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George Frederick Watts Sold at Auction Prices

Painter, Sculptor, Porträtmaler, Miniaturist, Etcher, b. 1817 - d. 1904

(b London, 1817; d Limerlease, England, 1904) British Painter. Watts was one of the most remarkable and versatile figures in Victorian art. During his long career of some seventy years, he made major contributions to history painting, the mural revival, portraiture, landscape, high Victorian classicism, symbolism, and the new sculpture. To put this in different words, no one did more to bridge the enormous gap between the age of Haydon and Etty and the dawn of modernism. He is not an easy artist; the moral allegories by which he set such store have proved particularly difficult for a twentieth-century audience, but taste seems to be changing. He was well represented in the exhibition “The Age of Rosetti, Burne-Jones and Watts: Symbolism in Britain 1860-1910”, mounted at the Tate Gallery last year, and for many he emerged as the star of the show. The object of the exhibition was to place British symbolism in a European context, and Watts lends himself to this treatment. His work was well known and much admired on the continent during his lifetime. (Credit: Christie’s, London, Impressionist and 19th Century Art, June 24, 1998, lot 33)

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  • George Frederic Watts, OM RA,  British 1817-1904-  Portrait
    Jul. 08, 2026

    George Frederic Watts, OM RA,  British 1817-1904-  Portrait

    Est: £6,000 - £8,000

    George Frederic Watts, OM RA,  British 1817-1904-  Portrait of the artist's nephew Edward John Watts (1829-1867), as a young boy, bust-length, in profile;  oil on canvas, bears label inscribed 'This portrait of / his nephew my / Grandfather, by the / late G.F. Watts R.A. / was given me [sic] by / my father Edward / Thomas Watts on my / 21st birthday 23 Sept / 1907 / Herbert Charles Watts / 17/11/1907' attached to the left stretcher bar, 36 x 30.5 cm.  Provenance:  The sitter; Thence by descent to the present owner.  Note:  As Watts had no biological children, portraits of family members are rare within his oeuvre. He did, however, paint his first and second wives, as well as close friends and their families. Edward John Watts (1828-1867) was the son of the artist's half-brother, Thomas Watts (b. 1799). In the 1851 census, Edward is recorded as a pianoforte maker, working alongside his father and younger brother. A later inscription on the reverse of the picture by his grandson, Herbert Charles Watts (1886-1957) supports this identification. An unfinished portrait by Watts, that looks to depict the same sitter at a slightly older age, is held in the collection of the Watts Gallery [COMWG.173].  We are grateful to Dr Nicholas Tromans for confirming the attribution to Watts. 

    Roseberys
  • Salome
    Jul. 02, 2026

    Salome

    Est: £70,000 - £100,000

    George Frederic Watts, O.M., R.A. British 1817 - 1904 Salome oil on canvas unframed: 125 by 77cm., 49¼ by 30¼in. framed: 142 by 95.6cm., 56 by 37¾in. 

    Sotheby's
  • GEORGE FREDERICK WATTS RA (BRITISH 1817-1904)
    Feb. 11, 2026

    GEORGE FREDERICK WATTS RA (BRITISH 1817-1904)

    Est: £50 - £70

    GEORGE FREDERICK WATTS RA (BRITISH 1817-1904) STUDY FOR A CRUCIFIXION pencil on blue paper; 10 x 10cm; 4 x 4in; (25 x 19.5cm; 9 3/4 x 7 3/4in framed)

    Olympia Auctions
  • GEORGE FREDERICK WATTS RA (BRITISH 1817-1904)
    Feb. 11, 2026

    GEORGE FREDERICK WATTS RA (BRITISH 1817-1904)

    Est: £150 - £200

    GEORGE FREDERICK WATTS RA (BRITISH 1817-1904) STUDY FOR PROMISES signed, titled and dated G.F. Watts March 1893 / Promises lower left; red chalk on paper; 22 x 16.5cm; 8 3/4 x 6 1/2in (55 x 45cm; 21 1/2 x 17 3/4in framed) The present work is a sketch for Watts' finished painting Promises of the same year in the collection of the Walker Art Gallery, Liverpool.

    Olympia Auctions
  • Attributed to George Frederic Watts (British 1817-1903), Studies for Peace and Goodwill, Two Watercolor Studies Framed as One, Frame: 11 1/4 x 11 1/2 in. (28.6 x 29.2 cm.)
    Jan. 13, 2026

    Attributed to George Frederic Watts (British 1817-1903), Studies for Peace and Goodwill, Two Watercolor Studies Framed as One, Frame: 11 1/4 x 11 1/2 in. (28.6 x 29.2 cm.)

