Jack Welpott 1923-2007 Sabine, Arles. 1973; printed circa 1980. Silver print With Welpott's signature, title, and negative date in pencil on mount recto, and his signature, title, and negative date in pencil on mount verso.
Jack Welpott Twinka's Back 1970 vintage gelatin silver print image: 9.5 h x 7.5 w in (24 x 19 cm) sheet: 10 h x 8 w in (25 x 20 cm) Signed, titled and dated to verso 'Jack W. Welpott 1970 Twinka's Back' with artist's stamp. This work will ship from Los Angeles, California.
The set of ten gelatin silver prints, including: Fountain, 1966; Tokyo, 1976; Verrieres, 1981; Chez Thiollier, 1982; Hotel D'Arlatan, Arles, 1976; Toni, 1980; Near Sacramento, 1975; Sherry, 1980; Financial District, San Francisco, 1979; and Ramparts, 1981, printed and published 1983, all signed, titled and dated at bottom and signed and dated on the reverse, numbered 7/30 on the title sheet, title, justification and original linen-covered portfolio. Three 13 7/8 x 10 7/8 in. (sheet), one 14 x 13 in. (sheet), six 10 7/8 x 13 7/8 in. (sheet), all unframed.
Jack Welpott (American, 1923-2007). Voodoo Doll, 1962. Gelatin silver print, signed and dated in pencil on the mount, framed. 9 1/2 x 7 1/2in. (24 x 19 cm/image). Internationally known photographer and educator, Jack Welpott was born in Kansas City, Kansas on April 27, 1923, but grew up in Bloomington, Indiana. After high school he enrolled in Indiana University, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. After WW II, he returned to Indiana University on the G.I. Bill where he earned an M.F.A degree studying with Henry Holmes Smith. Jack and Jerry Uelsmann were the first M.F.A. graduates while Van Deren Coke was also a graduate student. During these years, he became acquainted with Harry Callahan, Aaron Siskind, and Minor White all of whom were established photographers and pioneers in American photographic education.
Jack Welpott American, (1923-2007) Arles France, cityscape photograph Signed lower right. Biography from JackWelpott.com: Internationally known photographer and educator, Jack Welpott was born in Kansas City, Kansas on April 27, 1923, but grew up in Bloomington, Indiana. After high school he enrolled in Indiana University, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. After WW II, he returned to Indiana University on the G.I. Bill where he earned an M.F.A degree studying with Henry Holmes Smith. Jack and Jerry Uelsmann were the first M.F.A. graduates while Van Deren Coke was also a graduate student. During these years, he became acquainted with Harry Callahan, Aaron Siskind, and Minor White all of whom were established photographers and pioneers in American photographic education. Jack was hired in 1959 by John Gutmann, to teach photography within the Art Department at San Francisco State College, now San Francisco State University. He taught there for the next thirty-three years. When he arrived in San Francisco the Beat Generation was winding down in North Beach, however, he took advantage of the local poetry, jazz, art and culture. He also played jazz piano, which became a lifelong avocation. Years later he said, "When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does." He also soon became associated with the local photographic community which included Ansel Adams, Ruth Bernard, Oliver Gagliani and Dorothea Lange. At that time there were almost no photography courses or graduate programs offered at the university level anywhere in the United States. Jack pioneered in creating both photography courses and a graduate program. He also taught one of the first history of photography courses at the college/university level. While providing a solid basis in photographic technique, Jack always encouraged an appreciation of the master photographers. Also, he integrated the ideas of Carl G. Jung, the Swiss psychoanalyst, into the reading of photographs, especially dreams, symbolism and the unconscious mind. Jack's educational goal was to determine the needs of the student, provide constructive criticism and help them develop their own vision. A number of his students have become major contributors to photography: Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner among numerous others. In 1968, with Jack's support, a number of his students formed the Visual Dialogue Foundation to promote their photographs by producing a portfolio, creating exhibitions, and, in general, publicizing their photographs as fine art. The Museum and Fine Arts Galleries in American had not yet accepted photography as a fine art. Although mindful of Group f64, a number of the members continued to work in the tradition of Group f64, while others began to experiment with photography. VDF became the vortex of San Francisco's photographic community and established a bridge with Robert Heinecken, another pioneer at the University of California at Los Angeles, who was pushing the parameters of traditional American photography. In a time of increasing specialization in photography, Jack was unique in that his work was both diverse and unexpected. Formal problems were always of major concern to him. His nudes were erotic and sensual interpretations of the female figure and his best known work. They can also easily mislead the viewer, because he was also interested in integrating subject and technique. Sensitivity to light and composition, especially spatial relations, were always major concerns. His interest in 19th century French painting, especially Henri Matisse, affected his vision. He was also an outstanding portrait photographer and his fragmented landscapes are visual poems which parallel some of the best in landscape photography. Jack also liked to create new challenges for himself. During 1980 and 1981, he began exploring San Francisco's cityscape when he photographed the financial district resulting in some unique, and, at times, critical views of the world of business. Known