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Alfred Wallis Sold at Auction Prices

Painter, b. 1855 - d. 1942

Artist Alfred Wallis was a self-trained British painter born in 1855. Alfred Wallis' paintings focused on maritime subjects and the town of St. Ives, Cornwall. Before turning to art to help him mourn the loss of his wife in the 1920s, Wallis worked buying and selling rope, sails, iron, and other scraps to mariners who owned and worked on sailboats.

Alfred Wallis is an artist considered to be among the most influential naive painters of his era. His work may have remained in obscurity were it not discovered by renowned artists Ben Nicholson and Christopher Wood, who became instant admirers of Wallis' work when they came across it.

Alfred Wallis, an artist who did not truly achieve fame till after his death, has become a celebrated modernist painter. Find original vintage oil paintings depicting landscapes, cityscapes, fantasy, or everyday subjects.

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          • Alfred Wallis (British, 1855-1942) Two boats 21.8 x 41.5 cm. (8 1/2 x 16 1/4 in.)
            Jun. 19, 2024

            Alfred Wallis (British, 1855-1942) Two boats 21.8 x 41.5 cm. (8 1/2 x 16 1/4 in.)

            Est: £20,000 - £30,000

            Alfred Wallis (British, 1855-1942) Two boats signed 'alfred wallis' (upper right) oil on cardboard 21.8 x 41.5 cm. (8 1/2 x 16 1/4 in.)

            Bonhams
          • Four Boats Under Sail
            Jun. 07, 2024

            Four Boats Under Sail

            Est: £15,000 - £25,000

            Property from the Collection of Angela Verren Taunt Alfred Wallis 1855 - 1942 Four Boats Under Sail signed A. Wallis (upper right) pencil and oil on cardboard unframed: 11 by 31cm.; 4¼ by 12¼in. framed: 23 by 43cm.; 9 by 17in. Inscribed by Ben Nicholson For Angela July 73 (on the reverse) We are grateful to Robert Jones, author of Alfred Walls Artist and Mariner (2021), for his kind assistance with the cataloguing of the present work.

            Sotheby's
          • ALFRED WALLIS (BRITISH 1855-1942), TWO FISHING BOATS AND A LIGHTHOUSE
            Jun. 04, 2024

            ALFRED WALLIS (BRITISH 1855-1942), TWO FISHING BOATS AND A LIGHTHOUSE

            Est: £20,000 - £30,000

            ALFRED WALLIS (BRITISH 1855-1942) TWO FISHING BOATS AND A LIGHTHOUSE Oil on card18 x 30.5cm (7 x 12 in.)Provenance:Crane Arts, LondonPrivate Collection, Mr J. F. Parks (July 1976)Crane Kalman Gallery, LondonAcquired from the above by the family of the present owners, December 1985

            Dreweatts 1759 Fine Sales
          • λ ALFRED WALLIS (BRITISH 1855-1942), PENZANCE FISHING BOAT NEAR THE COAST
            Jun. 04, 2024

            λ ALFRED WALLIS (BRITISH 1855-1942), PENZANCE FISHING BOAT NEAR THE COAST

            Est: £20,000 - £30,000

            λ ALFRED WALLIS (BRITISH 1855-1942) PENZANCE FISHING BOAT NEAR THE COASTPencil and oil on card22.5 x 21.5cm (8¾ x 8¼ in.)Provenance:Sotheby's, London, Drawings and Watercolours from the Collection of the late Sir John and Lady Witt, 19 February 1987, Lot 368When art reaches an over-sophisticated stage, someone who can paint out of his experience with an unsullied and intense personal vision becomes of inestimable value. The way in which he used the very simple means at his disposal - yacht paint and odd, irregular scraps of cardboard and wood - is an object lesson to any painter. Wallis shows such an easy natural mastery of colour and forms that one can only look with delight and astonishment.(A. Bowness, Exhibition Catalogue, Alfred Wallis, Tate Gallery, May-June 1968)

            Dreweatts 1759 Fine Sales
          • Alfred Wallis (1855 - 1942) England
            May. 30, 2024

            Alfred Wallis (1855 - 1942) England

            Est: $6,500 - $8,000

            Alfred Wallis (1855 - 1942) Watercolor and gouache on paper, signed lower left, measures 4 x 7 inches and 10 x 12 inches w/frame. A Cornish fisherman and artist, Wallis's parents, Charles and Jane Wallis were from Penzance in Cornwall and moved to Devonport, Devon to find work in 1850 where Alfred and his brother Charles were born. Shortly after this the children's mother died and this prompted the family to move back to Penzance. On leaving school Alfred became an apprentice basket maker before becoming a mariner in the merchant service by the early 1870s. This work involved sailing schooners across the North Atlantic between Penzance and Newfoundland.Alfred married Susan Ward at St. Mary's church in Penzance in 1876, when he was 20 and his wife was 41 and became stepfather to her five children. He continued his life as a deep-sea fisherman on the Newfoundland run in the early days of his marriage allowing him to earn a good wage until the death of his two infant children when Alfred switched to local fishing and laboring in Penzance.