    Est: $600 - $800

    Attributed to George Frederic Watts (British 1817-1903), Studies for Peace and Goodwill, Two Watercolor Studies Framed as One,

    Weschler's
  • Physical Energy
    Dec. 04, 2025

    Physical Energy

    Est: £100,000 - £150,000

    George Frederic Watts, O.M., R.A. British 1817 - 1904 Physical Energy inscribed twice: 060419047412 bronze 49cm., 19¼ in.

    Sotheby's
  • Circle of George Frederic Watts (British, 1817-1904), a portrait of Orpheus
    Jul. 08, 2025

    Circle of George Frederic Watts (British, 1817-1904), a portrait of Orpheus

    Est: £400 - £600

    Circle of George Frederic Watts (British, 1817-1904) A portrait of Orpheus Oil on panel Unframed Dimensions: 9.5 in. (H) x 5.25 in. (W)

    Sloane Street Auctions
  • George Frederic Watts OM RA (British, 1817 – 1904), An expulsion
    Jun. 12, 2025

    George Frederic Watts OM RA (British, 1817 – 1904), An expulsion

    Est: £600 - £800

    George Frederic Watts OM RA (British, 1817 – 1904) An expulsion Oil on board With old Christie's stencil verso Dimensions: (Frame) 16.5 in. (H) x 14.5 in. (W) (Board) 10 in. (H) x 8.25 in. (W)

    Sloane Street Auctions
  • Watts (George Frederic, 1817-1904). Orpheus, oil on wood panel
    Mar. 12, 2025

    Watts (George Frederic, 1817-1904). Orpheus, oil on wood panel

    Est: £200 - £300

    Watts (George Frederic, 1817-1904). Orpheus, oil on wood panel * Circle of George Frederic Watts (1817-1904). Orpheus, oil on wood panel, showing a young male figure wearing an animal skin draped across his lower waist, playing a lute, a small bird by his feet, 23.7 x 13.2 cm (9 3/8 x 5 1/4 ins) QTY: (1) NOTE: Provenance: From the estate of John Watson (1939-2019).

    Dominic Winter Auctions
  • Circle of George Frederic Watts, OM, RA,  Portrait of a lady, quarter-length, wearing a white cap and red shawl 
    Mar. 12, 2025

    Circle of George Frederic Watts, OM, RA,  Portrait of a lady, quarter-length, wearing a white cap and red shawl 

    Est: £600 - £1,000

    Circle of George Frederic Watts, OM, RA,  British 1817-1904-  Portrait of a lady, quarter-length, wearing a white cap and red shawl;  oil on panel, with a study of a lady's head verso, dated 'NOV. 2. 1888.' (upper right), bears faint pencil inscription crossed out '.... Mrs Harrison / Kent Hatch / nr Eden Bridge / Kent' verso, 41.4 x 31.3 cm.  Provenance:  Private Collection, UK.  Note:  Although perhaps best-known for his mythological and allegorical subjects, heavily informed by the Symbolist movement with which he was associated, Watts was also a prolific and influential portraitist. The legacy of Watts is visible in the composition of the present portrait, with the sitter - presumably a widow judging by her clothes and cap - placed in front of a background of block colour, and in the loose brushstrokes which impart the work with a sense of vitality and spontaneity. Similar works by Watts include his portrait of 'Lilith' in the Mercer Art Gallery [HARAG 370] and that of King Edward VII in the Watts Gallery [COMWG 154], whilst the restrained, somewhat sombre tone of the present work also recalls Watts's depiction of  'Sympathy', also in the collection of the Watts Gallery [COMWG 95]. 

    Roseberys
  • George Frederic Watts OM RA (1817-1904)
    Nov. 19, 2024

    George Frederic Watts OM RA (1817-1904)

    Est: £2,000 - £3,000

    George Frederic Watts OM RA (1817-1904) The Three Graces - a study of three classical figures a grisaille oil sketch on canvas 39 x 27cm, in a late 19th-century Florentine carved giltwood frame Provenance: With Christopher Wood, London. Condition Report: Framed: 55 x 43cm Relined. Presents well overall. Not examined under UV light, for a full report please contact the department.

