Antonie Volkmar Paintings & Artwork for Sale | Antonie Volkmar Art Value Price Guide

Mar. 28, 2026
Volkmar, Antonie (1827-1903) ‘La Bella’, oil on canvas, reduced copy after Jacopo Palma (il Vecchio), ornate frame (slight signs of age), 35.5x27cm (w.f. 50x46.5cm), provenance: from the artist's family collection
Est: -
Volkmar, Antonie (1827-1903) ‘La Bella’, oil on canvas, reduced copy after Jacopo Palma (il Vecchio), ornate frame (slight signs of age), 35.5x27cm (w.f. 50x46.5cm), provenance: from the artist's family collection Volkmar, Antonie (1827-1903) "La Bella", Öl/Leinwand, verkleinerte Kopie nach Jacopo Palma (il Vecchio), Prunkrahmen (leichte Altersspuren), 35,5x27cm (m.R. 50x46,5cm), Provenienz: aus dem Besitz der Familie der Künstlerin
Kendzia
Mar. 28, 2026
Volkmar, Antonie (1827-1903) ‘Young Man with Staff’, oil on canvas, free copy after Raphael, inscribed on the reverse, 66x51.5cm (w.f. 72.5x57.5cm), provenance: from the artist's family collection
Est: -
Volkmar, Antonie (1827-1903) ‘Young Man with Staff’, oil on canvas, free copy after Raphael, inscribed on the reverse, 66x51.5cm (w.f. 72.5x57.5cm), provenance: from the artist's family collection Volkmar, Antonie (1827-1903) "Junger Mann mit Stab", Öl/Leinwand, freie Kopie nach Raffael, verso bez., 66x51,5cm (m.R. 72,5x57,5cm), Provenienz: aus dem Besitz der Familie der Künstlerin
Kendzia
Mar. 28, 2026
Volkmar, Antonie (1827-1903) ‘Portrait of a Child with a Bouquet of Flowers - Farewell, Dear Child’ 1861, oil on cardboard, ornate frame (minor defects), 25x21.5cm (w.f. 33x29.3cm), painting surface slightly bent, slight craquelure, provenance: from
Est: -
Volkmar, Antonie (1827-1903) ‘Portrait of a Child with a Bouquet of Flowers - Farewell, Dear Child’ 1861, oil on cardboard, ornate frame (minor defects), 25x21.5cm (w.f. 33x29.3cm), painting surface slightly bent, slight craquelure, provenance: from the artist’s family collection Volkmar, Antonie (1827-1903) "Kinderporträt mit Blumenstrauß - leb wohl du theures Kind" 1861, Öl/Malpappe, Prunkrahmen (kleine Defekte), 25x21,5cm (m.R. 33x29,3cm), Maluntergrund leicht gebogen, leichtes Craquelé, Provenienz: aus dem Besitz der Familie der Künstlerin
Kendzia
Nov. 21, 2025
Antonie Volkmar: Italian with Both of Her Children
Est: €3,000 - €4,000
VOLKMAR, ANTONIE Berlin 1827 - 1903 Title: Italian with Both of Her Children. Date: 1866. Technique: Oil on canvas. Mounting: Relined. Measurement: In oval: 73.5 x 63cm. Notation: Signed and dated right: "A. Volkmar / 1866". Frame: Framed. Literature: F.v. Boetticher: Malerwerke des Neunzehnten Jahrhunderts. Dresden 1891-1901, Volume II.2, p. 946, here listed under no. 17 with the reference to "Sachse's Berliner Gemälde-Ausstellung 1867". Provenance: Private ownership, Germany. The arriving autumn belongs, both at the Kunstpalast but also at VAN HAM to the female artists! Until 1st February 2026 the Museum in Düsseldorf showcases an exhibition on the topic "Künstlerinnen! Von Monjé bis Münter" ("Female Artists! From Monjé to Münter"). VAN HAM will perform as one of the sponsors of this exciting exhibition that presents more than 30 female artists. Paintings of the artists represented in the collection such as magnificent stillives by Emilie Preyer are regularly part of the auctions at VAN HAM. Since 1996 VAN HAM has offered more than twenty paintings of the artist and sold for peak prices. No other art auction house in the world can look back on such a rate of success. Without exception, all results of the artist have a five-digit sum. VAN HAM has secured a stable and continuously growing price development this way and significantly has contributed to the artist's rising fame and esteem. Today the stilllife painter belongs to the most significant artistsof the Düsseldorf school of painting. Works by female artists have fascinated art collectors for many years - with growing demand. We are delighted to offer nine works of selected German, Dutch and French female artists of the 19th century this autumn. The presented paintings unveil impressively how diverse and technically adept female artists in 19th and the early 20th century have worked. With "Italian with Both of Her Children" by Antonie Volkmar a delicate figure painting is centred that directs the eye to a the private and the interpersonal. In her Berlin atelier, a space of artistic meeting, she recognised the talent of the young Max Liebermann in 1859 who visited her as a 12-year-old accompanied by his mother, who had Volkmar portray her. Her artistic significance was reflected in the international salon: as one of the few women she was represented with her main work "Farewell of the Wandererd" on the Paris World Expo in 1867. In the painting of landscapes female artists have proven to be precise observers of nature. Elisabeth Büchsel, who enjoyed her education at the drawing school of the Vereins der Berliner Künstlerinnen under Conrad Fehr and Walter Leistikow as well as in the painting classes in Paris and Munich, orchestrates the frugal beauty of the island in the Baltic Sea in "Blooming Brooms in the Wind on Hiddensee". She was part of the Hiddensoer Künstlerinnenbund, an early association of female visual artists, that successfully fought against