for his black and white photographs, during the 1980's he photographed in fragments and in color, but always with restraint. And in the 1990's, Jack combined a photogram of a projected seed pod with pen and ink drawing and hand coloring. In graduate school he studied painting and photography and also taught drawing. With an interest in Abstract Expressionism, he wanted to create a photograph in that genre. Regarding the creation of a photograph, Jack revealed a mystical side when he stated, "There is the physical sensation of light penetrating everything. The world becomes luminous. Sometimes, one can see a wider, more brilliant, more significant, more detailed world than is apparent to others." Jack was a member of the Friends of Photography, Carmel, California and served on the Board of Trustees from 1973-1976. He was also a member of the Society for Photographic Education. In 1973 he was a recipient of the Medal of Arles, France, and in 1979 received a National Endowment for the Arts Grant. His photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.
Jack Welpott Untitled (six works) unique Polaroid Type 808 Polacolor prints image (each): 9.5 h x 7.5 w in (24 x 19 cm) sheet (each): 10.875 h x 8.375 w in (28 x 21 cm) Provenance: Acquired directly from the artist, The Polaroid Collection This work will ship from Lambertville, New Jersey.
Jack Welpott (1923-2007) KATHLEEN KELLY, 1972. Vintage silver gelatin print, pasted down to board, image size 18 x 20.5cm, board size 33 x 38cm, signed by the photographer in pencil lower margin recto, signed, titled, dated, and numbered by the photographer in pencil board verso.
Jack Welpott American, (1923-2007) Lyon France, cityscape with car photograph Signed lower right. Biography from JackWelpott.com: Internationally known photographer and educator, Jack Welpott was born in Kansas City, Kansas on April 27, 1923, but grew up in Bloomington, Indiana. After high school he enrolled in Indiana University, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. After WW II, he returned to Indiana University on the G.I. Bill where he earned an M.F.A degree studying with Henry Holmes Smith. Jack and Jerry Uelsmann were the first M.F.A. graduates while Van Deren Coke was also a graduate student. During these years, he became acquainted with Harry Callahan, Aaron Siskind, and Minor White all of whom were established photographers and pioneers in American photographic education. Jack was hired in 1959 by John Gutmann, to teach photography within the Art Department at San Francisco State College, now San Francisco State University. He taught there for the next thirty-three years. When he arrived in San Francisco the Beat Generation was winding down in North Beach, however, he took advantage of the local poetry, jazz, art and culture. He also played jazz piano, which became a lifelong avocation. Years later he said, "When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does." He also soon became associated with the local photographic community which included Ansel Adams, Ruth Bernard, Oliver Gagliani and Dorothea Lange. At that time there were almost no photography courses or graduate programs offered at the university level anywhere in the United States. Jack pioneered in creating both photography courses and a graduate program. He also taught one of the first history of photography courses at the college/university level. While providing a solid basis in photographic technique, Jack always encouraged an appreciation of the master photographers. Also, he integrated the ideas of Carl G. Jung, the Swiss psychoanalyst, into the reading of photographs, especially dreams, symbolism and the unconscious mind. Jack's educational goal was to determine the needs of the student, provide constructive criticism and help them develop their own vision. A number of his students have become major contributors to photography: Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner among numerous others. In 1968, with Jack's support, a number of his students formed the Visual Dialogue Foundation to promote their photographs by producing a portfolio, creating exhibitions, and, in general, publicizing their photographs as fine art. The Museum and Fine Arts Galleries in American had not yet accepted photography as a fine art. Although mindful of Group f64, a number of the members continued to work in the tradition of Group f64, while others began to experiment with photography. VDF became the vortex of San Francisco's photographic community and established a bridge with Robert Heinecken, another pioneer at the University of California at Los Angeles, who was pushing the parameters of traditional American photography. In a time of increasing specialization in photography, Jack was unique in that his work was both diverse and unexpected. Formal problems were always of major concern to him. His nudes were erotic and sensual interpretations of the female figure and his best known work. They can also easily mislead the viewer, because he was also interested in integrating subject and technique. Sensitivity to light and composition, especially spatial relations, were always major concerns. His interest in 19th century French painting, especially Henri Matisse, affected his vision. He was also an outstanding portrait photographer and his fragmented landscapes are visual poems which parallel some of the best in landscape photography. Jack also liked to create new challenges for himself. During 1980 and 1981, he began exploring San Francisco's cityscape when he photographed the financial district resulting in some unique, and, at times, critical views of the world of business. Known for his black and white photographs, during the 1980's he photographed in fragments and in color, but always with restraint. And in the 1990's, Jack combined a photogram of a projected seed pod with pen and ink drawing and hand coloring. In graduate school he studied painting and photography and also taught drawing. With an interest in Abstract Expressionism, he wanted to create a photograph in that genre. Regarding the creation of a photograph, Jack revealed a mystical side when he stated, "There is the physical sensation of light penetrating everything. The world becomes luminous. Sometimes, one can see a wider, more brilliant, more significant, more detailed world than is apparent to others." Jack was a member of the Friends of Photography, Carmel, California and served on the Board of Trustees from 1973-1976. He was also a member of the Society for Photographic Education. In 1973 he was a recipient of the Medal of Arles, France, and in 1979 received a National Endowment for the Arts Grant. His photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.