    Sworders
  • GEORGE FREDERIC WATTS (BRITISH 1817-1904), PORTRAIT OF MR RICHARD EDMONDS
    Oct. 09, 2024

    GEORGE FREDERIC WATTS (BRITISH 1817-1904), PORTRAIT OF MR RICHARD EDMONDS

    Est: £1,000 - £1,500

    GEORGE FREDERIC WATTS (BRITISH 1817-1904)PORTRAIT OF MR RICHARD EDMONDSOil on canvasLater signed (lower left)25 x 20cm (9¾ x 7¾ in.)Provenance:The sitter's granddaughter Mrs Emma ShorterExhibited:London, Leighton House, August - November 1905The 1905 exhibition of works by G.F Watts at Leighton house included a number of works which were lent by Mrs Russell Barrington (The author of The life, letters and work of Frederic Leighton Vol.I&II). In a letter to Mrs Barrington dated August 1905, Mrs Shorter writes of the present lot:I had an interview with my aunt yesterday on the subject of the little picture of her father by the late Mr Watts. She informed me that she cannot quite remember the year in which it was painted but it was certainly not later than 1834.Mr Watts' father in those days was a piano tuner and used to go to Mr Richard Edmonds' house at New Cross to tune the pianos, during that time he was always talking of his son's great talent...Mr Edmonds wishing to encourage the young artist gave him a sitting. it was not signed at the time of painting but 5 years ago Mr Watts recognised it as his work and kindly affined his signature'.The portrait was subsequently shown to Mr Richard Jeffries circa 1996/7 who confirmed the attribution.We are grateful to Richard Ormond for his help in preparing this catalogue entry.

    Dreweatts 1759 Fine Sales
  • Circle of George Frederic Watts, OM RA,  British 1817-1904-  Portrait of a
    Jul. 09, 2024

    Circle of George Frederic Watts, OM RA,  British 1817-1904-  Portrait of a

    Est: £200 - £400

    Circle of George Frederic Watts, OM RA,  British 1817-1904-  Portrait of a girl, seated, wearing a red cap and light blue dress, and reading a book;  oil on board, 21.5 x 12.7 cm.  Provenance:  Private Collection, UK. 

    Roseberys
  • GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Portrait of Nicolas
    Jun. 04, 2024

    GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Portrait of Nicolas

    Est: £20,000 - £30,000

    GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Portrait of Nicolas Ionides (1815-1873), half-length, in Greek costume oil on canvas 36 ½ x 28 in. (93 x 71 cm.)

    Christie's
  • GEORGE FREDERICK WATTS (BRITISH 1817-1904) STUDY FOR 'JACOB AND ESAU'
    Feb. 13, 2024

    GEORGE FREDERICK WATTS (BRITISH 1817-1904) STUDY FOR 'JACOB AND ESAU'

    Est: £400 - £600

    George Frederick Watts STUDY FOR 'JACOB AND ESAU' Pencil 24cm x 17.5cm (9.5in x 7in)

    Lyon & Turnbull
  • Alfred, Lord Tennyson Portrait Oil Painting After George Frederic Watts
    Feb. 03, 2024

    Alfred, Lord Tennyson Portrait Oil Painting After George Frederic Watts

    Est: $400 - $600

    Alfred, Lord Tennyson Portrait Oil Painting After George Frederic Watts (1817-1904) (Alfred, Lord Tennyson, oil on canvas, circa 1863-1864, on display at the National Portrait Gallery). Oil on Canvas. Signed by the artist in the lower right of canvas. Housed in a fine antique carved wood frame. Approx. Size: _____

    Worthington Galleries
  • George Frederick WATTS (1817-1904), drawing Girl's head, signed
    Nov. 25, 2023

    George Frederick WATTS (1817-1904), drawing Girl's head, signed

    Est: €600 - €1,000

    George Frederick WATTS (1817-1904), drawing Girl's head, signed George Frederick WATTS (1817-1904), tekening Meisjeshoofd, getekend

    Maison Jules Veilinghuis
  • George Frederick Watts by Eduard Steichen
    Oct. 19, 2023

    George Frederick Watts by Eduard Steichen

    Est: $700 - $1,000

    Heading: Author: Steichen, Eduard Title: George Frederick Watts Place Published: New York Publisher:Camera Work Date Published: 1906 Description: Vintage photogravure on tissue tipped to handmade paper sheet which is in turn tipped to backing sheet. Image: 21.5x16.5 cm (8½x6½"); tipped to sheet: 30x20.5 cm (12x8¼").Photogravure from Camera Work 14, 1906. Eduard Steichen (1879-1973), the master of pictorialism, is the most represented photographer in Alfred Stieglitz's foundational magazine Camera Work. George Frederic Watts (1817-1904) was a Symbolist painter and sculptor from London.

