VERVLOET (1795-1872)
Est: €2,000 - €3,000
FRANS VERVLOET (1795-1872) Femme à la rose Huile sur panneau Signée et datée 1820 (?) sur la table 29,5 x 21,5 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Jun. 27, 2024
Frans Vervloet, 1795 Mechelen – 1872 Venedig, Nachfolge des
Est: €25,000 - €35,000
ANFANG DES CANAL GRANDE IN VENEDIG Öl auf Leinwand. Doubliert. 63 x 87 cm. Rechts unten von fremder Hand: „F. Vervloet 1870“. In ornamental reliefiertem und vergoldetem Rahmen. In lichter Sommerstimmung der beginnende Canal Grande mit dem Hauptportal der Basilika Santa Maria della Salute im Sestiere Dorsoduro, daneben im Hintergrund der Punto della Dogana mit den Atlasfiguren die eine vergoldete Erdkugel stemmen auf der die bronzene Göttin Fortuna steht – ein Werk des Bernardo Falconi. Auf dem Canal Grande zahlreiche Segelschiffe und Gondeln, am linken Bildrand eine Reihe mit Palazzi, im Hintergrund der Campanile des Markusplatzes, der 1902 einstürzte, da man Eisenanker entfernt hatte um einen Aufzug einzubauen und dessen Wiederaufbau schon am 25. April 1903 wieder begann. (14006813) (3) (13) Frans Vervloet, 1795 Mechelen – 1872 Venice, follower of BEGINNING OF THE GRAND CANAL IN VENICE Oil on canvas. Relined. 63 x 87 cm. Signed in an unknown hand lower right: “F. Vervloet 1870”.
Hampel Fine Art Auctions
Jun. 20, 2024
FRANS VERVLOET (MALINES, 1795 - VENEZIA, 1872) - PONTE VECCHIO
Est: €800 - €1,200
Acquerello su carta , cm. 23,5x35. Firma in basso a destra.
Pananti Casa D'Aste SRL
Jun. 11, 2024
Frans Vervloet
Est: €1,500 - €2,500
Interior of the Basilica of San Marco, 1864 oil on panel, cm. 18x30 Place on lower left: Venice; signed and dated on lower right: Vervloet 1864
Bolli & Romiti s.r.l
May. 29, 2024
Frans Vervloet (1795-1872)
Est: €3,000 - €6,000
Frans Vervloet (1795-1872), ‘The Ponte Vecchio in Florence’ & ‘The Palazzo Vecchio in Florence’, both signed ‘F Vervloet, Florence’ lower right.
Vendu Rotterdam
May. 23, 2024
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €15,000 - €20,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Dec. 18, 2023
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €15,000 - €20,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Nov. 29, 2023
FRANS VERVLOET
Est: €5,000 - €7,000
Malines, 1795 - Venezia, 1872 Veduta dal molo di Napoli Monogramma FV, Napoli e data 1824 in basso a destra Olio su carta applicata su tela, cm 31X44,5 Nato in Belgio, figlio di Frans I, direttore dell'Accademia di Belle Arti di Malines e suo primo insegnante, Vervloet completa la sua formazione ad Amsterdam, prima di trasferirsi nel 1822 a Roma, dove conoscerà François Marius Grenet e Antonio Canova. Si sposterà, due anni più tardi, a Napoli, che con Venezia, saranno le sue vere città d'adozione, di cui è testimonianza l'olio su carta, datato 1824, qui pubblicato. In questa veduta del molo di Napoli, Vervloet dimostra la sua abilità nel combinare l'influenza del vedutismo settecentesco, evidente nella definizione delle piccole figure che animano la scena, con gli elementi distintivi del gruppo di paesaggisti di Posillipo. Il risultato è un'opera straordinariamente personale in cui la gradazione degli effetti atmosferici è ottenuta attraverso l'uso di trasparenze delicate e tonalità tenui e avvolgenti, che creano un'atmosfera intima e suggestiva. Bibliografia di riferimento: G. De Marco, Un inedito viaggio in Calabria nei disegni di François Vervloet in Quaderni del Dipartimento Patrimonio Architettonico e Urbanistico, Roma 1998, pp. 85-98, n. 13-14 A.A.V.V. Vervloet, in Vedute napoletane dell'Ottocento, Napoli 2002, pp. 28-29
Wannenes Art Auctions
Sep. 14, 2023
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €30,000 - €40,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Jun. 29, 2023
Frans Vervloet, 1795 Mecheln – 1872 Venedig, zugeschrieben/ Kreis des
Est: €6,000 - €9,000
VENEDIG, BLICK ÜBER DEN CANAL GRANDE AUF DIE RIALTO-BRÜCKE Öl auf Leinwand. 46 x 65 cm. In vergoldetem Rahmen. Ansicht des ruhigen Canal Grande mit seitlich ankernden Booten und Gondeln im Licht der untergehenden gelb-orangen Sonne, die linksseitig die Häuserfront noch erhellt, während die Bauten der rechten Uferseite bereits im Schatten liegen. In der Mitte des Hintergrundes die Rialto-Brücke mit benachbarten Gebäuden bereits im diffusen grauen Licht. Rest., teils Retuschen. (1360182) (3) (18)
Hampel Fine Art Auctions
Jun. 14, 2023
VERVLOET FRANS (1795 - 1872) Baia (Posillipo, Nisida, Monte S. Angelo)
Est: €9,000 - €12,000
VERVLOET FRANS (1795 - 1872). Baia (Posillipo, Nisida, Monte S. Angelo). Signed lower left. Titled at the back.. Cm 40,00 x 25,00.
