Antoine Watteau Paintings & Artwork for Sale | Antoine Watteau Art Value Price Guide

Oct. 08, 2014
Attributed to Jean-Antoine Watteau (1648-1721) La Sentinelle, Oil on board,
Est: $20,000 - $40,000
Attributed to Jean-Antoine Watteau (1648-1721) La Sentinelle, Oil on board, Unsigned. Dimensions: h: 5 x w: 4 in. Provenance: Collection of John C. Myers.
Gray's Auctioneers
Oct. 08, 2014
Attributed to Jean-Antoine Watteau (1684-1721) La Femme et Harlequin, Oil on board,
Est: $20,000 - $40,000
Attributed to Jean-Antoine Watteau (1684-1721) La Femme et Harlequin, Oil on board, Unsigned. Dimensions: h: 5 x w: 4 in. Provenance: Collection of John C. Myers.
Gray's Auctioneers
Oct. 08, 2014
Tableaux - Antoine Watteau (1684-1721) Antoine
Est: CHF600 - CHF800
Tableaux - Antoine Watteau (1684-1721) Antoine Watteau (1684-1721) suiveur de Scène galante bal masqué en extérieur huile sur toile 20x60 cm
Piguet Hôtel des Ventes | Genève
Oct. 02, 2014
After Jean Antoine Watteau (1684-1721) Gilles
Est: $100 - $200
Vintage color facsimile print of a Jean Antoine Watteau painting titled "Gilles". The original was displayed at the Musee du Louvre in Paris. At the bottom of the print it states: Printed in Paris...Published by Manxi, Joyant & Co. Preyer and Vanderhoogt Fine Arts Building, Chicago, label on the back. Image size is 13" x 10.25, frame 19.25" x 16.25" and weighs about 5 pounds. Staining to the mat and edges of the print.
J Levine Auction & Appraisal LLC
Sep. 19, 2014
Attributed to WATTEAU, ANTOINE(Valenciennes 1684 -
Est: CHF1,800 - CHF2,200
Attributed to WATTEAU, ANTOINE (Valenciennes 1684 - 1721 Nogent-sur-Marne), The Triumph of Silenius. After Peter Paul Rubens. Red and black chalk, with grey brush. 20.8 x 29 cm. Provenance: - Collection of Paul Geneux, Geneva WATTEAU, ANTOINE (Valenciennes 1684 - 1721 Nogent-sur-Marne), zugeschrieben Der Triumpf der Silenen. Nach Peter Paul Rubens. Rote und schwarze Kreide, Pinsel in Grau. 20,8 x 29 cm. Provenienz: - Sammlung Paul Geneux, Genf
Koller Auctions
Sep. 18, 2014
Manner of Jean Antoine Watteau (French, 1684-1721) A Fete Galante
Est: £200 - £300
Manner of Jean Antoine Watteau (French, 1684-1721) A Fete Galante oil on canvas, unframed h:47 w: 38 cm
Cheffins
Aug. 28, 2014
Jean -Antoine Watteau - after, 'Fêtes Vénitiennes', circa 1900
Est: €1,120 - €1,400
Oil on canvas Presumably France, circa 1900 After Jean-Antoine Watteau (1684 -1721) - French Rococo painter Copy after Watteau's original composition in the National Gallery of Scotland, Edinburgh (1718 /19) Gilded stucco frame Overall dimensions, with frame: 51 x 45 cm Good condition Provenance: German private collection Watteau was a master of gallant scenes, which were widely spread through his prints The present work derives from the painting 'Fêtes Vénitiennes' (1718/19) of the French Rococo painter Jean-Antoine Watteau (1684 -1721), now in the National Gallery of Scotland in Edinburgh. The artist has painted the present version after a print of 1732. The seated musician is traditionally identified with a self-portrait of Watteau, while the dancer in the center is considered the mistress of the Duke of Orleans. Her dancing partner is Nicolas Vleughels, a Flemish painter and friend of Watteau. The painting is in good condition showing some wear marks. There a few parts with barely visible dents caused by the pressure of the stretcher. The gilt stucco frame is overall in good condition, showing some cracks and losses at the lower right. The overall dimensions, with frame, are 51 x 45 cm, and the stretcher measures 42 x 36 cm. Jean-Antoine Watteau (1684-1721) Jean-Antoine Watteau began his artistic education at the age of 10 with Jacques-Albert Gérin in Valenciennes. In 1702, the young artist moved to Paris, where he started working as a stage painter with Claude Gillot, and later as a decoration painter with Claude Audran, the custodian of the Galerie du Luxembourg. He was accepted at the Academy in 1708, and he became a member in 1717, after applying for it with his painting 'The Embarkation for Cythera' (now in the Louvre). Watteau is often considered the most important painter of the French Rococo and is known as the inventor of the 'Fêtes Galantes'. His works are on display in major museum collections, for example in the Louvre or Eremitage. Greater collections of his works can be found in Sanssouci castle in Potsdam, and in the Wallace Collection in London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.