    PBA Galleries Auctions & Appraisers
  • GEORGE FREDERICK WATTS (ENGLISH 1817-1904), HAYSTACKS (STUDY ON BRIGHTON DOWNS)
    Oct. 04, 2023

    GEORGE FREDERICK WATTS (ENGLISH 1817-1904), HAYSTACKS (STUDY ON BRIGHTON DOWNS)

    Est: £8,000 - £12,000

    GEORGE FREDERICK WATTS (ENGLISH 1817-1904) HAYSTACKS (STUDY ON BRIGHTON DOWNS)Oil on canvas33.5 x 65.5cm (13 x 25¾ in.)Provenance:With the artist 1887Given by the artist to Frederic, Lord LeightonHis sale, Christie's, 14 July 1896 (3rd day), lot 343Where bought by Sir William Agnew, Bt., for 290 gnsStill with Sir William Agnew in 1905Christie's, London, 11 June 2002, lot 118, where purchased by Robert KimeExhibited:Grosvenor Gallery, London, 1883, no. 59, as Study on Brighton DownsManchester, Royal Jubilee Exhibition, 1887, Fine Art Section, no. 249, as Haystacks, lent by the artistRoyal Academy, London, Exhibition of Works by the late George Frederick Watts, R.A., O.M and the late Frederick Sandys, Winter 1905, no. 26, as Landscape, lent by Sir William AgnewCity Art Gallery, Manchester, G.F Watts Memorial Exhibition, 1905, no. 148, as Landscape, lent by Sir William AgnewLiterature: Times, 30 April, 1883, p.4Mrs Watts's Manuscript catalogue, vol. I, p.16 as Brighton DownsThe present lot was painted in 1882 and exhibited the following year at the Grosvenor Gallery as Study on Brighton Downs, although the name Haystacks was already given to it when it was noticed briefly in a review in the Times, and Watts himself seems to have adopted this title later. No doubt the subject was one he had seen when travelling to or from the town, where he had a winter studio from 1876.Like so many of Watts's landscapes, Haystacks (Study on Brighton Downs) is astonishingly minimal. No other Victorian artist made more daring experiments of this kind; they are one of his work's most original aspects.Haystacks as a subject seem to have been a constant source of wonder and inspiration to Watts. The picture is reminiscent of Evening (Ashmolean Museum, Oxford), a small panel of 1864 in which he introduced some examples he had seen in the vicinity of Little Holland House, Kensington. However, unlike the Oxford picture which has overt literary associations; an armed knight is seen riding by, and the picture's alternative title, 'All the air a solemn stillness holds', taken from Thomas Gray's Elegy, this picture focuses attention on the haystacks alone. Characteristically though, Watts still manages to suggest a symbolist dimension. Stark as it is, the image has none of the objectivity of a painting of a haystack by for example, Monet.Watts must have thought highly of the picture to have sent it to the Grosvenor, and it was still in his possession when he lent it to the Royal Jubilee Exhibition at Manchester in 1887. He subsequently gave it to Sir Frederic Leighton, who had, according to Mrs Watts in her manuscript catalogue of her husband's works, 'admired' it. Leighton and Watts were not only close friends but neighbours in the artists' colony which had developed in the Holland Park area since the 1860s.When the picture appeared at Leighton's posthumous sale at Christie's in July 1896 it was bought by the dealer Sir William Agnew, who apparently wanted it for his own collection rather than stock. He still had it nine years later, when he lent it to the first two venues of the memorial exhibition which toured the country following Watts's death in 1904.

    Dreweatts 1759 Fine Sales
  • GEORGE FREDERICK WATTS (ENGLISH 1817-1904), FOR HE HAD GREAT POSSESSIONS
    Oct. 04, 2023

    GEORGE FREDERICK WATTS (ENGLISH 1817-1904), FOR HE HAD GREAT POSSESSIONS

    Est: £15,000 - £25,000

    GEORGE FREDERICK WATTS (ENGLISH 1817-1904) FOR HE HAD GREAT POSSESSIONSOil on canvasSigned (lower right) 66 x 33cm (25 x 12 in.)Provenance:Christie's, Frankham House Sale, East Sussex, 25 September 1989, lot 339, where purchased by Robert KimeA version and possibly the original design of the painting exhibited at the Royal Academy in 1894 No. 259 and the New Gallery in 1896-7, no. 133 now in the Tate, another version in the Watts Gallery, Compton. The title of this picture is taken from the Biblical story of the rich man who approached Christ asking to become a disciple. When told that he must first sell all his worldly possessions he had second thoughts, choosing to reject the spiritual life and retain his great accumulation of material goods. First exhibited in 1894, the work was one of a group in which Watts expressed his antagonism towards greed. While the composition indicates the man's psychological dilemma, it also focuses the viewer's attention on the rich fabric of his clothes. The handling of the paint consciously strives to imitate that of the great Venetian painters, most notably Titian.