Capitolium Art
May. 15, 2023
Frans Vervloet: Stairs at San Pietro in Vincoli, Rome
Est: €5,000 - €7,000
VERVLOET, FRANS 1795 Mecheln - 1872 Venedig Title: Stairs at San Pietro in Vincoli, Rome. Technique: Oil on wood. Measurement: 40 x 30,5cm. Notation: Signed and dated lower left: F. Vervloet Roma/1822. Frame: Framed. Verso: Old adhesive label with description. Provenance: Dutch private ownership, acquired on 16.3.1976 at the auction house Mak van Waay, Amsterdam. Explanations to the Catalogue
Van Ham Kunstauktionen
Mar. 29, 2023
Frans Vervloet (Belgian, 1795-1872) A view of the Fatih Mosque, Instanbul
Est: £25,000 - £35,000
Frans Vervloet (Belgian, 1795-1872) A view of the Fatih Mosque, Instanbul signed, inscribed and dated 'R Vervloet Constantinople/1843' (lower right) oil on paper laid on canvas 40.7 x 31.4cm (16 x 12 3/8in).
Bonhams
Dec. 13, 2022
FRANS VERVLOET (BELGIAN, 1795–1872) Woman at a window, Mechelen, 1816 oil o
Est: £30,000 - £50,000
FRANS VERVLOET (BELGIAN, 1795–1872) Woman at a window, Mechelen, 1816 oil on panel 14 3/8 x 11 3/8 in. (36.4 x 29 cm.)
Christie's
Nov. 20, 2022
Att. to Frans Vervloet (1795 - 1872) Watercolor
Est: $100 - $500
A Florence scene, signed at the lower left.
Locati LLC
Oct. 21, 2022
FRANS VERVLOET (MALINES, 1795 - VENEZIA, 1872) - INTERNO DI CHIESA ROMANA
Est: €12,000 - €15,000
Olio su tela, cm. 47x61. Sul verso: "v. 70"; sul telaio, iscrizione "Interieur de l'eglise de [...] à Rome"; etichetta con dati dell'opera.
Pananti Casa D'Aste SRL
Jun. 30, 2022
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €22,000 - €30,000
ANSICHT VON VENEDIG Öl auf Holz. 30 x 25 cm. Rechts unten signiert und datiert „F. Vervloet Venezia 1855“. Durch einen hohen Arkadenbogen fällt der Blick auf die gut besuchte Piazetta mit dem Dogenpalast und weiteren Gebäuden entlang des Canal Grande. Im Hintergrund geht langsam die Sonne hinter einer großen Wolkenformation unter; ihre letzten Sonnenstrahlen beleuchten harmonisch die Stadtansicht von Venedig und das Wasser, auf dem zahlreiche Boote und Gondeln schippern. Im Vordergrund einige Händler beim Tragen von Paketen und Körben sowie eine Frau mit rotem Kopftuch und einem Hund, die unter dem Bogen sitzt, der zur Biblioteca Marciana gehört. Stimmungsvolle Wiedergabe mit gekonnter Lichtführung. (12821041) (18) Frans Vervloet, 1795 Mechelen – 1872 Venice VIEW OF VENICEOil on panel. 30 x 25 cm. Signed and dated “F. Vervloet Venezia 1855” lower right. Archway belonging to the Biblioteca Marciana. Atmospheric painting with masterful direction of light.
Hampel Fine Art Auctions
Jun. 30, 2022
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €35,000 - €55,000
BLICK AUF DIE BEIDEN SÄULEN AM EINGANG DER PIAZZA SAN MARCO, VENEDIG Öl auf Leinwand. Doubliert. 33,5 x 25,5 cm. Rechts unten signiert „Vervloet Venice 18“. In dekorativem vergoldeten Rahmen. Im weichen Licht der Sonne, Blick auf die Piazza San Marco mit den beiden Säulen, die Venedigs Stadtheiligen Markus und Theodorus gewidmet sind. Auf den Säulen befinden sich daher der Markuslöwe bzw. die San Teodoro Statue. Im Hintergrund, unter hellblauem Himmel, die Lagune mit diversen Gebäuden. Auf der Piazza sind einige Händler und auch Besucher zu sehen. Feine Malerei in stimmungsvollem Licht. Minimale Rahmenschäden. (13220018) (18) Frans Vervloet, 1795 Mechelen – 1872 Venice VIEW OF THE TWO COLUMNS AT THE ENTRANCE OF SAINT MARK’S SQUARE, VENICEOil on canvas. Relined. 33.5 x 25.5 cm. Signed “Vervloet Venice 18” lower right. In decorative gilt frame. View of the Saint Mark´s Square with the two columns dedicated to the patron saints of Venice, Saint Mark and Saint Theodore, bathed in soft sunlight. Fine painting with atmospheric light. With minimal damage to the frame.