Auctionata Paddle8 AG
Jun. 20, 2014
Jean-Antoine Watteau (1684-1721) Figures / de / modes / Dessinées et gravées / à l'Eau-forte / par Vatteau / et terminées au burin /..
Est: €300 - €400
Jean-Antoine Watteau (1684-1721) Figures / de / modes / Dessinées et gravées / à l'Eau-forte / par Vatteau / et terminées au burin / Par Thomassin le fils. Vers 1710. Rare suite complète des 8 planches, dont un titre, gravées à l'eau-forte par Watteau et complétées par Thomassin fils (sans les 4 autres planches de la suite gravées par Deplace, Jeaurat et Thomassin). Chaque env. 73 x 115. Robert-Dumesnil 1 à 7 ; Le Blanc, Goncourt 3 à 9 ; Dacier et Vuaflart 41, 44, 46, 47, 49 à 52. Bonnes épreuves rognées à l'intérieur du coup de planche, le titre avec les adresses de Duchange et Hecquet, les autres planches sans adresse. Menus accidents aux bords des feuillets. Petites traces de colle, épidermures et rousseurs au verso. Paraphe du baron Ch. Marochetti (Lugt 392) à la plume et à l'encre au verso de chaque épreuve.
Piasa
May. 21, 2014
Jean-Antoine Watteau (1684-1721) (d'après) Pl. des Figures de différents caractères ; pl. des Figures Françoises et Comiques ; pl. du Livre de différents caractères de Têtes, etc. Eau-forte (1 par Watteau lui-même, les autres par Audran, Boucher,
Est: €1,200 - €1,500
Jean-Antoine Watteau (1684-1721) (d'après) Pl. des Figures de différents caractères ; pl. des Figures Françoises et Comiques ; pl. du Livre de différents caractères de Têtes, etc. Eau-forte (1 par Watteau lui-même, les autres par Audran, Boucher, Caylus, Fillaeul, etc.) Formats divers. Belles épreuves, certaines rognées. Menus accidents et rousseurs. Joint : pl. par ou d'après Cl. Gillot et quelques reproductions. Ens. 67 p. env.
Alde
Apr. 12, 2014
Watteau, Antoine (1684-1721) 'La Villageoise' colored engraving.
Est: $150 - $250
Watteau, Antoine (1684-1721) 'La Villageoise' colored engraving. Graveur : Aveline, Pierre-Alexandre (1702-1760). Plate; 11 1/2" x 8 1/8".
Ripley Auctions
Mar. 28, 2014
WATTEAU, JEAN-ANTOINE (Valencienne 1684 - 1721
Est: CHF100 - CHF150
WATTEAU, JEAN-ANTOINE (Valencienne 1684 - 1721 Nogent-sur-Marne), nach. Lot von zwei Bll.: 1. Arlequin, Pierrot et Scapin... 2. Pour nous prover que cette belle ... (musizierende Gesellschaft). Farbstiche, jeweils ca. 23 x 25 cm (licht). Gerahmt.