Jack Welpott American, (1923-2007) rocky landscape, 1957 gelatin silver print Pencil signed lower. Biography from JackWelpott.com: Internationally known photographer and educator, Jack Welpott was born in Kansas City, Kansas on April 27, 1923, but grew up in Bloomington, Indiana. After high school he enrolled in Indiana University, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. After WW II, he returned to Indiana University on the G.I. Bill where he earned an M.F.A degree studying with Henry Holmes Smith. Jack and Jerry Uelsmann were the first M.F.A. graduates while Van Deren Coke was also a graduate student. During these years, he became acquainted with Harry Callahan, Aaron Siskind, and Minor White all of whom were established photographers and pioneers in American photographic education. Jack was hired in 1959 by John Gutmann, to teach photography within the Art Department at San Francisco State College, now San Francisco State University. He taught there for the next thirty-three years. When he arrived in San Francisco the Beat Generation was winding down in North Beach, however, he took advantage of the local poetry, jazz, art and culture. He also played jazz piano, which became a lifelong avocation. Years later he said, "When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does." He also soon became associated with the local photographic community which included Ansel Adams, Ruth Bernard, Oliver Gagliani and Dorothea Lange. At that time there were almost no photography courses or graduate programs offered at the university level anywhere in the United States. Jack pioneered in creating both photography courses and a graduate program. He also taught one of the first history of photography courses at the college/university level. While providing a solid basis in photographic technique, Jack always encouraged an appreciation of the master photographers. Also, he integrated the ideas of Carl G. Jung, the Swiss psychoanalyst, into the reading of photographs, especially dreams, symbolism and the unconscious mind. Jack's educational goal was to determine the needs of the student, provide constructive criticism and help them develop their own vision. A number of his students have become major contributors to photography: Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner among numerous others. In 1968, with Jack's support, a number of his students formed the Visual Dialogue Foundation to promote their photographs by producing a portfolio, creating exhibitions, and, in general, publicizing their photographs as fine art. The Museum and Fine Arts Galleries in American had not yet accepted photography as a fine art. Although mindful of Group f64, a number of the members continued to work in the tradition of Group f64, while others began to experiment with photography. VDF became the vortex of San Francisco's photographic community and established a bridge with Robert Heinecken, another pioneer at the University of California at Los Angeles, who was pushing the parameters of traditional American photography. In a time of increasing specialization in photography, Jack was unique in that his work was both diverse and unexpected. Formal problems were always of major concern to him. His nudes were erotic and sensual interpretations of the female figure and his best known work. They can also easily mislead the viewer, because he was also interested in integrating subject and technique. Sensitivity to light and composition, especially spatial relations, were always major concerns. His interest in 19th century French painting, especially Henri Matisse, affected his vision. He was also an outstanding portrait photographer and his fragmented landscapes are visual poems which parallel some of the best in landscape photography. Jack also liked to create new challenges for himself. During 1980 and 1981, he began exploring San Francisco's cityscape when he photographed the financial district resulting in some unique, and, at times, critical views of the world of business. Known for his black and white photographs, during the 1980's he photographed in fragments and in color, but always with restraint. And in the 1990's, Jack combined a photogram of a projected seed pod with pen and ink drawing and hand coloring. In graduate school he studied painting and photography and also taught drawing. With an interest in Abstract Expressionism, he wanted to create a photograph in that genre. Regarding the creation of a photograph, Jack revealed a mystical side when he stated, "There is the physical sensation of light penetrating everything. The world becomes luminous. Sometimes, one can see a wider, more brilliant, more significant, more detailed world than is apparent to others." Jack was a member of the Friends of Photography, Carmel, California and served on the Board of Trustees from 1973-1976. He was also a member of the Society for Photographic Education. In 1973 he was a recipient of the Medal of Arles, France, and in 1979 received a National Endowment for the Arts Grant. His photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.
