Adriaen van der Werff Paintings & Artwork for Sale | Adriaen van der Werff Art Value Price Guide

May. 22, 2026
Adriaen van der Werff: Hercules between Vice and Virtue
Est: €20,000 - €30,000
WERFF, ADRIAEN VAN DER 1659 Karlinger-Ambacht–1722 Rotterdam Title: Hercules between Vice and Virtue. Date: 1715 (?). Technique: Oil on wood. Measurement: 58.5 x 44.5cm. Notation: Signed and dated laterally right: [.]erf 715 (?). Frame: Framed. Provenance: - Private ownership, Germany; Lempertz auction, Cologne, 14.–16.11.1974, Lot 206; presumably a private ownership, Sweden; Christie’s auction, London, 18.06.1954, Lot 35; presumably Edward Foster auction, London, 19.05.1830, Lot 48 (as ‘Description: Hercules accompanied by Wisdom’); John Campbell Collection, 1st Marquess of Bredalbane; Christie’s auction, London, 14.–15.05.1802, Lot 59 (as “Hercules betwixt Virtue and Pleasure [.] the figure of Hercules is perfect in drawing, and the expression of all the figures admirable”); Sir Simon Clarke Collection; George Hibbert Collection, until 1802; Jan Jansz Collection. Gildemester, Amsterdam; Alexandre-Joseph Paillet Collection, Paris, from 1786 (as ‘An allegorical painting by this Master, depicting Hercules between vice and virtue’); Jean J. Bertels auction, London, 8.-9.05.1783, Lot 76 (as “Hercules between Virtue and Vice; one of the best preserved pictures of this inestimable artist, whose fame is so well known to the great world”); Sir Gregory Page Collection, Brussels, until 1783; the painting can probably be identified as the one described in a sales catalogue by the merchant Boendermaker in Amsterdam dated 12.08.1719 (“Hercules, seated, young in appearance; flanked by two women, one representing Virtue, the other Vice, or Wellus”). Literature: B. Gaehtgens: Adriaen van der Werff 1659-1722, Munich 1987, p. 252-253, no. 36 with ill. Estimated shipping costs for this lot: The lot is unsuitable for parcel shipping. Transport only by shipping company after consultation following the auction. additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Adriaen van der Werff #Classicism #The Netherlands #17th/18th C. #Mythology #Painting #Old Masters.
Van Ham Kunstauktionen
Mar. 27, 2026
**Adriaen Van Der Werff (Attributed to)
Est: $400 - $600
**Adriaen Van Der Werff (Attributed to) (Dutch, 1659-1722) PORTRAIT OF A MAN oil on canvas, framed, unsigned H14 1/2" W11 Provenance: Alfred Bader Fine Art, 2000 Private collection Other Notes: Accompanied by copy of document and opinion by Noortman.
Charlton Hall
Dec. 04, 2025
Adriaen van der Werff (1659-1722)-after
Est: €400 - €800
Adriaen van der Werff (1659-1722)-after, four seasons. Angels in half relief on plinth, gesso. Each 75 x 32 cm.
Deutsch Auktionen
Nov. 29, 2025
van der Werff Adrian
Est: CHF320 - CHF400
Zugeschrieben Portraitstudie mit fünf Personen Galerie Fischer, Luzern, Auktion Juni 1960, Lot 2376 Gerahmt Ausrufdatum: 29.11.2025 Ungefähre Ausrufzeit: 19:32
Auktionshaus Zofingen
Nov. 12, 2025
Van der Werff (Adriaen, 1659-1722). Lot and his Daughters, oil on canvas
Est: £2,000 - £3,000
Van der Werff (Adriaen, 1659-1722). Lot and his Daughters, oil on canvas * Van der Werff (Adriaen, 1659-1722). Lot and his Daughters, oil on canvas laid onto contemporary or early champfered wood panel, 39.5 x 29.5 cm (15 1/2 x 11 5/8 ins), three later (probably early 19th century) wood bracing supports attached to verso, later 19th century printed label with artist's name, title and 'from the Stowe Collection' to verso, and old auction stencil '93 S LD', and two further early - mid 19th century manuscript labels attached to verso, one with partial loss: 'Lot & Daughters by Chev: Van der Werff, sold in London 1795...See Calc...Bought...9th...', the other: 'Vide C. Rogers - page 127 vol 2nd, painted for the Constable Colonna. Lot & his Daughters, Pier Francesco Mola', late 18th or early 19th-century gilt moulded frame, with artist's name to plaque fixed to lower edge (53.5 x 44 cm) QTY: (1) NOTE: Provenance (according to labels to verso): Charles Alexandre de Colonne (1734-1802), French finance minister forced to flee France for London in 1787. Facing financial hardship Colonne was forced to sell his vast collection in London in 1795; Richard, 1st Duke of Buckingham and Chandos, (1776-1839); possibly one of the Stowe Collection auction sales between 1848 and 1921. Adriaen Van der Werff (1659-1722), Dutch painter of biblical, classical and erotic paintings, belonged to a small group of artists who adopted the artistic ideals of the French Academy. He founded his own studio in Rotterdam at the age of only seventeen, later becoming the head of the Guild of Saint Luke. In 1696, Johann Wilhelm, Elector Palatine and his wife Anna Maria Luisa de'Medici ordered two paintings to be sent to Cosimo III de'Medici, Grand Duke of Tuscany (Anna Maria Luisa's father) in Florence. Houbraken considered him the greatest of the Dutch painters.