Koller Auctions
Mar. 23, 2014
A. Watteau, French (1684-1721), Two Engravings
Est: $200 - $300
Two 19th century hand colored engravings after Antoine Watteau, French (1684-1721), framed, not examined out of frame. Sight size: 17" high, 23" wide, frame size: 24 1/2" high, 30" wide. Condition: toning, one lacking glass, with stains.
Schwenke Auctioneers
Feb. 22, 2014
JEAN ANTOINE WATTEAU HUGUIER ETCHING
Est: $20 - $40
JEAN ANTOINE WATTEAU HUGUIER ETCHING Jean Antione Watteau (French, 1684-1721) "Huguier", etching, Plate XXIV, No. 4. signed in plate. Image features a man in a Turkish costume. Framed under glass in wooden frame. Size: 24 x 21" framed
Manor Auctions
Dec. 07, 2013
Sch. of Jean-Antoine Watteau (French, 1684-1721)
Est: $400 - $700
School of Jean-Antoine Watteau (French, 1684-1721), "Study of a Philosopher", black and white chalk on paper, unsigned, sight 20" x 13-1/2". Glazed, French-matted and presented in a giltwood frame.
New Orleans Auction Galleries
Dec. 05, 2013
Circle of Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne)
Est: £600 - £800
Circle of Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne) >Head of a man with windswept hair<br>red and black chalk >3 x 3 in. (7.7 x 7.5 cm.); and a facsimile reproduction of the <i>Christ bearing the Cross<i> by Albrecht DÃ¼rer from the Kupferstichkabinett, Berlin
Christie's
Nov. 29, 2013
Antoine Watteau attributed, 'Fête Champêtre', 18th Century
Est: €24,000 - €30,000
Oil on canvas, relined France, 18th Century Jean-Antoine Watteau (1684-1721) attributed - French Rococo Painter Frame bearing a metal plaque with the name and life dates of Watteau Verso various old labels including one inscribed: 'Provenienz Sammlung Baron de Reuter. Privatsammlung Schweiz' A typical 'fête galante' Amazing, partly reticulated hand carved wooden frame of the 19th century Overall dimensions, framed: 88 x 101 cm; stretcher frame 65.5 x 77 cm Good condition Provenance: German Private Property Antoine Watteau's gallant scenes are probably known by everyone - even though they are not often to be seen in the original. Even scarcer is an opportunity to find one of these on the market. Paintings attributed to Watteau fetch up to 577,000 euros at international auctions This painting that is attributed to Jean-Antoine Watteau shows a gallant scene as they are typical for the artist. Sitting in a delicate, idealized landscape in front of a fountain with stony putti is a young lady who is being taught how to play the flute by a dashing admirer. Two children are playing at their left, and thy strike quite a similar posture as the couple they appear like a miniature copy of the scene. A bit further aback are some more persons entertaining themselves with playing ball or exchanging endearments. Some of the elements that are typical for Watteau are for example the fountain to the left that appears in other forms in nearly every single one of Watteau's paintings; the flute teaching beau in his red velvet dress is also seen paying his respects in some other paintings. Also typical are the great aliveness of the nature that the artist has awakened in his paintings despite its deliberate artificiality and the opening of the wide landscape in the back. The slightly volatile brush strokes can as well be seen in some of Watteau's paintings. The painting is in an optically good condition considering ist age. It has been relined and enhanced and covered around the edges with framing paper. The colour layer is covered by a varnish. The colour has been applied rather thinly which is why the structure of the canvas is partly clearly visible. Craquelure can also be seen. Small colour touch-ups are visible here and there for example in the upper right or in the dresses of the lady in the front and the girl. The beautifully hand carved wooden frame shows traces of age and use such as material losses. The framed overall dimensions measure 88 x 101 cm, the dimensions of the stretcher frame are 65.5 x 77 cm. The stretcher frame shows some old inventory numbers on the back as well as the handwritten inscription 'Sammlung Baron de Reuter' (Collection Baron de Reuter). There is also a label reading 'Provenienz Sammlung Baron de Reuter. Privatsammlung Schweiz' (Provenance Collection Baron de Reuter. Private Collection Switzerland) and another one with the inscription 'Madame N...'. Jean-Antoine Watteau (1684-1721) Jean-Antoine Watteau began his artistic education with only ten years old under Jacques-Albert Gérin in Valenciennes. In 1702, the young artist moved to Paris where he began working as a stage painter under Claude Gillot and later as a decoration painter under Claude Audran, the custodian of the Galerie du Luxembourg. He was accepted into the academy in 1708 and he was made a member in 1717 after applying for it with his painting 'The Embarkation for Cythera' (Louvre Version). Watteau is often considered the most important painter of the French Rococo and is known as the inventor of the 'Fêtes Galantes'. His works are today in the Louvre or the Eremitag and greater collections can be found in castle Sanssouci in Potsdam and in the Wallace Collection in London.