            Cutler Bay Auctions
          • ALFRED WALLIS (BRITISH, 1855-1942)
            Mar. 26, 2024

            ALFRED WALLIS (BRITISH, 1855-1942)

            Est: £3,000 - £5,000

            ALFRED WALLIS (BRITISH, 1855-1942) Boats in a quay crayon 27.4 x 40.2 cm. (10 3/4 x 16 in.) Executed between 1941-2

            Chiswick Auctions
          • ALFRED WALLIS (1855-1942) Two Luggers by a Headland oil on card 7 ¼ x 12 in
            Mar. 21, 2024

            ALFRED WALLIS (1855-1942) Two Luggers by a Headland oil on card 7 ¼ x 12 in

            Est: £12,000 - £18,000

            ALFRED WALLIS (1855-1942) Two Luggers by a Headland oil on card 7 ¼ x 12 in. (18.4 x 30.5 cm.)

            Christie's
          • ALFRED WALLIS (1855-1942) A gaff-rigged sailing boat oil on board laid on p
            Mar. 21, 2024

            ALFRED WALLIS (1855-1942) A gaff-rigged sailing boat oil on board laid on p

            Est: £15,000 - £25,000

            ALFRED WALLIS (1855-1942) A gaff-rigged sailing boat oil on board laid on panel 10 ½ x 12 ½ in. (26.6 x 31.7 cm.)

            Christie's
          • ALFRED WALLIS (1855-1942) Ship in Dock pencil and oil on paper 8 ½ x 8 in.
            Mar. 21, 2024

            ALFRED WALLIS (1855-1942) Ship in Dock pencil and oil on paper 8 ½ x 8 in.

            Est: £12,000 - £18,000

            ALFRED WALLIS (1855-1942) Ship in Dock pencil and oil on paper 8 ½ x 8 in. (21.5 x 20.3 cm.)

            Christie's
          • ALFRED WALLIS (1855-1942) A Trawler in Mount’s Bay pencil and oil on card 9
            Mar. 21, 2024

            ALFRED WALLIS (1855-1942) A Trawler in Mount’s Bay pencil and oil on card 9

            Est: £15,000 - £25,000

            ALFRED WALLIS (1855-1942) A Trawler in Mount’s Bay pencil and oil on card 9 3⁄8 x 11 5⁄8 in. (23.7 x 29.5 cm.)

            Christie's
          • ALFRED WALLIS (1855-1942) Trawler and Two Sailing Boats pencil and oil on c
            Mar. 21, 2024

            ALFRED WALLIS (1855-1942) Trawler and Two Sailing Boats pencil and oil on c

            Est: £15,000 - £25,000

            ALFRED WALLIS (1855-1942) Trawler and Two Sailing Boats pencil and oil on card 10 ½ x 12 ¾ in. (26.7 x 32.5 cm.)

            Christie's
          • Boat
            Nov. 22, 2023

            Boat

            Est: £5,000 - £7,000

            Alfred Wallis 1855 - 1942 Boat signed Alfred Wallis (upper left) colour pencil on paper unframed (sheet): 21.5 by 28cm.; 8½ by 11in. framed: 47.5 by 53.5cm.; 18¾ by 21in. There is an image by the same hand on the reverse. We are grateful to Robert Jones, author of Alfred Walls Artist and Mariner (2021), for his kind assistance with the cataloguing of the present work.

            Sotheby's
          • Sail Boat on Sea
            Nov. 22, 2023

            Sail Boat on Sea

            Est: £6,000 - £8,000

            Alfred Wallis 1855 - 1943 Sail Boat on Sea pencil, household paint and oil on card unframed (board): 18 by 29cm.; 7 by 11½in. framed: 33 by 41cm.; 13 by 16in. Executed circa 1930s. We are grateful to Robert Jones, author of Alfred Walls Artist and Mariner (2021), for his kind assistance with the cataloguing of the present work.

            Sotheby's
          • Schooner, Piers and Land
            Nov. 22, 2023

            Schooner, Piers and Land

            Est: £20,000 - £30,000

            Alfred Wallis 1855 - 1942 Schooner, Piers and Land signed A WALLIS (upper right) pencil and household paint on card unframed (sheet): 28 by 39.5cm.; 11 by 15½in. framed: 45 by 57cm.; 17¾ by 22½in. We are grateful to Robert Jones, author of Alfred Walls Artist and Mariner (2021), for his kind assistance with the cataloguing of the present work.

            Sotheby's
          • ALFRED WALLIS (1855-1942) Mount Ararat oil on paper 9 3⁄8 x 11 5⁄8 in. (23.
            Oct. 19, 2023

            ALFRED WALLIS (1855-1942) Mount Ararat oil on paper 9 3⁄8 x 11 5⁄8 in. (23.

            Est: £10,000 - £15,000

            ALFRED WALLIS (1855-1942) Mount Ararat oil on paper 9 3⁄8 x 11 5⁄8 in. (23.8 x 29.5 cm.)

            Christie's
          • Alfred Wallis (British, 1855-1942) The Wreck of the Alba 17.4 x 40 cm. (6 7/8 x 15 3/4 in.)
            Nov. 22, 2022

            Alfred Wallis (British, 1855-1942) The Wreck of the Alba 17.4 x 40 cm. (6 7/8 x 15 3/4 in.)