Dominic Winter Auctions
Sep. 24, 2025
Adriaen van de Werff (Kralingen 1659 - Rotterdam 1722)
Est: €1,000 - €1,500
Adriaen van de Werff (Kralingen 1659 - Rotterdam 1722) Ninfe ballano la musica del flauto dei pastori Olio su tavola 61 x 44,5 cm Il soggetto fu molto amato dal pittore e dal suo pubblico, tant'è che esistono più tele simili, divergenti per alcuni dettagli o nel numero dei personaggi. L'opera, in particolare, si rifà al dipinto conservato al Louvre di Parigi, inv./cat.nr. 1945, con il quale condivide quasi perfettamente anche le misure. Adriaen iniziò come giovane apprendista nelle botteghe di Cornelis Picolet e Eglon Hendrick van de Neer. Entrò nel 1676 nella Gilda di San Luca di Rotterdam, della quale fu reggente dal 1691 al 1695. Dal 1697 fu pittore di corte di Giovanni Guglielmo del Palatinato. Grazie alla sua pittura gentile nei soggetti e di squisita qualità, fu molto amato in vita tanto da essere conteso dai maggiori collezionisti e dalle corti principesche. Oggi le sue opere sono conservate nei più importanti musei del mondo. Adriaen van de Werff (Kralingen 1659 - Rotterdam 1722) Nymphs Dancing to the Music of Shepherds' Flutes Oil on panel 61 x 44,5 cm The subject was much loved by the painter and his audience, so much so that there are several similar paintings, differing in some details or in the number of characters. This artwork, in particular, is based on the painting kept at the Louvre in Paris, inv./cat. no. 1945, with which it shares almost the same dimensions.
Lucas Aste
Jul. 13, 2025
A. WERFF (*1659) after GUNST (*1659), Bishop John Lesley of Ross,
Est: €45 - €75
Adriaen van der Werff (1659 Rotterdam - 1722 ibid.) after Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.): Portrait of Bishop John Lesley of Ross (also John Leslie, 1527 Kingussie -1596 Brussels), historian and scholar, , Copper engraving Technique: Copper engraving on Paper Date: Description: Below the depiction in printing plate with the name and life data of the sitter as well as signed by the artist. Keywords: 18th century, Baroque, Portraits, Netherlands, Size: Paper: 31,3 cm x 18,9 cm (12,3 x 7,4 in), Depiction: 29,9 cm x 17,4 cm (11,8 x 6,9 in)
Fichter Kunsthandel
Jul. 13, 2025
N. PITAUT (17th) after WERFF (*1659), Portrait of P. M. Vermigli (1499-1562), around 1700,
Est: €45 - €75
Nicholas Pitaut jun. (17th century) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Peter Martyr Vermigli (1499 Florence - 1562 Zurich), c. 1700, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr. vander Werff pinx / Pitaut Sculps". Date: c. 1700 Description: Adriaen van der Werff (Rotterdam 1659 - Rotterdam 1722) was a Dutch painter, etcher, draughtsman and architect. He worked in Rotterdam and Düsseldorf, among other places. Peter Martyr Vermigli, actually Pietro Mariano Vermigli (Florence 1499 - Zurich 1562) was a Reformed theologian, Augustinian in Fiesole, abbot in Spoleto and finally professor in Strasbourg, Oxford and Zurich. Person: Peter Martyr Vermigli (1499 Florence - 1562 Zurich) Was a religious priest in the Augustinian Order and, from 1541, a reformer, Reformed theologian and Old Testament scholar in Strasbourg, Oxford and Zurich. Keywords: 17th century, Romanticism, Architecture, France, Size: Paper: 39,0 cm x 24,5 cm (15,4 x 9,6 in)
Fichter Kunsthandel
May. 19, 2025
Adriaen van der Werff ( 1659-1722)- Diana In landscape
Est: €2,000 - €3,000
Adriaen van der Werff (21 January 1659 – 12 November 1722) was a Dutch painter of portraits and erotic, devotional and mythological scenes. Van der Werff became one of the most lauded Dutch painters of his day, gaining a European reputation and a fortune. Arnold Houbraken, writing in 1718, considered him the greatest of the Dutch painters . Oil on Wood 29 x 27 cm .