Auctionata Paddle8 AG
Nov. 28, 2013
Watteau, Antoine: L´homme accoudé
Est: €300 - €400
L´homme accoudé. Radierung. 11,4 x 7,1 cm. Dacier-Vuaflart 49 IV (von VII), Robert-Dumesnil 1 III (von V). Eine von nur zehn eigenhändigen Radierungen Antoine Watteaus. Ausgezeichneter Druck mit feinem Rändchen um die Einfassungslinie, vor der Adresse von Hecquet. Schwache Alters- und Gebrauchsspuren, sonst sehr gut erhalten.
Bassenge Auctions
Nov. 23, 2013
18th c. French oil on canvas portrait, signed
Est: $5,000 - $9,000
18th century oil on canvas portrait of a French lady with plumed hat, paper label en verso marked attributed to Jean Antoine Watteau (French, 1684-1721), 25.5"h x 21.5"w, overall size including frame 30.75"h x 28"w x 2.5"d.
Great Gatsby's Auction Gallery, Inc.
Nov. 13, 2013
Jean-Antoine Watteau (1684-1721) (d'après) Pl. 70, 100, 215, 248 et 333 des Figures de différents caractères. Gravé à l'eau-forte pa.
Est: €200 - €300
Jean-Antoine Watteau (1684-1721) (d'après) Pl. 70, 100, 215, 248 et 333 des Figures de différents caractères. Gravé à l'eau-forte par Audran, Boucher, van Loo. Chaque env. 325 x 215. Très belles épreuves du 1er tirage avant les fonds. Quelques petites rousseurs. Bonnes ou grandes marges. Ens. 5 p.
Piasa
Nov. 13, 2013
Jean-Antoine Watteau (1684-1721) (d'après) Le Bosquet de Bacchus. Gravé par C.N. Cochin. 418 x 340. Dacier et Vuaflart 265. Bonne ép..
Est: €150 - €180
Jean-Antoine Watteau (1684-1721) (d'après) Le Bosquet de Bacchus. Gravé par C.N. Cochin. 418 x 340. Dacier et Vuaflart 265. Bonne épreuve lavée, rognée sur le coup de planche en tête, bien complète de la tablette. Infimes restaurations visibles aux bords du feuillet au verso. Marges étroites sur les autres côtés.
Piasa
Nov. 13, 2013
Jean-Antoine Watteau (1684-1721) (d'après) L'Ille de Cythère. Gravé par N. de Larmessin. 454 x 368. Dacier et Vuaflart 155. Belle ép.
Est: €200 - €300
Jean-Antoine Watteau (1684-1721) (d'après) L'Ille de Cythère. Gravé par N. de Larmessin. 454 x 368. Dacier et Vuaflart 155. Belle épreuve. Petites rousseurs essentiellement marginales. Toutes marges. 200 / 300 Ce sujet constitue la première pensée pour L'Embarquement pour Cythère. L'estampe est aux mêmes dimensions que le tableau d'origine.