            Est: £20,000 - £30,000

            Alfred Wallis (British, 1855-1942) The Wreck of the Alba signed 'A WALLIS' (verso) pencil and oil on cardboard 17.4 x 40 cm. (6 7/8 x 15 3/4 in.)

            Bonhams
          • Four Sailing Boats and Pier Head
            Jun. 30, 2022

            Four Sailing Boats and Pier Head

            Est: £10,000 - £15,000

            Property from a Private European Collection Alfred Wallis 1855 - 1942 Four Sailing Boats and Pier Head household paint and pencil on card unframed: 17.5 by 30cm.; 7 by 11¾in. framed: 34.5 by 47cm.; 13½ by 18½in. We are grateful to Robert Jones for his kind assistance with the cataloguing of the present work. Bid on Sotheby's

            Sotheby's
          • Three Masted Ships and Arched Railway Bridge
            Jun. 30, 2022

            Three Masted Ships and Arched Railway Bridge

            Est: £12,000 - £18,000

            Property from a Private European Collection Alfred Wallis 1855 - 1942 Three Masted Ships and Arched Railway Bridge pencil, household paint and oil on paper unframed: 23 by 30cm.; 9 by 11¾in. framed: 40 by 46.5cm.; 15¾ by 18¼in. We are grateful to Robert Jones for his kind assistance with the cataloguing of the present work. Bid on Sotheby's

            Sotheby's
          • Alfred Wallis (British, 1855-1942) Steamer, Lifeboat and Lighthouse 36 x 53.5 cm. (14 x 21 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Steamer, Lifeboat and Lighthouse 36 x 53.5 cm. (14 x 21 in.)

            Est: £40,000 - £60,000

            Alfred Wallis (British, 1855-1942) Steamer, Lifeboat and Lighthouse indistinctly signed 'alfred/wallis' (lower left), further signed 'alfred wallis' (centre right) pencil, charcoal and oil on board 36 x 53.5 cm. (14 x 21 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) The Flying Scud 23.5 x 29.8 cm. (9 1/4 x 11 3/4 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) The Flying Scud 23.5 x 29.8 cm. (9 1/4 x 11 3/4 in.)

            Est: £12,000 - £18,000

            Alfred Wallis (British, 1855-1942) The Flying Scud signed 'A. WALLIS' (upper right); and inscribed 'To Daphne/with wishes for the future/Affectionately/Sven/xmas. 1949.' (in Sven Berlin's hand, verso) oil on card 23.5 x 29.8 cm. (9 1/4 x 11 3/4 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Three Trees 15 x 34.9 cm. (5 7/8 x 13 3/4 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Three Trees 15 x 34.9 cm. (5 7/8 x 13 3/4 in.)

            Est: £15,000 - £20,000

            Alfred Wallis (British, 1855-1942) Three Trees signed 'A WALLIS' (upper left); further signed and titled 'Alfred Wallis/3 Trees' (verso), and inscribed and dated 'for Bryan/St Ives 54/belongs to Nicholson/Chy an Kerris/Carbis Bay/Cornwall' (in Ben Nicholson's hand, verso) oil on card laid on thick card 15 x 34.9 cm. (5 7/8 x 13 3/4 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Mount's Bay with St Michael's Mount 23.5 x 33 cm. (9 1/4 x 13 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Mount's Bay with St Michael's Mount 23.5 x 33 cm. (9 1/4 x 13 in.)

            Est: £30,000 - £50,000

            Alfred Wallis (British, 1855-1942) Mount's Bay with St Michael's Mount signed 'A WALLIS' (lower right) oil on panel 23.5 x 33 cm. (9 1/4 x 13 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Fishing Boat with Black Sky 18.4 x 46.7 cm. (7 1/4 x 18 3/8 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Fishing Boat with Black Sky 18.4 x 46.7 cm. (7 1/4 x 18 3/8 in.)

            Est: £40,000 - £60,000

            Alfred Wallis (British, 1855-1942) Fishing Boat with Black Sky signed 'A. WALLIS' (upper right) oil and pencil on card 18.4 x 46.7 cm. (7 1/4 x 18 3/8 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Pier with Boats and Fish 23.8 x 30.5 cm. (9 3/8 x 12 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Pier with Boats and Fish 23.8 x 30.5 cm. (9 3/8 x 12 in.)

            Est: £25,000 - £35,000

            Alfred Wallis (British, 1855-1942) Pier with Boats and Fish signed 'A.WALLIS' (upper right) oil and pencil on card 23.8 x 30.5 cm. (9 3/8 x 12 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Boats with Rust Sails 11.2 x 22.4 cm. (4 3/8 x 8 3/4 in.)
            Jun. 22, 2022

            Alfred Wallis (British, 1855-1942) Boats with Rust Sails 11.2 x 22.4 cm. (4 3/8 x 8 3/4 in.)