Jack Welpott American, (1923-2007) 63 Ave. D'la Bourdonnais, Paris, France, 1985, interior scene with reclined female nude gelatin silver print Signed lower right. Biography from JackWelpott.com: Internationally known photographer and educator, Jack Welpott was born in Kansas City, Kansas on April 27, 1923, but grew up in Bloomington, Indiana. After high school he enrolled in Indiana University, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. After WW II, he returned to Indiana University on the G.I. Bill where he earned an M.F.A degree studying with Henry Holmes Smith. Jack and Jerry Uelsmann were the first M.F.A. graduates while Van Deren Coke was also a graduate student. During these years, he became acquainted with Harry Callahan, Aaron Siskind, and Minor White all of whom were established photographers and pioneers in American photographic education. Jack was hired in 1959 by John Gutmann, to teach photography within the Art Department at San Francisco State College, now San Francisco State University. He taught there for the next thirty-three years. When he arrived in San Francisco the Beat Generation was winding down in North Beach, however, he took advantage of the local poetry, jazz, art and culture. He also played jazz piano, which became a lifelong avocation. Years later he said, "When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does." He also soon became associated with the local photographic community which included Ansel Adams, Ruth Bernard, Oliver Gagliani and Dorothea Lange. At that time there were almost no photography courses or graduate programs offered at the university level anywhere in the United States. Jack pioneered in creating both photography courses and a graduate program. He also taught one of the first history of photography courses at the college/university level. While providing a solid basis in photographic technique, Jack always encouraged an appreciation of the master photographers. Also, he integrated the ideas of Carl G. Jung, the Swiss psychoanalyst, into the reading of photographs, especially dreams, symbolism and the unconscious mind. Jack's educational goal was to determine the needs of the student, provide constructive criticism and help them develop their own vision. A number of his students have become major contributors to photography: Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner among numerous others. In 1968, with Jack's support, a number of his students formed the Visual Dialogue Foundation to promote their photographs by producing a portfolio, creating exhibitions, and, in general, publicizing their photographs as fine art. The Museum and Fine Arts Galleries in American had not yet accepted photography as a fine art. Although mindful of Group f64, a number of the members continued to work in the tradition of Group f64, while others began to experiment with photography. VDF became the vortex of San Francisco's photographic community and established a bridge with Robert Heinecken, another pioneer at the University of California at Los Angeles, who was pushing the parameters of traditional American photography. In a time of increasing specialization in photography, Jack was unique in that his work was both diverse and unexpected. Formal problems were always of major concern to him. His nudes were erotic and sensual interpretations of the female figure and his best known work. They can also easily mislead the viewer, because he was also interested in integrating subject and technique. Sensitivity to light and composition, especially spatial relations, were always major concerns. His interest in 19th century French painting, especially Henri Matisse, affected his vision. He was also an outstanding portrait photographer and his fragmented landscapes are visual poems which parallel some of the best in landscape photography. Jack also liked to create new challenges for himself. During 1980 and 1981, he began exploring San Francisco's cityscape when he photographed the financial district resulting in some unique, and, at times, critical views of the world of business. Known for his black and white photographs, during the 1980's he photographed in fragments and in color, but always with restraint. And in the 1990's, Jack combined a photogram of a projected seed pod with pen and ink drawing and hand coloring. In graduate school he studied painting and photography and also taught drawing. With an interest in Abstract Expressionism, he wanted to create a photograph in that genre. Regarding the creation of a photograph, Jack revealed a mystical side when he stated, "There is the physical sensation of light penetrating everything. The world becomes luminous. Sometimes, one can see a wider, more brilliant, more significant, more detailed world than is apparent to others." Jack was a member of the Friends of Photography, Carmel, California and served on the Board of Trustees from 1973-1976. He was also a member of the Society for Photographic Education. In 1973 he was a recipient of the Medal of Arles, France, and in 1979 received a National Endowment for the Arts Grant. His photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.