Hampel Fine Art Auctions
Jun. 14, 2022
View of the interior of the Basilica of San Marco
Est: €2,800 - €3,200
Signed and dated lower right: Vervloet 1864
Casa d'aste ARCADIA
Jun. 08, 2022
Franz Vervloet (Mechelen 1795-Venezia 1872) - Florence, Piazza della Signoria
Est: €1,800 - €2,500
watercolour on card signed and located lower right: F. Vervloet Firenze
Finarte
Dec. 10, 2021
FRANS VERVLOET (1795-1862) PAESAGGIO CON ACQUEDOTTO E PASTORI
Est: €500 - €800
Acquerello su carta, cm. 19,5x26,5 Firma in basso a sinistra.
Pananti Casa D'Aste SRL
Sep. 23, 2021
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €15,000 - €20,000
RefOld13921 RefImp13921 ANSICHT VON VENEDIG Öl auf Holz. 30 x 25 cm. Rechts unten signiert und datiert „F. Vervloet Venezia 1855“.Durch einen hohen Arkadenbogen fällt der Blick auf die gut besuchte Piazetta mit dem Dogenpalast und weiteren Gebäuden entlang des Canal Grande. Im Hintergrund geht langsam die Sonne hinter einer großen Wolkenformation unter; ihre letzten Sonnenstrahlen beleuchten harmonisch die Stadtansicht von Venedig und das Wasser, auf dem zahlreiche Boote und Gondeln schippern. Im Vordergrund einige Händler beim Tragen von Paketen und Körben sowie eine Frau mit rotem Kopftuch und einem Hund, die unter dem Bogen sitzt, der zur Biblioteca Marciana gehört. Stimmungsvolle Wiedergabe mit gekonnter Lichtführung. (12821041) (18)Frans Vervloet, 1795 Mechelen – 1872 VeniceVIEW OF VENICE Oil on panel.30 x 25 cm.Signed and dated “F. Vervloet Venezia 1855” lower right. Archway belonging to the Biblioteca Marciana. Atmospheric painting with masterful direction of light.
Hampel Fine Art Auctions
Apr. 27, 2021
FRANS VERVLOET (MALINES 1795-1872 VENISE)
Est: €10,000 - €15,000
FRANS VERVLOET (MALINES 1795-1872 VENISE) Vue de la baie de Naples avec le Castel dell' Ovo 67,5 x 93 cm. (26 ½ x 36 5/8 in.) huile sur toile
Christie's
Apr. 19, 2021
Frans Vervloet, Lotto composto di 2 acquerelli. Prima metà del XIX secolo.
Est: €140 - €280
Acquerelli su carta. mm 68x142 e mm 145x65. Firmati in basso a destra. (2)
Gonnelli Casa d'Aste
Dec. 01, 2020
Frans Vervloet, Venice.
Est: €100 - €200
Acquerello su carta. Firmato e titolato in basso a sinistra.
Gonnelli Casa d'Aste
Jul. 15, 2020
FRANS VERVLOET (MALINES 1795-1872 VENISE) VUE DU PALAIS DES DOGES ET DU GRAND CANAL À VENISE
Est: €12,000 - €18,000
FRANS VERVLOET (MALINES 1795-1872 VENISE)VUE DU PALAIS DES DOGES ET DU GRAND CANAL À VENISE signature renforcée par dessus une signature ancienne 'F Vervloet 1860.' (en bas à droite) huile sur toile, sur sa toile d'origine 43 x 60,5 cm. (167⁄8 x 237⁄8 in.)
Christie's
Jul. 01, 2020
Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, signées et datées 12,5x18 cm
Est: CHF6,000 - CHF8,000
Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, signées et datées 12,5x18 cm Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, 12,5x18 cm
Piguet Hôtel des Ventes | Genève
Mar. 15, 2020
Frans VERVLOET (1795-1872) Florence Aquarelle Signé et daté en bas à droite 14,5 x 8 cm (à vue) Avec
Est: €200 - €300
Frans VERVLOET (1795-1872) Florence Aquarelle Signé et daté en bas à droite 14,5 x 8 cm (à vue) Avec cadre : 26,5 x 20,5 cm Watercolour, signed and dated lower right, 5 11/16 x 3 1/8 in With frame : 10 7/16 x 8 3/32 in
Osenat
Dec. 12, 2019
VERVLOET FRANS (1795 - 1872) Venice landscape. Chiesa della Salute.
Est: €5,000 - €8,000
VERVLOET FRANS (1795 - 1872). Venice landscape. Chiesa della Salute.. Signature lower right and dated 1849. Restoration.. Cm 34,50 x 26,00.
Capitolium Art