            Est: £18,000 - £25,000

            Alfred Wallis (British, 1855-1942) Boats with Rust Sails oil and pencil on card 11.2 x 22.4 cm. (4 3/8 x 8 3/4 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • § ALFRED WALLIS (1855-1942)
            Nov. 30, 2021

            § ALFRED WALLIS (1855-1942)

            Est: £1,500 - £2,500

            § ALFRED WALLIS (1855-1942) PROPERTY OF A LADY, LONDON ALFRED WALLIS (1855-1942) Fishing boats pencil 25.6 x 22.3 cm (10 x 9 in) PROVENANCE: Dr Dallas Doxford and by descent We are grateful to Robert Jones for his kind assistance with the cataloguing of the present work.

            Chiswick Auctions
          • § ALFRED WALLIS (BRITISH 1855-1942) PLYMOUTH
            Oct. 28, 2021

            § ALFRED WALLIS (BRITISH 1855-1942) PLYMOUTH

            Est: £20,000 - £30,000

            § ALFRED WALLIS (BRITISH 1855-1942) PLYMOUTH signed in pencil (upper left), oil and chalk on card (26.5cm x 35.5cm (10.5in x 14in)) Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (Arts Council of Great Britain, 1968) it states this painting is ex collection ‘Mrs George Buchanan’. Literature: Published with title 'Portsmouth and the Victory' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat. no. 17. The Arts Council of Great Britain, Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, 1968 cat. no. 39. Footnote: The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette. Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.

            Lyon & Turnbull
          • § ◆ ALFRED WALLIS (BRITISH 1855-1942) HOUSES IN ST. IVES
            Oct. 28, 2021

            § ◆ ALFRED WALLIS (BRITISH 1855-1942) HOUSES IN ST. IVES

            Est: £30,000 - £50,000

            § ◆ ALFRED WALLIS (BRITISH 1855-1942) HOUSES IN ST. IVES oil, pencil and chalk on cardboard (18.5cm x 26.5cm (7.25in x 10.5in)) Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (The Arts Council of Great Britain 1968) it states this painting is ex-collection Ben Nicholson. Exhibited: 1950: Possibly shown with title 'Houses', Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 32; 1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 24; 1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July; 1968: Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 2, plate XII; 1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 5; 1985: London, Tate, St Ives 1939-64: Twenty Five Years of Painting, Sculpture and Pottery, Tate 13 Feb to 14 Apr 1985, cat. no. 25; 1999-2000: Dublin, Irish Museum of Modern Art, Two Painters: Works by Alfred Wallis and James Dixon, Irish Museum of Modern Art, 1 Sep to 21 Nov 1999, Tate St Ives, May to Nov 2000, cat. no. 3. 2020: Bristol, Royal West of England Academy, St Ives: Movements in Art and Life, 14 March to 19 September 2020. Footnote: Literature: Possibly published with title 'Houses,' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat.no. 32; The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat. no. 2, plate XII; Tate Gallery (1985), St Ives 1939-64: Twenty Five Years of Painting, Sculpture and Pottery, Tate Gallery Productions, London, cat. no. 25; Irish Museum of Modern Art (2000), Two Painters: Works by Alfred Wallis and James Dixon, Merrell Holberton Publishers Ltd, London, cat. no. 3. The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette. Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.

            Lyon & Turnbull
          • ALFRED WALLIS (BRITISH 1855-1942) ST. IVES BAY
            Oct. 28, 2021

            ALFRED WALLIS (BRITISH 1855-1942) ST. IVES BAY

            Est: £15,000 - £25,000

            ALFRED WALLIS (BRITISH 1855-1942) ST. IVES BAY pencil and oil on board (7.5cm x 30.1cm (3in x 11.9in)) Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. This Wallis was given to Wilhelmina Barns-Graham by Sven Berlin for research she did on the Wallis family, presumably for his book on Wallis. Exhibited: 1950: Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 56; 1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 26; 1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July; 1968, Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 16; 1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 6. Footnote: Published References: Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat no. 56 The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat no 16. The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette. Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.

            Lyon & Turnbull
          • ALFRED WALLIS (1855-1942) - Harbour scene with castle and lighthouse
            Oct. 21, 2021

            ALFRED WALLIS (1855-1942) - Harbour scene with castle and lighthouse

            Est: £15,000 - £25,000

            ALFRED WALLIS (1855-1942) Harbour scene with castle and lighthouse pencil, gouache and oil on card 5 1/8 x 8 5/8 in. (13 x 21.9 cm.)

            Christie's
          • Alfred Wallis, 1855 Devenport – 1942 St Ives Bay
            Sep. 24, 2021

            Alfred Wallis, 1855 Devenport – 1942 St Ives Bay

            Est: €20,000 - €30,000

            FISCHKUTTER Schiffsfarben auf bräunlichem Karton. Ca. 26 x 41 cm. Rechts oben signiert „A WALLIS“. Hinter Glas gerahmt.Provenienz: Süddeutsche Kunstsammlung. Galerie Valentien, Stuttgart. Literatur: Vgl. Edwin Mullis, Alfred Wallis. Cornish Primitive Painter, London 1967. (12805729) (18)Alfred Wallis,1855 Devenport – 1942 St Ives BayFISHING BOAT Marine coatings on brownish card. Ca. 26 x 41 cm.Signed “A WALLIS” top right.Provenance:Art collection, Southern Germany.Galerie Valentien, Stuttgart.Literature:Compare E. Mullis, Alfred Wallis. Cornish Primitive Painter, London, 1967.