Piasa
Jul. 27, 2013
JEAN ANTOINE WATTEAU HUGUIER ETCHING
Est: $40 - $80
JEAN ANTOINE WATTEAU HUGUIER ETCHING Jean Antione Watteau (French, 1684-1721) "Huguier", etching, Plate XXIV, No. 4. signed in plate. Framed under glass in wooden frame. Some foxing to paper, and staining to mat. Image features a man in a Turkish costume. Size: 24 x 21" framed
Manor Auctions
Jul. 03, 2013
JEAN ANTOINE WATTEAU
Est: £45,000 - £65,000
VALENCIENNES 1684 - 1721 NOGENT-SUR-MARNE HEAD OF A YOUNG MAN, IN PROFILE, TURNED TO THE LEFT Red and black chalk; bears number in pen and brown ink, slightly trimmed: 58 (?) 91 by 72 mm
Sotheby's
Jul. 03, 2013
JEAN ANTOINE WATTEAU
Est: £350,000 - £450,000
VALENCIENNES 1684 - 1721 NOGENT-SUR-MARNE STUDY OF A STANDING ACTOR, IN THE COSTUME OF MEZZETIN Black, red and white chalk and graphite; bears numbering in brown ink, verso: 180 C 391 by 231 mm
Sotheby's
Jul. 02, 2013
Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne)
Est: -
Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne) Five studies of children with inscription 'Watteau' (lower right) red chalk 7 7/8 x 14 1/8 in. (20 x 35.9 cm.)
Christie's
Jun. 22, 2013
Watteau, Antoine
Est: - €150
Watteau, Antoine (1684-1721) nach. 2 Bl. mit musizierenden Paaren. Kolor. Lithogr. von Albert Ludwig, 20. Jh. 8°. Sign., bez. "nach Watteau" u. "Handkoloriert". Unter Passep. u. Glas gerahmt (nicht ausgerahmt). - 1 Bl. etw. gebr.
Kiefer Buch- und Kunstauktionen
May. 24, 2013
Jean-Antoine Watteau (1684-1721) (d'après)
Est: €300 - €400
Jean-Antoine Watteau (1684-1721) (d'après) Comédiens françois. Gravé par J.-M. Liotard. 428 x 382. Le Blanc 5. Très belle épreuve, très légèrement oxydée. Quelques rousseurs claires. Minuscule déchirure en...
Ader
Apr. 20, 2013
Watteau, Antoine
Est: -
Watteau, Antoine (1684 Valenciennes - Nogent 1721) nach. "Le lorgneur". - "La game d'amour". 2 (1 kolor.) Kupferstiche v. G.Scotin bzw. v. Le Bas bei Chereau. Ca. 34 x 26,5 bzw. 27,5 x 34,5 cm. 1 Bl. innerhalb der Plattenkante beschn. Unter Passep. mont. Tls. lichtrandig, 1 Bl. mit verblasster Adr., 1 Bl. etw. fleckig u. mit unterl. Randeinriss bis in die Darst. (DGR 3143, 3200) SchaetzPreis 270
Kiefer Buch- und Kunstauktionen
Apr. 20, 2013
Watteau, Antoine
Est: -
Watteau, Antoine (1684 Valenciennes - Nogent 1721) nach. "L'armour au thèâtre francois". Kolor. Kupferstich v. C.N.Cochin bei Chereau, Paris um 1740. 36,5 x 48, Blgr. 42 x 50,8 cm. Mit Rändchen um die Plattenkante. +Dabei:+ "Les charmes de la vie champêtre". Kupferstich n. F.Boucher v. u. bei J.Daullé, Paris 1757. 41,5 x 33, Blgr. ca. 50 x 36 cm. - Meist mit Rändchen um die Plattenkante. - +Le sentinelle en défaut".+ Kupferstich v. N.de Launay n. Baudouin, Paris ca. SchaetzPreis 360
Kiefer Buch- und Kunstauktionen
Apr. 20, 2013
Watteau, Antoine
Est: -
Watteau, Antoine (1684 Valenciennes - Nogent 1721) nach. "L'amour au thèâtre italien". Kolor. Kupferstich v. C.N.Cochin bei Chereau, Paris um 1740. 37,5 x 49,5, Blgr. 47 x 56 cm. Unter Passep. mont. Etw. gebr., tls unterl. Randeinrisse, tls. bis i.d. Darst. +Dabei:+ "Conversation espagnole". Kolor. Kupferstich v. J.Beauvarlet n. C.Vanloo, Paris um 1760. 51 x 40, Blgr. 57,3 x 42 cm. Mit Rändchen um die Darst. Auf Karton aufgez. - +"La Serenade Italien SchaetzPreis 500
Kiefer Buch- und Kunstauktionen
Mar. 09, 2013
JEAN ANTOINE WATTEAU HUGUIER ETCHING
Est: $50 - $100