Fine Antiques Prague s.r.o.
Apr. 19, 2025
A. WERFF (*1659) after GUNST (*1659), Bishop John Lesley of Ross, Copper engraving
Est: €45 - €75
Adriaen van der Werff (1659 Rotterdam - 1722 ibid.) after Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.): Portrait of Bishop John Lesley of Ross (also John Leslie, 1527 Kingussie -1596 Brussels), historian and scholar, 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Below the depiction in printing plate with the name and life data of the sitter as well as signed by the artist. Keywords: 18th century, Baroque, Portraits, Netherlands, Size: Paper: 31,3 cm x 18,9 cm (12,3 x 7,4 in), Depiction: 29,9 cm x 17,4 cm (11,8 x 6,9 in)
Fichter Kunsthandel
Apr. 09, 2025
Entourage de Adriaen van der Werff (Rotterdam 1659-1722) Granida et Daifilo
Est: €2,000 - €3,000
Entourage de Adriaen van der Werff (Rotterdam 1659-1722) Granida et Daifilo porte une signature 'Av*' (en bas à gauche) huile sur cuivre bears signature 'Av*' (lower left) oil on copper 16.4 x 20.9cm (6 7/16 x 8 1/4in).
Bonhams
Apr. 05, 2025
C. LANDON (*1760) after WERFF (*1659), Portrait of Thomas More, Copper engraving
Est: €60 - €100
Charles Paul Landon (1760 - 1826 ) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Historical portrait of Thomas More, English humanist and statesman, 19th century, Copper engraving Technique: Copper engraving on Paper, mounted on Paper (brown) Inscription: At the lower part signed in the printing plate: "Vander-Werff pinx. | Landon direx.". Inscribed in the printing plate: "HIST. D'ANGLETERRE. | TH. MORUS.". Date: 19th century Description: The artwork shows a portrait of Thomas More, clad in a splendid robe with a fur collar and rose medallion. His serious expression and traditional clothing point to his importance as a statesman and humanist. The clear frame and the French inscription emphasise its historical relevance. Person: Thomas Morus (1478 London - 1535 London) Keywords: Thomas More; Portrait; Renaissance; England; Humanism; Statesman; Fur collar; Medallion; History; Art; Symbolism; Iconography; Culture; History; Rose motif; Scholarship; Nobility; Reputation, 19th century, Baroque, Portraits, United Kingdom, Size: Paper: 12,5 cm x 8,0 cm (4,9 x 3,1 in), Depiction: 7,4 cm x 5,4 cm (2,9 x 2,1 in)
Fichter Kunsthandel
Jan. 30, 2025
Adriaen van der Werff: Diana
Est: €1,000 - €2,000
WERFF, ADRIAEN VAN DER 1659 Karlinger-Ambacht - 1722 Rotterdam In der Art des Titel: Diana. Technik: Öl auf Holz. Maße: 29 x 27cm. Rahmen: Rahmen. Provenienz: Privatbesitz, Deutschland. Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance Explanations to the Catalogue Adriaen van der Werff The Netherlands Classicism 17th/18th C. Old Masters Framed Mythology Painting Nude
Van Ham Kunstauktionen
Jan. 25, 2025
C. VERMEULEN (*1644) after WERFF (*1659), Portrait of Anne of Cleves (1515-1557), Copper engraving
Est: €300 - €400
Cornelis Vermeulen (around 1644 Antwerp - around 1708 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Anne of Cleves (1515-1557), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. / Vermeulen sculps.". At the lower part inscribed in the printing plate: "Anne de Cleves [...]". Date: Description: Portrait en face of Henry VIII's fourth wife. Probably after the painting by Hans Holbein the Younger. Person: Anna von Kleve (1515 Düsseldorf - 1557 London) She was the fourth wife of the English King Henry VIII and was thus Queen of England from 6 January 1540 to 9 July 1540. Henry VIII planned another marriage for political reasons after the death of his third wife Jane Seymour. He chose Anne of Cleves because he liked her portrait painted by Hans Holbein, and signed the marriage contract without having met her personally. After their first meeting, he apparently felt disappointed in his expectations and had the marriage, concluded on 6 January 1540 in Greenwich, declared invalid six months later. Keywords: Queen, Henry VIII, , Portrait, Queen, Landscape, 18th century, Rococo, Portraits, United Kingdom, Size: Paper: 35,1 cm x 21,5 cm (13,8 x 8,5 in), Plate: 31,5 cm x 18,4 cm (12,4 x 7,2 in), Depiction: 29,4 cm x 17,0 cm (11,6 x 6,7 in)
Fichter Kunsthandel
Jan. 25, 2025
C. VERMEULEN (*1644) after WERFF (*1659), Catherine of Aragon (1485-1536), Copper engraving