            Hampel Fine Art Auctions
          • Alfred Wallis, 1855 Devenport – 1942 St Ives Bay
            Sep. 24, 2021

            Alfred Wallis, 1855 Devenport – 1942 St Ives Bay

            Est: €25,000 - €35,000

            SEGELDAMPFER IN AUFGEWÜHLTER SEE Öl auf Karton. 19 x 27,5 cm. Oben rechts in Versalien signiert. Hinter Glas gerahmt.Nach dem Tod seiner Frau begann Wallis, der schon von Kindesbeinen an am Meer wohnte und die Schiffe täglich sah, als Autodidakt zu malen. Er behielt seinen naiven Malstil auch bei, als er 1928 in die Künstlerkolonie St. Ives aufgenommen wurde. Seine Gemälde schuf er mit Farben, die eigentlich für Bootsrümpfe im Ort gehandelt wurden.Literatur: Vgl. Edwin Mullins, Alfred Wallis. Cornish Primitive Painter, London 1967.Susanne Grimm, Authentische Naive. Das Erlebnis des Unmittelbaren, Stuttgart 1991, S. 86. (12803920) (13)Alfred Wallis,1855 Devenport – 1942 St Ives BaySAILING STEAMER IN A TURBULENT SEAOil on card.19 x 27.5 cm.Signed in capital letters top right. Literature:Compare E. Mullins, Alfred Wallis. Cornish Primitive Painter, London, 1967.Susanne Grimm, Authentische Naive. Das Erlebnis des Unmittelbaren, Stuttgart 1991, p. 86.

            Hampel Fine Art Auctions
          • Alfred Wallis, 1855 Devenport – 1942 St Ives Bay
            Sep. 24, 2021

            Alfred Wallis, 1855 Devenport – 1942 St Ives Bay

            Est: €18,000 - €25,000

            STEAMER Öl auf Buchkarton. 17 x 38 cm. Verso mit Sammlungs- und Ausstellungsetiketten. Hinter Glas gerahmt.Provenienz: Galerie Charlotte – Galerie für naive Kunst und Art Brut, München. Seit 1990 in süddeutscher Kunstsammlung. Literatur:Susanne Grimm, Authentische Naive. Das Erlebnis des Unmittelbaren, Stuttgart 1991, S. 87. (12803921) (13)Alfred Wallis,1855 Devenport – 1942 St Ives BaySTEAMER Oil on book card. 17 x 38 cm.Collection and exhibition label on the reverse. Provenance:Galerie Charlotte – Galerie für naive Kunst und Art Brut, Munich.Art collection, Southern Germany (since 1990).Literature:Susanne Grimm, Authentische Naive. Das Erlebnis des Unmittelbaren, Stuttgart 1991, p. 87.

            Hampel Fine Art Auctions
          • Alfred Wallis, 1855 Devenport – 1942 St Ives Bay, zugeschrieben
            Sep. 24, 2021

            Alfred Wallis, 1855 Devenport – 1942 St Ives Bay, zugeschrieben

            Est: €5,000 - €7,000

            SCHIFFE UND LEUCHTTURM Schiffsfarben auf bräunlichem Karton. 9 x 28,5 cm. Freigestellt unter Glas mit Holzrahmen.Provenienz: Aus süddeutscher Kunstsammlung. Literatur: Vgl. Edwin Mullins: Cornish Primitive Painter, London 1967, S.53, Abb.21 und S.55, Abb.23. (12805727) (18)

            Hampel Fine Art Auctions
          • Alfred Wallis (British, 1855-1942) Sail Boat 14.8 x 21 cm. (5 7/8 x 8 1/4 in.)
            Jun. 30, 2021

            Alfred Wallis (British, 1855-1942) Sail Boat 14.8 x 21 cm. (5 7/8 x 8 1/4 in.)

            Est: £15,000 - £20,000

            Alfred Wallis (British, 1855-1942) Sail Boat oil and pencil on board 14.8 x 21 cm. (5 7/8 x 8 1/4 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • ALFRED WALLIS (1855-1942) Sailing Ship in a Stormy SeaALFRED WALLIS (1855
            Mar. 02, 2021

            ALFRED WALLIS (1855-1942) Sailing Ship in a Stormy SeaALFRED WALLIS (1855

            Est: £12,000 - £18,000

            ALFRED WALLIS (1855-1942) Sailing Ship in a Stormy SeaALFRED WALLIS (1855-1942), Sailing Ship in a Stormy Sea, signed 'Alfred Wallis' (lower right), with inscription 'for Loulie from Jim for 11.11.55' (on the backboard), oil and pencil on card, 10 x 12..."