JEAN ANTOINE WATTEAU HUGUIER ETCHING Jean Antione Watteau (French, 1684-1721) "Huguier", etching, Plate XXIV, No. 4. signed in plate. Framed under glass in wooden frame. Some foxing to paper, and staining to mat. Image features a man in a Turkish costume. Size: 24 x 21" framed Est. 50-100
Manor Auctions
Feb. 27, 2013
Attribué à Antoine WATTEAU (Valenciennes 1684 -
Est: €20,000 - €30,000
Attribué à Antoine WATTEAU (Valenciennes 1684 - Nogent-sur-Marne 1721) Assis auprès de toi Toile. 40 x 32,8 cm (restaurations anciennes). Provenance: France, collection privée. oeuvres en rapport Assis, au près de toy, sous ces charmans...
Brissonneau
Feb. 18, 2013
O/C/P, Couple Reclining, after J. A. Watteau?
Est: $200 - $400
O/C/P, Couple Reclining, after J. A. Watteau? Medium: Oil Support: Canvas mounted on panel. Artist: After Jean Antoine Watteau Artist Dates: 1684 - 1721 Country of Origin: France Title & Description: 'Courtship Scene' The Age of Feasts of Courtship. On the document testifying to Watteau's acceptance into the Academy, the title "embarquement pour Cythere" is crossed out and replaced by "La fete galante". Over the preceding years, fete galante (feast of courtship) had become a genre in its own right like history painting and still life. It was a genre which Watteau himself had invented and with which he had made his name. He had already produced over 50 feast of courtship paintings, most of them employing a small format, unlike the Paris and Berlin Cythera canvases. They all depict handsome young men and women who are chatting, dancing, flirting and making music. They are mostly dressed in a rustic style or in the costumes of the Italian Commedia dell'arte. In the present painting they are carrying long pilgrim's staffs, for they are making a pilgrimage to a sanctuary of love. Signature: AW conjoined Date of Work: 19th century? Frame: Later gesso frame Work Size: 3.75" H x 5 " W Frame Size: 11.5" H x 13" W x 2.25 " D Weight: 2 lbs Provenance: From the estate of Arthur J. Connoly Condition: Light craquelure, no inpainting when placed under black light. Artist Biography: Jean-Antoine Watteau (1684-1721). Jean-Antoine Watteau was the most representative painter of the French Rococo* style, an artist beside whom the painterly talents of his contemporaries (like the Venetian Giambattista Tiepolo, and the Frenchmen Francois Boucher and Jean-Honore Fragonard) are measured. He was born at Valenciennes - the town had only recently been ceded to France, and during his lifetime he was considered a Flemish artist - and his early years are obscure. He trained under local artists, and arrived in Paris in 1702 as an assistant to one of them, a painter of scenery for the Paris Opera. This was probably Watteau's first contact with the theatre. He later became infatuated with it. Left in Paris by his master, Watteau was forced to produce copies of popular Old Masters* on a semi-production-line basis. It may have been at this time that he began to paint in his own right, scenes he would have known during his childhood at Valenciennes, executed in the style of the Dutch Realists Adriaen Brouwer (1605-38) and David Teniers (1610-90). Throughout his life his paintings were always based on drawings, and even during these early years in Paris when he was living in poverty, he made many delicate drawings after nature. Quite