    Dreweatts 1759 Fine Sales
  • GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Ganymede oil on canv
    Jul. 13, 2023

    GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Ganymede oil on canv

    Est: £10,000 - £15,000

    GEORGE FREDERIC WATTS, O.M., R.A. (BRITISH, 1817-1904) Ganymede oil on canvas 24 x 20 in. (61 x 50.8 cm.)

    Christie's
  • George Frederick Watts (British, 1817-1904) Study for Eve, she shall be called W
    Jun. 09, 2023

    George Frederick Watts (British, 1817-1904) Study for Eve, she shall be called W

    Est: $20,000 - $30,000

    George Frederick Watts (British, 1817-1904) Study for Eve, she shall be called Woman, circa 1875 Oil on canvas 24 x 10-1/4 inches (61.0 x 26.0 cm) Non-Accessioned Property from the Dallas Museum of Art PROVENANCE: Estate of the artist; (With) Christopher Wood, London; (Possibly) Christie's, London, November 30, 1984, lot 84; Collection of Henry H. Hawley. EXHIBITED: The Royal Academy, London, "Winter Exhibition, Works by the Late George Frederick Watts, R.A., O.M. and the Late Frederick Sandys," January 2-March 11, 1905, no 155, p. 27 (as Eve); Manchester City Art Gallery, Manchester, "G.F. Watts Memorial Exhibition," 1905. This work was donated to be sold to benefit the Dallas Museum of Art without restriction and was never included in the Dallas Museum of Art's permanent collection. Throughout the 1870s, George Frederick Watts experimented with increasingly complex surface textures, giving his work a bold and somewhat frenzied look. This early study for the figure of Eve in his dramatic work She Shall Be Called Woman (circa 1875-1892) in the Tate Britain offers a glimpse into the evolution of his expressive style. The final work in a series of three large paintings depicting the creation, temptation, and redemption of Eve, She Shall Be Called Woman underwent significant alteration during her conception. The present study depicts a more traditional figure; Eve stands contrapposto, the picture of a Renaissance-era heroine. Limiting his experiments to surface texture at this time, Watts still maintained figures informed by antiquity, and did not rework the position of the figure until the 1890s. This study hints at several aspects that remain in Watts' ultimate composition: Eve's gaze turned upward, and her cascade of extremely long hair, fanning out behind her and enveloping her shoulders like a golden cloud. The flora and fauna that appear more sparsely in the study are fully developed, surrounding Eve with doves and lilies, symbols of purity and fertility, alluding to her state of total innocence and her future role as mother of mankind. Perhaps most significant is the change to her footing. In the present work, Watts places Eve firmly on the ground. She is still clearly in the Garden of Eden but does not yet fully convey the force of nature that Watts wanted to depict. The final work shifts Eve to face the viewer directly, but with her body suspended in air, her feet floating just above the ground, her hands turned with one palm facing down, the other toward us. It gives the impression of an altogether different motif, that of the Assumption, imbuing the scene instead with a sense of otherworldliness. A dramatic shift to the ethereal that elevates Eve even as the contrast between the study and the final work highlight, and perhaps foreshadow, the contradictions present within the subject herself: Eve as an idea of perfect goodness, and Eve as a woman, with the distinct imperfections of humanity. HID01801242017

    Heritage Auctions
  • CIRCLE OF GEORGE FREDERIC WATTS (1817-1904) PORTRAIT OF A GIRL READING
    May. 20, 2023

    CIRCLE OF GEORGE FREDERIC WATTS (1817-1904) PORTRAIT OF A GIRL READING

    Est: £2,000 - £3,000

    CIRCLE OF GEORGE FREDERIC WATTS (1817-1904) PORTRAIT OF A GIRL READING Oil on canvas (44.5cm x 34.5cm)