            Christie's
          • Alfred Wallis "The White House" Painting on Board
            Dec. 11, 2020

            Alfred Wallis "The White House" Painting on Board

            Est: $15,000 - $25,000

            Alfred Wallis (1855-1942). Pencil and gouache on cardboard drawing titled "The White House." Gallery and museum label attached on the verso. Unsigned. Provenance: Crane Kalman Gallery, London UK Private Collection, Cambridge, MA Exhibition: Dublin, Irish Museum of Modern Art, Two Painters: Alfred Wallis & James Dixon, 1999-2000, with tour to Tate St Ives. Exhibition number WD68. Alfred Wallis (18 August 1855 - 29 August 1942) was a Cornish fisherman and artist. Wallis's parents, Charles and Jane Wallis were from Penzance in Cornwall and moved to Devonport, Devon to find work in 1850 where Alfred and his brother Charles were born. Shortly after this the children's mother died and this prompted the family to move back to Penzance. On leaving school Alfred became an apprentice basket maker before becoming a mariner in the merchant service by the early 1870s. This work involved sailing schooners across the North Atlantic between Penzance and Newfoundland. Alfred married Susan Ward at St. Mary's church in Penzance in 1876, when he was 20 and his wife was 41 and became stepfather to her five children. He continued his life as a deep-sea fisherman on the Newfoundland run in the early days of his marriage allowing him to earn a good wage until the death of his two infant children when Alfred switched to local fishing and laboring in Penzance. The family moved to St. Ives, Cornwall, in 1890 where he established himself as a marine stores dealer, buying scrap iron, sails, rope and other items. In 1912, his business, "Wallis, Alfred, Marine Stores Dealer" closed for business and Alfred kept himself busy with odd jobs and worked for a local antiques dealer Mr Armour which provided some insight into the world of objets d'art. Following his wife's death in 1922, Wallis took up painting, as he later told Jim Ede, "for company". His paintings are an excellent example of naïve art; perspective is ignored and an object's scale is often based on its relative importance in the scene. This gives many of his paintings a map-like quality. Wallis painted his seascapes from memory, in large part because the world of sail he knew was being replaced by steamships. As he himself put it, his subjects were "what use To Bee out of my memery what we may never see again... "Having little money, Wallis improvised with materials, mostly painting on cardboard ripped from packing boxes using a limited palette of paint bought from ships' chandlers. In many ways, Wallis' timing was excellent. In 1928, a few years after he had started painting, Ben Nicholson and Kit Wood came to St. Ives and established an artist colony. They were delighted to find Wallis and celebrated his direct approach to image-making.(Nicholson commented later 'to Wallis,his paintings were never paintings but actual events') Wallis was propelled into a circle of the some of most progressive artists working in Britain in the 1930s. The influence, however, was all one way; Wallis continued to paint as he always had.) Nicholson later said of Wallis's art 'something that has grown out of the Cornish seas and earth and which will endure') Through Nicholson and Wood, Wallis was introduced to Jim Ede who promoted his work in London. Despite this attention, Wallis sold few of his paintings and continued to live in poverty until he died in the Madron Workhouse in Penzance. He is buried in Barnoon cemetery, overlooking St. Ives' Porthmeor beach and the Tate St Ives gallery. An elaborate gravestone, depicting a tiny mariner at the foot of a huge lighthouse - a popular motif in Wallis' paintings - was made from tiles by the potter Bernard Leach and now covers Wallis' tomb. Source Wikipedia Sight; height: 9 1/4 in x width: 12 1/4 in. Framed; height: 15 3/4 in x width: 19 in.

            Revere Auctions
          • Alfred Wallis (British, 1855-1942) Fishing boats 24.3 x 30 cm. (9 1/2 x 11 7/8 in.)
            Nov. 18, 2020

            Alfred Wallis (British, 1855-1942) Fishing boats 24.3 x 30 cm. (9 1/2 x 11 7/8 in.)

            Est: £12,000 - £18,000

            Alfred Wallis (British, 1855-1942) Fishing boats signed 'Alfred Wallis' (upper right) pencil and oil on card 24.3 x 30 cm. (9 1/2 x 11 7/8 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis, British 1855-1942 - Sailing in Stormy Seas;
            Nov. 04, 2020

            Alfred Wallis, British 1855-1942 - Sailing in Stormy Seas;