soon after his arrival in Paris he had the good fortune to come into contact with Claude Gillot (1673-1722), the theatrical painter, daughtsman* and etcher*, and by 1703, he may have been his pupil. Under Gillot he renewed his association with the theatre and in particular with the Commedia dell'Arte. This troupe of Italian comedians had taken Paris by storm with their fast and irreverent pantomimes; their performances had been considered so scandalous that the company had been expelled from the city in 1697. The memory of the Commedia dell'Arte lived on in the productions of French comedians who also based their plays round the traditional characters of Harlequin, Pierrot, and Pantalone. Scenes from the Commedia formed most of the subject matter of Gillot's paintings, handled in a rather matter-of-fact way. Not surprisingly, the paintings that Watteau made during his apprenticeship with Gillot are Commedia scenes that seem, like his master's, to have been painted from actual performances. Meta: Painting
Louis J. Dianni, LLC
Feb. 13, 2013
After Jean Antoine Watteau (French, 1684-1721), 'a paris chez huguier', engraving, 20th century, Depicting a lady dressed in robes look
Est: $100 - $150
After Jean Antoine Watteau (French, 1684-1721) 'a paris chez huguier', engraving, 20th century Depicting a lady dressed in robes looking over her shoulder. Sight H: 12 3/4, W: 8 1/2 in. PROVENANCE: The Estate of Francois Bucher via the Collins Center for Public Policy.
Freeman's | Hindman
Jan. 31, 2013
Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne)
Est: $500,000 - $700,000
Jean-Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne) Two studies of a young child standing, and another of a young girl seated red, black and white chalk 9¾ x 12 5/8 in. (24.8 x 32 cm.)
Christie's
Jan. 30, 2013
Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne)
Est: $500,000 - $700,000
Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne) La Déclaration inscribed in ink 'A. Watteau' (on the reverse of the copper) oil on copper 8½ x 6¾ in. (21.9 x 16.4 cm.)
Christie's
Jan. 29, 2013
JEAN-ANTOINE WATTEAU (CIRCLE OF) (Valenciennes 1684-1721 Nogent-sur-Marne) A Seated Woman.
Est: $1,500 - $2,500
JEAN-ANTOINE WATTEAU (CIRCLE OF) (Valenciennes 1684-1721 Nogent-sur-Marne) A Seated Woman. Red chalk on thin, cream laid paper. 280x193 mm; 11x7 1/2 inches. Proprietary watermark.
Swann Auction Galleries
Jan. 26, 2013
Unbekannter Künstler des 19. Jahrhunderts, nach
Est: €750 - €900
Unbekannter Künstler des 19. Jahrhunderts, nach Jean-Antoine Watteau, 1684-1721, Pierrot und Columbine, Öl/Holz, unsigniert, 30x24cm, Rahmen
Henry's Auktionshaus
Jan. 04, 2013
Jeanne-Antoine Watteau (1684-1721), Pair of framed
Est: £80 - £120
Jeanne-Antoine Watteau (1684-1721), Pair of framed lithographs of Watteau's red, black and white chalk drawings, 'Woman disrobing' c1717-18, 8 ½" x 5 ½" and 'A study of two women' c.1716-17, 7 ½" x 6" published by the Royal Academy [2]
Claydon Auctioneers
Jan. 01, 2013
Two 18th century paintings Manor of Jean Antoine Watteau (1684-1721) FRENCH GENRE SCENES OF MEN AND WOMEN IN THE COUNTRY o...
Est: $1,000 - $3,000
Two 18th century paintings Manor of Jean Antoine Watteau (1684-1721) FRENCH GENRE SCENES OF MEN AND WOMEN IN THE COUNTRY oil on paper 7" x 8" Provenance: From prominent Woodbridge, Connecticut family collection.