    Elstob Auctioneers
  • FRANK SHORT (English, 1917 -1945). Lord Alfred Tennyson, circa 1903, Mezzotint by Sir Frank Short, R.A., P.R.E. (English, 1857 -1945) a
    Apr. 27, 2023

    FRANK SHORT (English, 1917 -1945). Lord Alfred Tennyson, circa 1903, Mezzotint by Sir Frank Short, R.A., P.R.E. (English, 1857 -1945) a

    Est: $200 - $300

    FRANK SHORT (English, 1917 -1945). Lord Alfred Tennyson, circa 1903, Mezzotint by Sir Frank Short, R.A., P.R.E. (English, 1857 -1945) after George Frederic Watts O.M., R.A. (English, 1817-1904). Pencil signed lower right hand corner. Unframed. Note: The artwork is not glued down to a hard surface; it is mounted with hinges to a removable back board. - Plate: 13.5 x 10.5 in; sheet: 16.5 x 12 in Viewing by appointment only.

    Sloans & Kenyon
  • WATTS GEORGE FREDERIC: (1817-1904)
    Mar. 15, 2023

    WATTS GEORGE FREDERIC: (1817-1904)

    Est: €100 - €120

    WATTS GEORGE FREDERIC: (1817-1904) British painter associated with the Symbolist movement. A.L.S., G. F. Watts, two pages, 8vo, Little Holland House [Kensington, London], 27th July 1874, to Miss [Hannah] Rothschild. Watts writes to his correspondent to arrange a sitting, in part, 'I shall remain in town all this week, if this should reach you in time for you to make arrangements I shall be at your disposition tomorrow as soon after 11 as may be convenient to you….' VG Hannah de Rothschild (1851-1890) Countess Rosebery. Daughter of Baron Mayer de Rothschild, whose fortune she inherited in 1874 making her the wealthiest woman in Great Britain. Hannah de Rothschild married Archibald Primrose (1847-1929) 5th Earl of Rosebery, British Prime Minister 1894-95. Watts painted a voluptuous Titianesque portrait of Hannah de Rothschild in 1874, the year of her vast inheritance, the original of which is located at Dalmeny House in Scotland, home of the Earl and Countess of Rosebery.

    International Autograph Auctions Europe, S.L.
  • George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape
    Mar. 08, 2023

    George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape

    Est: £5,000 - £7,000

    George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape oil on canvas 64 x 76.5cm (25 3/16 x 30 1/8in).

    Bonhams
  • attrib. George Frederick WATTS (1817-1904) American
    Feb. 03, 2023

    attrib. George Frederick WATTS (1817-1904) American

    Est: $2,000 - $4,000

    George Frederick WATTS (1817-1904) ; The hope ; late 19th - early 20th century ; oil on canvas / framed ; unsigned ; dimensions 68 x 54 cm (26 3/4 x 21 1/4 in.) ; frame size 81 x 66 cm (32 x 26 in.) ; Shipping to USA - DHL $320 , National post with tracking service $170 / Shipping to EU, Russia, Middle Assia - DHL $220 , National post with tracking service $100

    Art-Torg
  • Loch Ness
    Dec. 14, 2022

    Loch Ness

    Est: £30,000 - £50,000

    George Frederic Watts, O.M., R.A. British 1817 - 1904 Loch Ness oil on canvas Unframed: 76 by 63.5cm., 30 by 25in. Framed: 107 by 94cm., 42 by 37in. Bid on Sotheby's

    Sotheby's
  • George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape
    Sep. 21, 2022

    George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape

    Est: £7,000 - £10,000

    George Frederic Watts, OM, RA (British, 1817-1904) Cloud landscape oil on canvas 64 x 76.5cm (25 3/16 x 30 1/8in). For further information on this lot please visit the Bonhams website

    Bonhams
  • GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study of a classical figure o
    Jul. 14, 2022

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study of a classical figure o

    Est: £3,000 - £5,000

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study of a classical figure oil on canvas 22 3/8 x 10 1/4 in. (56.8 x 26 cm.)

    Christie's
  • GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Clytie bronze 33 7/8 in. (86c
    Jul. 14, 2022

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Clytie bronze 33 7/8 in. (86c

    Est: £30,000 - £50,000

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Clytie bronze 33 7/8 in. (86cm.) high, overall

    Christie's
  • GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) The Open Door oil on canvas 1
    Jul. 14, 2022

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) The Open Door oil on canvas 1

    Est: £10,000 - £15,000

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) The Open Door oil on canvas 18 x 10 in. (45.7 x 25 cm.)