            Est: £3,000 - £5,000

            Alfred Wallis, British 1855-1942- Sailing in Stormy Seas; pencil and oil on card, 8x13.5cm (image) (ARR) Provenance: Sotheby's Olympia 24 November 2004 lot 251, where it was purchased by the present owner. With thanks to Robert Jones for his assistance in cataloguing this lot. Note: In spring 1876 a Westcountry schooner was moored alongside the quay in Penzance Harbour. The ship had sailed from Cardiff with a cargo of coal and was being refitted and taking on crew for the next voyage. On 25th April an ordinary seaman joined the crew of the sailing ship, signing the crew agreement. The ship was Pride of the West and the seaman was Alfred Wallis aged 19. Three weeks previously Alfred Wallis had married Susan Ward, a widow and mother of a large family, in St Mary’s Church Penzance. She was expecting Wallis’s child. On 26th April Pride of the West sailed for Cadiz to load cargo before crossing the Atlantic to St John’s, Newfoundland to collect a cargo of dry salt cod. In St John’s Wallis left the ship and found a birth aboard another ship, Belle Aventure of Brixham. of Wallis, the artist Sven Berlin recounts that the ship encountered a severe storm and had to jettison some of the cargo to stabilise the ship. August is the beginning of the hurricane season on the Eastern Seaboard of the USA and Canada and such storms generate huge swells that can last for weeks. This little painting is surely expressing Alfred Wallis’s memory of sea conditions in heavy weather. The ship carries reduced sail, enough to keep to wind to ride out the storm. A solitary figure stands at the stern, taking his turn at the ship’s wheel, as Wallis would have done. He also remembers the ratlines (rope ladders) that his duties required him to climb to make sail adjustments at all times of day and in all weathers. Here, in this painting Wallis remembers an experience that would have been awe-inspiring for any seaman; depicting a ship rising on a great swell may also reflect Wallis’s struggle against adversity. The ship took three months on the return voyage across the Atlantic and on 9th November Wallis was discharged in Teignmouth and was paid £6/12/4d for the voyage. On his return to Penzance he would have learned that in his absence the child Susan was carrying, a boy, had been born, died and been buried in Madron Churchyard. Wallis started painting at the age of 70, painting on discarded materials, particularly cardboard, with house paint and pots of enamel that he bought from the local store. This painting is a wonderful example; the verso reveals a period advertisement for Pure Quick Quaker Oats. Through his paintings Wallis has told us of his life experience; of the ships he knew and the places he visited. Through his influence on a group of artists who were to become central figures in the British Modernist movement, Walis’s work has earned a place the history of British art. Robert Jones Please refer to department for condition report

            Roseberys
          • After Alfred Wallis (1855-1942), 'White Houses and
            Sep. 17, 2020

            After Alfred Wallis (1855-1942), 'White Houses and

            Est: £100 - £150

            After Alfred Wallis (1855-1942), 'White Houses and Cottages', crayon on paper, 29 x 44cm

            Ewbank's
          • Alfred Wallis (British, 1855-1942) A Steamship and a Schooner Passing the Coast (recto); A Path Through a Wood (verso) 30 x 37 cm. (11 3/4 x 14 1/2 in.)
            Jul. 01, 2020

            Alfred Wallis (British, 1855-1942) A Steamship and a Schooner Passing the Coast (recto); A Path Through a Wood (verso) 30 x 37 cm. (11 3/4 x 14 1/2 in.)

            Est: £50,000 - £70,000

            Alfred Wallis (British, 1855-1942) A Steamship and a Schooner Passing the Coast (recto); A Path Through a Wood (verso) signed 'alfred wallis' (lower right; recto) oil and pencil on an artist's paintbox 30 x 37 cm. (11 3/4 x 14 1/2 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • Alfred Wallis (British, 1855-1942) Fishing boats 24.3 x 30 cm. (9 1/2 x 11 7/8 in.)
            Jul. 01, 2020

            Alfred Wallis (British, 1855-1942) Fishing boats 24.3 x 30 cm. (9 1/2 x 11 7/8 in.)

            Est: £20,000 - £30,000

            Alfred Wallis (British, 1855-1942) Fishing boats signed 'Alfred Wallis' (upper right) pencil and oil on card 24.3 x 30 cm. (9 1/2 x 11 7/8 in.) For further information on this lot please visit the Bonhams website

            Bonhams
          • ALFRED WALLIS (1855-1942) - Sailing Ship Aeroplane and Airship
            Jan. 22, 2020

            ALFRED WALLIS (1855-1942) - Sailing Ship Aeroplane and Airship

            Est: £15,000 - £25,000

            ALFRED WALLIS (1855-1942) Sailing Ship Aeroplane and Airship signed 'A WALLIS' (upper left) pencil and oil on board 6 1/2 x 14 1/4 in. (16.5 x 36.2 cm.), shaped PROVENANCE: with Crane Kalman Gallery, London, as 'Green Two-Master', where purchased by Sir Ronald Grierson in November 1966, and by descent. LITERATURE: E. Mullins, Alfred Wallis Cornish Primitive Painter, London, 1967, pp. 9, 68, pl. 36. R. Jones, Alfred Wallis Artist and Mariner, Tiverton, 2001, p. 107, illustrated. R. Jones, Alfred Wallis Artist and Mariner, London, 2018, p. 173, illustrated. Sir Ronald Hugh Grierson (1921-2014) was a German-born British businessman, government advisor, and British Army oficer. In 1939 he went up to Balliol College, Oxford, although this was short-lived, due to the outbreak of the Secord World War. After serving with the Black Watch, he became attached to the Special Air Service, where he trained as a parachutist, seeing action in North Africa, Italy, France, the Low Countries, Germany and Norway. He was mentioned in dispatches and briefy captured in 1945: he was subsequently promoted to the rank of lieutenantcolonel in the SAS. Post-war, in business, he was Managing Director of the investment bank S.G. Warburg from 1948 to 1985, and Vice-Chairman of General Electric Company (GEC) from 1968 to 1996. He was a member of the Arts Council and a trustee of the Royal Academy and the Phillips Collection in Washington D.C. He promoted initiatives for international dialogue, including the European Studies Foundation at Oxford University. He was knighted in 1990.