JACK WELPOTT (1923-2007) Sabine, Arles. 1973; printed circa 1980. Silver print, the image measuring 9 7/8x7 7/8 inches (25.1x20 cm.), the mount 20x16 inches (50.8x40.6 cm.), with Welpott's signature, title, and negative date in pencil on mount recto, and his signature, title, and negative date in pencil on mount verso. Provenance From the Photographer; to a New York Collector, circa 1980
JACK WELPOTT (1923-2007) Sabine. 1973; printed 2002. Silver print, the image measuring 11½x9 inches (29.2x22.9 cm.), the sheet 14x10⅞ inches (35.6x27.6 cm.), with Welpott's signature, title, and negative and print dates in ink on recto.
JACK WELPOTT (1923-2007) Verrières * At Wolf Creek, Montana. 1982 and 1987. Together, 2 chromogenic prints, the images measuring approximately 10x11⅜ inches (25.4x28.9 cm.), the sheets 11x14 inches (27.9x35.6 cm.), each with Welpott's signature, title, and date in ink on recto.
Jack Welpott (1923-2007). Convent Wall. 1967. Gelatin silver print. Signed and dated in pencil to lower mount recto "Jack Welpott '67". Image 7 1/2 x 7 1/2 in. Framed to 13 1/8 x 15 3/8 in. Jack Welpott (1923-2007) was an influential American photographer and educator who played a pivotal role in establishing photography as a respected academic discipline. Born in Kansas and educated at Indiana University, he served in World War II before completing his M.F.A. In 1959, he began teaching at San Francisco State College, where he pioneered photography courses and a graduate program over his 33-year tenure. Welpott was known for his diverse photographic work, including nudes, portraits, and landscapes, and for integrating psychological concepts into photo analysis. He was associated with prominent photographers of his time and influenced many students who became notable contributors to the field. Welpott received several accolades, including a National Endowment for the Arts Grant, and his work is held in major museum collections worldwide. [Paper, Ephemera] [Art, Fine Art, Photography]
Jack Welpott (1923-2007). Anna in Her Room. Gelatin silver print. 1965. Signed and dated in pencil to mount recto "Jack Welbpott '65". Image 9 1/2 x 7 3/8 in. Framed to 16 1/2 x 13 5/8 in. Jack Welpott (1923-2007) was an influential American photographer and educator who played a pivotal role in establishing photography as a respected academic discipline. Born in Kansas and educated at Indiana University, he served in World War II before completing his M.F.A. In 1959, he began teaching at San Francisco State College, where he pioneered photography courses and a graduate program over his 33-year tenure. Welpott was known for his diverse photographic work, including nudes, portraits, and landscapes, and for integrating psychological concepts into photo analysis. He was associated with prominent photographers of his time and influenced many students who became notable contributors to the field. Welpott received several accolades, including a National Endowment for the Arts Grant, and his work is held in major museum collections worldwide. [Paper, Ephemera] [Art, Fine Art, Photography]
Jack Welpott (American 1923-2007) Jack Welpott (American 1923-2007) 'Elle Sa Lave, N'est Pas? Brussels, 1973 Gelatin silver Print Mounted Signed in pencil l/r 12in. x 9 1/4in (30cm. x 23cm) Framed: 21in. x 17in) ( 53cm. x 43cm) Welpot taught photography in the Art Department at San Francisco State University, where he made extensive contributions to the field of photographic education over the next thirty-three years. In the early 1960s there were few photography courses or graduate programs offered, so Welpott pioneered individual courses and a graduate program, and taught one of the first history of photography courses at the college level Welpott's photographs are in the collections of the Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography, George Eastman House, Rochester, New York; Art Institute of Chicago From the Collection of the Garzoli Gallery
Jack Welpott (American, 1923-2007). Gelatin silver print photograph titled "Pebble Beach" depicting an abstracted view of rock formations, 1962. Signed along the lower right of the board backing; titled and dated along the lower left of the board backing. Further signed, titled, and dated along the verso of the backing board. Provenance: from the Estate of Christopher Cardozo.