    Christie's
  • GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study for 'Love and Death' oi
    Jul. 14, 2022

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study for 'Love and Death' oi

    Est: £15,000 - £25,000

    GEORGE FREDERIC WATTS, O.M., R.A. (1817-1904) Study for 'Love and Death' oil on canvas 36 x 17 1/4 in. (91.5 x 43.8 cm.)

    Christie's
  • George Frederic Watts, OM RA (British, 1817-1904) Mother and child
    Jul. 06, 2022

    George Frederic Watts, OM RA (British, 1817-1904) Mother and child

    Est: £500 - £700

    George Frederic Watts, OM RA (British, 1817-1904) Mother and child oil on board 30.5 x 24.8cm (12 x 9 3/4in). For further information on this lot please visit the Bonhams website

    Bonhams
  • Attributed to George Frederic Watts, OM, RA (British, 1817-1904) Portrait of an officer thought to be Richard Riversdale Glyn, 8th Hussars
    Jul. 06, 2022

    Attributed to George Frederic Watts, OM, RA (British, 1817-1904) Portrait of an officer thought to be Richard Riversdale Glyn, 8th Hussars

    Est: £2,000 - £3,000

    Attributed to George Frederic Watts, OM, RA (British, 1817-1904) Portrait of an officer thought to be Richard Riversdale Glyn, 8th Hussars oil on panel 61 x 50.5cm (24 x 19 7/8in). For further information on this lot please visit the Bonhams website

    Bonhams
  • George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural
    Jul. 06, 2022

    George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural

    Est: £5,000 - £7,000

    George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural oil on panel 25 x 61cm (9 13/16 x 24in). For further information on this lot please visit the Bonhams website

    Bonhams
  • Attributed to George Frederick Watts (1817-1904) 'Portrait of a young woman', thought to be Alice Catherine Mi
    Jul. 06, 2022

    Attributed to George Frederick Watts (1817-1904) 'Portrait of a young woman', thought to be Alice Catherine Mi

    Est: £200 - £300

    Attributed to George Frederick Watts (1817-1904) 'Portrait of a young woman', thought to be Alice Catherine Miles, oil on canvas, labels verso, 12" x 10".

    John Nicholson's Fine Art Auctioneers & Valuers
  • attrib. George Frederick WATTS (1817-1904) American
    Jun. 03, 2022

    attrib. George Frederick WATTS (1817-1904) American

    Est: $2,000 - $4,000

    George Frederick WATTS (1817-1904) ; The hope ; late 19th - early 20th century ; oil on canvas / framed ; unsigned ; dimensions 68 x 54 cm (26 3/4 x 21 1/4 in.) ; frame size 81 x 66 cm (32 x 26 in.) ; Shipping to USA - DHL $320 , National post with tracking service $170 / Shipping to EU, Russia, Middle Assia - DHL $220 , National post with tracking service $100

    Art-Torg
  • George Frederic Watts, OM RA (British, 1817-1904) Mother and child
    Mar. 09, 2022

    George Frederic Watts, OM RA (British, 1817-1904) Mother and child

    Est: £800 - £1,200

    George Frederic Watts, OM RA (British, 1817-1904) Mother and child oil on board 30.5 x 24.8cm (12 x 9 3/4in). For further information on this lot please visit the Bonhams website

    Bonhams
  • George Frederic Watts, OM RA (British, 1817-1904) Scene from 'As you like it'
    Mar. 09, 2022

    George Frederic Watts, OM RA (British, 1817-1904) Scene from 'As you like it'

    Est: £2,000 - £3,000

    George Frederic Watts, OM RA (British, 1817-1904) Scene from 'As you like it' oil on canvas 25.1 x 35.9cm (9 7/8 x 14 1/8in). For further information on this lot please visit the Bonhams website

    Bonhams
  • Print, After George Frederic Watts
    Feb. 19, 2022

    Print, After George Frederic Watts

    Est: $50 - $100

    After George Frederic Watts (English, 1817-1904), "Hope," photo-offset lithograph, unsigned, overall (with frame): 26"h x 22"w

    Clars Auctions
  • GEO FREDERIC WATTS (ENGLAND 1817-1904) OIL/CANVAS
    Dec. 16, 2021

    GEO FREDERIC WATTS (ENGLAND 1817-1904) OIL/CANVAS

    Est: $500 - $1,000

    George Frederic Watts (ENGLISH / ITALY, 1817 - 1904) large English School portrait oil painting on canvas depicting a seated young boy in black garb. Signed "G. F. WATTS" to lower right. Mounted in gold leaf woodenframe. Canvas on stretcher measures approx. 40" height x 26 1/4" width. Measures approx. 46" height x 32 1/2" width overall with frame.