their discrimination in the art world. Especially strongly represented are the stilllives - a genre in which many 19th century female artists proved their abilities and gained large recognition. Adriana Johanna Haanen, a Dutch painter, shines with "Stillife with Currants and Prunes" with her nuanced light direction and substantial accuracy. Likewise Amalie Kärcher showcases a virtuously composed abundance of classic stilllife elements with "Fruits and Flowers in a Silver Bowl", in which the significant Karlsruhe painter discloses her technical mastery. Finally Emilie Preyer displays her whole spectrum of colour intensity and her attention to details in her "Fruit Stilllife". With utmost precision she composes prunes, grapes, an opened apricot, nuts and a small fly on a white table cloth - each elements appears almost palpable. Preyer, daughter of the famous stilllife painter Johann Wilhelm Preyer, tread her own artistic path ands successfully established herself at the art market. This choice makes it clear that 19th century female artists definitely were no figures of the artistic margins in art history. They took their stand with great skills, independent style of painting and often aginst the social grain in the art scene. Our offer thus shall not only provide an insight into their artistic diversity, but shall also contribute to making female art traditions visible. On the occasion of the important display at the Kunstpalast Düsseldorf we are delighted to invite you to the event that will take place within the frame of the pre-inspection of the Fine Art Auction at VAN HAM on 13th November. Here, the general director Felix Krämer and the curator Kathrin DuBois, head of Collection Painting, together with Markus Eisenbeis enter an informative discourse about female artists of th 19th century. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Antonie Volkmar Germany Berliner Schule 2nd half of 19th C. Paintings Framed Child / Children Painting Families
Van Ham Kunstauktionen
Jun. 01, 2024
Volkmar Antonie
Est: CHF2,000 - CHF2,500
Grossmutters Geschichten Signiert Gerahmt Ausrufdatum: 01.06.2024 Ungefähre Ausrufzeit: 19:03
Auktionshaus Zofingen
Feb. 26, 2022
Antonie Volkmar, Damenportrait
Est: -
Antonie Volkmar, Damenportrait Halbfigurenbildnis einer auf einer Chaiselongue sitzenden jungen Frau, ein Buch in der Hand haltend, im schwarzen Kleid mit weißem Spitzenbesatz, im Halbprofil, fein lasierende, akademische Portraitmalerei mit wenigen pastosen Effekten, Öl auf Leinwand, links signiert und datiert "A. Volkmar 1871", Craquelure, doubliert, gering restauriert, schön im Goldstuckrahmen gerahmt, Falzmaße ca. 87 x 73,5 cm. Künstlerinfo: eigentlich Antonie Elisabeth Cäcilie Caroline Levy, 1839 Übertritt zum Christentum und wie ihr Vater Annahme des Namens "Volkmar", dt.-jüdische Genre- und Portraitmalerin (1827 Berlin bis 1903 Berlin), Tochter des Berliner Bankiers Moritz Daniel Levy (ab ca. 1837 "Volkmar"), ab 1848 Schülerin von Julius Schrader, 1853–57 Weiterbildung bei Léon Cogniet in Paris, anschließend als Malerin in Berlin freischaffend, unterhielt in Berlin ein Damenmalatelier mit mehreren Schülerinnen, 1859 frühe Förderin des jungen Max Liebermann, 1862–64 Aufenthalt in Italien, beschickte 1850–80 die Berliner Akademieausstellung und ab 1855 die Königsberger Kunstausstellung, 1867–80 Mitglied des Vereins der Künstlerinnen und Kunstfreundinnen in Berlin, tätig in Berlin, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Müller-Singer, Seubert, Müller-Klunzinger, Kataloge Berliner Akademieausstellung, "Käthe, Paula und der ganze Rest" und Wikipedia.
Auktionshaus Mehlis GmbH
Oct. 06, 2018
ANTONIE VOLKMAR (GERMAN 1827-1903)
Est: $5,000 - $7,000
ANTONIE VOLKMAR (GERMAN 1827-1903) The Punishment, 1865 oil on canvas 78 x 69.5 cm (30 3/4 x 27 3/8 in.) signed and dated lower left PROVENANCE Sotheby's, New York, May 24, 1996, lot 529
Shapiro Auctions LLC
May. 13, 2016
VOLKMAR, ANTONIE
Est: €8,000 - €10,000
VOLKMAR, ANTONIE Berlin 1827 - 1903 The New Educator. Oil on canvas. 115 x 135cm. Signed and dated lower right: A. Volkmar 1877. Framed. Provenance: Private collection, North Germany. cf. literature: Boetticher, Friedrich Wilhelm: Malerwerke des Neunzehnten Jahrhunderts, vol. Ii.,2, p. 946. Here the painting registered under no.18 "Die neue Erzieherin", which was exhibited on the Berlin Academic Art Exhibition in 1868.
Van Ham Kunstauktionen
Nov. 10, 2010
Antonie Volkmar (German, 1827-1867) Standing Girl with Doll. Signed and dated "A. Volkmar 1855" l.r. Watercolor on paper/board, 13 3...
Est: $400 - $600
Antonie Volkmar (German, 1827-1867) Standing Girl with Doll. Signed and dated "A. Volkmar 1855" l.r. Watercolor on paper/board, 13 3/4 x 10 1/8 in., unframed. Condition: Toning, mat burn, foxing, hinged to back mat along left edge in two places.
Skinner
Apr. 21, 2010
Property from a corporate collection
Est: $6,000 - $8,000
A posey for grandmother signed and dated 'A. Volkmar 1862' (lower left) oil on canvas 31 3/4 x 37in (80.7 x 94cm)
Bonhams
Apr. 08, 2004
Antonie Volkmar (1827-1867)
Est: £2,000 - £3,000
The letter of introduction bears label inscribed with title and artist's name (on reverse) oil on canvas 25 x 19 1/4 in. (63.2 x 49 cm.)
Christie's