4pc Jack Welpott (1923-2007 American) ''Flower and Paris'' C-Prints Color Photographs 9''x15'' Images Approx. Includes ''A Rose is -'', ''Requiem for Brooke'', ''Paris'' and ''Untitled'' (Rose). Ink signed lower margins. One is framed, while the rest are loose. Largest size 16''x21''. Overall excellent condition.
Jack Welpott (1923-2007 American) ''Chez Thiollier'' (Interior) 1981 Silver Gelatin Print 11.5''x13.75'' Image. Pencil signed and titled lower margin. Tip mounted at top to backing. Matted size 18''x20.5''. Excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Verrieres'' (Interior) 1982 Silver Gelatin Print 11.75''x17'' Image. Pencil signed and titled lower margin. Laid down to backing. Matted size 20''x24''. Overall excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Twins, Stinesville 1958'' Silver Gelatin Print 9''x12'' Image. Pencil signed and titled lower margin. Tip mounted at top. Matted size 16.5''x19''. Excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Sherry'' 1980 Silver Gelatin Print 12''x16'' Image. Pencil signed and titled lower margin. Laid down to backing board. Matted size 20''x24''. Overall excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Sabine'' Silver Gelatin Print 14.5''x9.5'' Image. Pencil signed and numbered 72 of 97 edition lower margin. Laid down to backing, matted size 24''x20''. Overall excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Carnival Women'' Silver Gelatin Print 11.75''x9.5'' Image. Pencil signed and numbered 55 of 99 edition lower margin. Sheet size 14''x11'' with full margins. Some minor handling marks to edges. Overall excellent condition.
Jack Welpott (1923-2007 American) ''Homage to Wendy, South Beach'' 1998 Silver Gelatin Print 9''x12'' Image. Pencil signed and titled lower margin. Loosely mounted into matting 16''x20''. Excellent condition with full margins.
Jack Welpott (1923-2007 American) ''Fascism in America'' 1981 Silver Gelatin Print 12''x16'' Image. Pencil signed and titled lower margin. Tip mounted at top to matting 20''x24''. Excellent condition with full margins.
Jack Welpott (American, 1923-2007). Gelatin silver print photograph titled "Pebble Beach" depicting an abstracted view of rock formations, 1962. Signed along the lower right of the board backing; titled and dated along the lower left of the board backing. Further signed, titled, and dated along the verso of the backing board. Provenance: from the Estate of Christopher Cardozo.
Jack Welpott (American, 1923-2007), "Woman," 1973, gelatin silver print, pencil signed lower right margin, titled and dated in pencil lower left margin, initialed on mat lower right, image: 9.5"h x 12.5"w, sheet: 11"h x 14"w, overall (with mat): 16"h x 20"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
JACK WELPOTT (1923-2007) Dametra * Hotel Promenade, Chapieux, France. Together, 2 silver prints, the images measuring approximately 9x11¾ inches (22.9x29.8 cm.), the sheets 11x14 inches (27.9x35.6 cm.), each with Welpott's signature and title in pencil on recto, and his signature, one with a date, in pencil on verso. 1981 & 1985 Reproduced: Jack Welpott, The Halide Conversion (Gallery MIN, 1988), unpaginated
Jack Welpott (American, 1923-2007), "Woman," 1973, gelatin silver print, pencil signed lower right margin, titled and dated in pencil lower left margin, initialed on mat lower right, image: 9.5"h x 12.5"w, sheet: 11"h x 14"w, overall (with mat): 16"h x 20"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
Jack Welpott (1923-2007) Sabine, Arles, 1973 Gelatin silver print, printed later; mounted, signed, dated, and numbered 'S. E. 64/100' in pencil on the mount, framed. 10 x 8 in. (25.4 x 20.3 cm.)