    Elite Auctioneers, LLC
  • George Frederic Watts OM RA (1817-1904)
    Dec. 15, 2021

    George Frederic Watts OM RA (1817-1904)

    Est: £300 - £500

    George Frederic Watts OM RA (1817-1904) George Frederic Watts OM RA (1817-1904) An unfinished portrait study of William Ewart Gladstone pencil and white chalk 50 x 38cm

    Sworders
  • George Frederic Watts (British 1817-1904), The head of a man
    Dec. 14, 2021

    George Frederic Watts (British 1817-1904), The head of a man

    Est: £2,000 - £3,000

    George Frederic Watts (British 1817-1904)The head of a manBlack, white, and red chalk on oatmeal paper laid on linen38.8 x 32.2cm (15¼ x 12½ in.)UnframedProvenance R. G. Chapman, Oxford.Nicholas Drummond, London This study was traditionally believed to relate to G. F. Watts's fresco 'A Hemicycle of Lawgivers' in the Great Hall of Lincoln's Inn, London. A very similar drawing with the same provenance was sold for £27,500 (Christie's, London, 11th July 2017, Lot 35)

    Dreweatts 1759 Fine Sales
  • George Frederic Watts, OM, RA (British, 1817-1904) Head study for 'Justice, A Hemicycle of Lawgivers'
    Dec. 14, 2021

    George Frederic Watts, OM, RA (British, 1817-1904) Head study for 'Justice, A Hemicycle of Lawgivers'

    Est: £5,000 - £7,000

    George Frederic Watts, OM, RA (British, 1817-1904) Head study for 'Justice, A Hemicycle of Lawgivers' numbered '8.' (lower right) black chalk on buff paper 48.6 x 32.4cm (19 1/8 x 12 3/4in). For further information on this lot please visit the Bonhams website

    Bonhams
  • ANTIQUE SIR GALAHAD by GEORGE FREDERICK WATTS
    Oct. 24, 2021

    ANTIQUE SIR GALAHAD by GEORGE FREDERICK WATTS

    Est: $150 - $250

    Antique Sir Galahad Print By George Fredrick Watts (1817-1904). In period Mahogany frame. Measures 14 1/2"x23"x1", incl frame. Weight 3 pds 6 oz. PROVENANCE: The Estate of Edwin Joseph Hamblet, Portland, Maine.

    Charleston Estate Auctions
  • GEORGE FREDERICK WATTS (1817-1904) STUDIES OF THE MALE NUDE
    Oct. 20, 2021

    GEORGE FREDERICK WATTS (1817-1904) STUDIES OF THE MALE NUDE

    Est: £300 - £500

    GEORGE FREDERICK WATTS (1817-1904) STUDIES OF THE MALE NUDE red chalk on paper, unsigned, bears inscription under the mount WATERMARK 1853-4, GIVEN TO ME IN 1938 AS ONE OF THE TRUSTEES OF THE WATTS GALLERY, COMPTON ON THE DEATH OF LADY G F WATTS, L.G.D. (27cm x 37.5cm) Footnote: Note: L.G. Duke became a trustee of the Watts Gallery in 1933, replacing the late Lord Northbourne. The drawing appears to be a study for the figure of Adam in The Denunciation of Adam and Eve by G.F. Watts of which there are two painted versions, both in the collection of Watts Gallery. Both are illustrated in colour with a detailed entry in 'G F Watts; Victorian Visionary', Bills & Bryant, Yale University Press 2008.

    Lyon & Turnbull
  • attrib. George Frederick WATTS (1817-1904) American
    Jun. 04, 2021

    attrib. George Frederick WATTS (1817-1904) American

    Est: $2,000 - $4,000

    George Frederick WATTS (1817-1904) ; The hope ; late 19th - early 20th century ; oil on canvas / framed ; unsigned ; dimensions 68 x 54 cm (26 3/4 x 21 1/4 in.) ; frame size 81 x 66 cm (32 x 26 in.) ; Shipping to USA - DHL $320 , National post with tracking service $170 / Shipping to EU, Russia, Middle Assia - DHL $220 , National post with tracking service $100

    Art-Torg
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