Nadeau's Auction Gallery
Nov. 23, 2012
Antoine WATTEAU Tête de femme de profil Contre-épreuve de sanguine et crayon noir 13 x 8,5 cm Le profil a été légèrement retouché pa...
Est: €2,000 - €3,000
Antoine WATTEAU Tête de femme de profil Contre-épreuve de sanguine et crayon noir 13 x 8,5 cm Le profil a été légèrement retouché par une autre main
Tajan
Nov. 12, 2012
Antoine WATTEAU (Valenciennes 1684-Nogent sur Marne 1721) Paysage animé, d'après Campagnola ?
Est: €2,000 - €3,000
Antoine WATTEAU (Valenciennes 1684-Nogent sur Marne 1721) Paysage animé, d'après Campagnola ? Contre épreuve de sanguine 29 x 39 cm Annoté en bas à gauche " Vataux " (Quelques pliures) Notre feuille est la contre-épreuve du dessin conservé à l'Ashmolean Museum d'Oxford (voir P. Rosenberg et L.A. Prat, Antoine Watteau, catalogue raisonné des dessins, éd. Leonardo arte, Milan, 1996, T.I, n°343, p.550, repr. Bibliographie : P. Rosenberg et L.A. Prat, Antoine Watteau, catalogue raisonné des dessins, éd. Leonardo arte, Milan, 1996, T.I, p.550, fig.343a
Piasa
Oct. 27, 2012
ATTRIBUTED TO JEAN-ANTOINE WATTEAU: FARM STUDY
Est: $150 - $250
ATTRIBUTED TO JEAN-ANTOINE WATTEAU: FARM STUDY Sanguine on paper, unsigned. 3 x 4 3/8 in. Provenance: Ex collection Leonard Baskin.
STAIR
Oct. 24, 2012
Jean Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne)
Est: £1,500 - £2,000
A seated lady holding a fan red and black chalk on paper, a counterproof 25 x 18cm (9 13/16 x 7 1/16in).
Bonhams
Sep. 12, 2012
Manner of JEAN-ANTOINE WATTEAU (French, 1684-1721) L'En
Est: $4,000 - $6,000
Manner of JEAN-ANTOINE WATTEAU (French, 1684-1721) L'Enchanteur Oil on canvas 22-1/2 x 28 inches (57.2 x 71.1 cm) Presented in an elaborate carved and gilt openwork frame PROVENANCE: Acquired by the present owner from a private New England collection, c. 1985 This painting is based upon a small work by Watteau (19 x 26 cm.) in the Musee des Beaux-Arts, Troyes, with a number of variations in costume and numbers of figures. Additionally, this composition reverses Watteau's original, suggesting perhaps that it was made after a print. Interestingly this painting may, in fact, provide important clues to the original appearance of many of the details in the painting in Troyes, which has undergone extensive restoration over the years.
Heritage Auctions
Aug. 02, 2012
Watteau Oil on Board Painting
Est: -
Antoine Watteau (1684 - 1721) France, original oil on board depicting an amorous couple in period clothing, the image measuring 27.5" x 13.5" in gesso frame, signed lower right
J Levine Auction & Appraisal LLC
Jul. 17, 2012
After Jean Antoine Watteau (French, 1684-1721), 'a paris chez huguier', engraving, 20th century, Depicting a lady dressed in robes lo
Est: $200 - $300
After Jean Antoine Watteau (French, 1684-1721) 'a paris chez huguier', engraving, 20th century Depicting a lady dressed in robes looking over her shoulder. Sight H: 12 3/4, W: 8 1/2 in. PROVENANCE: The Estate of Francois Bucher via the Collins Center for Public Policy.
Freeman's | Hindman
Jul. 04, 2012
JEAN ANTOINE WATTEAU
Est: £25,000 - £35,000
VALENCIENNES 1684 - 1721 NOGENT-SUR-MARNE THREE STUDIES OF THE HEAD OF A WOMAN Red and black chalk with touches of white chalk; bears the mark of the mountmaker Adolphe Stoll, (L.2786c), on the mount 130 by 170 mm
Sotheby's