Jack Welpott (American, 1923-2007), "Woman," 1973, gelatin silver print, pencil signed lower right margin, titled and dated in pencil lower left margin, initialed on mat lower right, image: 9.5"h x 12.5"w, sheet: 11"h x 14"w, overall (with mat): 16"h x 20"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
Jack Welpott (American, 1923-2007), "Linda Connor," 1975, gelatin silver print, pencil signed, titled, and dated below image, image: 11.5"h x 9"w, sheet: 14"h x 11"w, overall (with mat): 20"h x 16"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
Jack Welpott (American, 1923-2007), "Woman," 1973, gelatin silver print, pencil signed lower right margin, titled and dated in pencil lower left margin, initialed on mat lower right, image: 9.5"h x 12.5"w, sheet: 11"h x 14"w, overall (with mat): 16"h x 20"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
Jack Welpott Hotel d'Arlatan, Arles, France; Verrieres (two works from the Jack Welpott: X [Ten] Photographs portfolio) 1976, 1982 / printed 1983 gelatin silver print image: 11.625 h x 9 w in (30 x 23 cm) sheet: 14 h x 11 w in (36 x 28 cm) Signed, titled and dated to lower margin 'Verrieres Jack Welpott 1982'. Signed and titled to lower margin 'Hotel d'Arlatan Arles France Jack Welpott' and to verso 'Jack Welpott'. These works are from the edition of 30. This work will ship from Los Angeles, California.
JACK WELPOTT (1923-2007) Portraits of Mary Ellen Mark * Imogen Cunningham * Marion Post Wolcott * Frederick Sommer (2). Together, 5 silver prints, the images measuring 12x9 inches (30.5x22.9 cm.), and slightly smaller, and the reverse, the sheets 14x11 inches (35.6x27.9 cm.), each with Welpott's signature and the subject's name, and one with the date, in pencil on recto, and his signature again and most with a combination of the dates and printing notations all in pencil on verso. 1973 and 1982-84
Welpott, Jack Kansas City, 1923 - Marin County, 2007 Blattgröße: 41 x 50,5 cm; 24,5 x 35,2 cm, o. R. "Pamela", 1993. Gelatin silver print on photo paper. Signed and dated. Private collection, Köln.
WELPOTT, JACK (1923-2007) Sherry [Floating Nude], 1980, printed 1981. Gelatin silver print, 12 x 15 7/8 inches (305 x 404 mm) on larger sheet, recto signed and dated (l.r.), and titled (l.l.), signed and dated on verso. No defects noted in raking light. C
JACK WELPOTT (1923-2007) Sabine, Arles. Silver print, the image measuring 9 7/8x8 inches (25.1x20.3 cm.), the sheet 14x11 inches (35.6x27.9 cm.), with Welpott's signature, title, and negative date in pencil on recto, and his signature, negative and print dates, and various notations in pencil on verso. 1973; printed 1986
JACK WELPOTT (1923-2007) Thea, Arles. Silver print, the image measuring 9x12 inches (22.9x30.5 cm.), the sheet 14x11 inches (35.6x27.9 cm.), with Welpott's signature and title in pencil on recto, and his signature, date, and numeric notations in pencil on verso. 1982
JACK WELPOTT (1923-2007) Sabine. Platinum print, the image measuring 9 3/4x7 3/4 inches (24.8x19.7 cm.), the sheet 14 1/2x11 5/8 inches (36.8x29.5 cm.), with Welpott's signature, title, and negative date in ink on recto. 1972
![[JACK WELPOTT] "CONVENT WALL", 1967](https://image.invaluable.com/housePhotos/AmericanHeritage/52/778752/H22351-L383481682.jpg)
![[JACK WELPOTT] "ANNA IN HER ROOM", 1965](https://image.invaluable.com/housePhotos/AmericanHeritage/52/778752/H22351-L383481896.jpg)
![Jack Welpott, Hotel d'Arlatan, Arles, France; Verrieres (two works from the Jack Welpott: X [Ten] Photographs portfolio)](https://image.invaluable.com/housePhotos/lamodern/66/760166/H1045-L354857549.jpg)
![WELPOTT, JACK (1923-2007) Sherry [Floating Nude], 1980, printed 1981.](https://image.invaluable.com/housePhotos/doyle/62/744562/H0061-L334258250.jpg)