            Christie's
          • Alfred Wallis (1855-1942) - Death Ship
            Nov. 21, 2019

            Alfred Wallis (1855-1942) - Death Ship

            Est: £10,000 - £15,000

            Alfred Wallis (1855-1942) Death Ship oil and pencil on card 8 x 14 ¼ in. (20.3 x 36.2 cm.), shaped

            Christie's
          • Lanyon (Andrew) Old Iron: Alfred Wallis
            Nov. 20, 2019

            Lanyon (Andrew) Old Iron: Alfred Wallis

            Est: £100 - £150

            Lanyon (Andrew) Old Iron: Alfred Wallis, LIMITED EDITION NUMBER 135 OF 200, 1998; Dying for Eternity, LIMITED EDITION NUMBER 190 OF 200, 1999, numbered and signed by the author, colour plates tipped in, cloth, dust jackets, slipcases, oblong 8vo, Andrew Lanyon, with four others similar from limited editions of 150 or 200, including: The Palette and the Retort; A Novel Solution; A Persistence of Visions; The Tower of Silence (6)

            Chiswick Auctions
          • ALFRED WALLIS | Ships and Lighthouse, Houses
            Mar. 20, 2019

            ALFRED WALLIS | Ships and Lighthouse, Houses

            Est: £18,000 - £25,000

            We are grateful to Robert Jones for his kind assistance with the cataloguing of the present work and for preparing the below note. Alfred Wallis started painting at the age of seventy. He recalled memories of his seagoing days to paint the ships and fishing boats he had seen and worked aboard. He painted the harbour towns and coasts he knew from both land and sea and the areas of west Cornwall he was familiar with. I became familiar with the north and south coasts of the west Cornwall peninsula in the 1970s during the seven years I spent fishing those waters. As a native Cornishman I came to see that the towns and coastline I knew so well were the very places that Alfred Wallis had featured in his paintings. Wallis’s paintings are rich in geographical and nautical knowledge. They also contain historical information, often recording actual events. On researching archive material and period photographs I was able to trace the sources of the imagery in his work. I discovered his signature on a crew list of a sailing ship on which he made a voyage to Newfoundland in 1876. There is little fantasy in Wallis’s paintings; they describe his experience. In a letter to Edwin Mullins, Ben Nicholson wrote: “He did not consider his paintings as paintings so much as ACTUAL EVENTS”.1 The painting’s title gives us little clue as to its subject, and identifying the geographical location is not straightforward. Edwin Mullins illustrated ‘Ships and Lighthouse, Houses’ in his book Alfred Wallis Cornish Primitive Painter published in 1967 and the opposite page features a painting of the coast and sea of Mount’s Bay, which includes St Michael’s Mount. Certainly Wallis knew the waters of Mount’s Bay. He and his wife Susan lived in Penzance, and during his seagoing days in sailing ships and his time as a fisherman with the Newlyn and Mousehole fleets it was his homeport. This painting is made with just three colours; black, white and yellow and, as with many of his works, Wallis utilises the colour of the board to great effect. In the lower part of the painting three vessels, a sailing ship and two steamships make their way towards a harbour with a lighthouse, perhaps Penzance. Above, on the shore, a terraced row of cottages have such presence they almost look out at us. Could this be the town of Marazion with the sloping feature on the right St Michael’s Mount, which has cottages at the bottom and castle buildings at the top. Mullins wrote that “Wallis was essentially a literal painter. The sea he painted white or grey because water has no colour of its own; similarly, rocks in his paintings are all brown, grass is all green” With that in mind, we see that Wallis has not only used white paint for the sea, but also for ‘the Mount’, but that the paint is rendered in different ways. Given the literal nature of his work, this is unlikely to have been accidental. I suggest that this painting could represent Wallis’s recollection of seeing or passing the Mount after a snowfall? This is, of course, only an interpretation, and there are many sides to Wallis’s work and he often surprises us. His paintings reveal that he had an extraordinary visual memory and one feels that, through his paintings, he is trying to inform us; we sense that he needs to convey his experience like an old seaman recounting his voyages. Wallis’s paintings have an undoubted presence. They are full of energy and life and we delight in the enthusiastic application of the paint. ‘Ships and Lighthouse, Houses ‘ has all of these qualities.

            Sotheby's
          • ALFRED WALLIS - (Recto) Luggers nearing a Harbour and Lighthouse; (Verso) The ‘Bessie’ and the ‘Flying Scud’ sailing towards a harbour
            Dec. 05, 2018

            ALFRED WALLIS - (Recto) Luggers nearing a Harbour and Lighthouse; (Verso) The ‘Bessie’ and the ‘Flying Scud’ sailing towards a harbour

            Est: £15,000 - £20,000

            ALFRED WALLIS - (Recto) Luggers nearing a Harbour and Lighthouse; (Verso) The ‘Bessie’ and the ‘Flying Scud’ sailing towards a harbour

            Phillips
          • ALFRED WALLIS | Three-masted Sailing Ship Anchored at Harbour
            Nov. 21, 2018

            ALFRED WALLIS | Three-masted Sailing Ship Anchored at Harbour

            Est: £35,000 - £45,000

            pencil and oil on board

            Sotheby's
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