Est: €300 - €400
Cornelis Vermeulen (around 1644 Antwerp - around 1708 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Queen Catherine, England Aragón y Castilla (1485 Alcalá De Henares - 1536 Kimbolton Castle), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pionx. / Vermeulen sculps.". Date: Description: Half-length portrait in the picture field, inserted as a trompe-l'œil of a painting, which is lifted to a balustrade by putt-like boys. Person: Queen Katharina, England Aragón y Castilla (1485 Alcalá De Henares - 1536 Schloss Kimbolton) First wife of Henry VIII Queen of England and mother of the later Queen Mary I Tudor. Keywords: England, Spanien, Tudor, Henry VIII, 18th century, Rococo, Portraits, United Kingdom, Size: Paper: 35,5 cm x 21,5 cm (14 x 8,5 in), Plate: 31,8 cm x 18,4 cm (12,5 x 7,2 in), Depiction: 29,3 cm x 17,0 cm (11,5 x 6,7 in)
Fichter Kunsthandel
Jan. 25, 2025
P. GUNST (*1659) after WERFF (*1659), 1. Duke of Somerset (around 1500-1552), Copper engraving
Est: €300 - €400
Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait 1 Duke of Somerset, Edward Seymour (c 1500-1552), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. / P. à Gunst sculps.". At the lower part inscribed in the printing plate: "Edouard Seymour [...]". Date: Description: Half-length portrait in the picture field, set as a trompe-l'œil in a park landscape. Person: Duke Edward 1. Seymour, Somerset (around 1500 - 1552 London) English statesman and brother of Queen Jane Seymour, the third wife of King Henry VIII. After his sister's marriage to the king, he made a career at court, quickly receiving the titles of Viscount Beauchamp and Earl of Hertford and the offices of Chancellor of North Wales and Governor and Captain of Jersey. In the last years of Henry VIII, Seymour took part in military campaigns against France and Scotland, and after the latter's death became Lord Protector to the still minor King Edward VI. As regent of England, Seymour openly promoted Protestantism, which led to rebellions in Cornwall, Devon and Somerset. His campaign against Scotland, an attempt to force the marriage of Edward VI to Mary Stuart, also a minor Scottish queen, ended in financial disaster for England. Increasingly unpopular among the nobility, Seymour was overthrown in December 1549 and imprisoned in the Tower of London for several months. Although he was released in May 1550 and re-admitted to the Crown Council, the nobility continued to distrust him. On 16 October 1551, at the instigation of John Dudley, 1st Duke of Northumberland, he was arrested for high treason and beheaded on Tower Hill on 22 January 1552. Keywords: Coat of arms, nobility, Tudor, Lord Porotector, Chancellor, 18th century, Rococo, Portraits, United Kingdom, Size: Paper: 35,4 cm x 21,6 cm (13,9 x 8,5 in), Plate: 31,7 cm x 18,7 cm (12,5 x 7,4 in), Depiction: 29,8 cm x 17,5 cm (11,7 x 6,9 in)
Fichter Kunsthandel
Jan. 25, 2025
P. GUNST (*1659) after WERFF (*1659), Portrait of Bishop Gardiner, around 1700, Copper engraving
Est: €300 - €400
Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Bishop Stephen Gardiner, c. 1700, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. / P.a Gunst sculps.". At the lower part inscribed in the printing plate: "Gardiner / Ic blamai [...]". Date: c. 1700 Description: Portrait of an Anglican bishop in profile. With coat of arms and motto: "Hony Solt Qui Malypense" Keywords: Portrait, Bishop, Cardinal, Anglican Church, 18th century, Rococo, Portraits, United Kingdom, Size: Paper: 34,7 cm x 21,2 cm (13,7 x 8,3 in), Plate: 32,0 cm x 18,5 cm (12,6 x 7,3 in), Depiction: 29,8 cm x 17,6 cm (11,7 x 6,9 in)
Fichter Kunsthandel
Jan. 25, 2025
P. GUNST (*1659) after WERFF (*1659), 3. Herzog von Alba (1507-1582), around 1700, Copper engraving
Est: €300 - €400
Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of the 3rd Duke of Alba F Á de Toledo (1507-1582), c. 1700, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr. vander Werff pinx. / P. à Gunst sculps.". Date: c. 1700 Description: Interesting portrait with lavish framing Person: 3rd Duke of Alba Fernando Álvarez de Toledo (1507 Piedrahita - 1582 Lissabon) Keywords: Herzog, Portugal, Spain, Alba, Toledo, 18th century, Baroque, People, Spain, Toledo, Size: Paper: 37,5 cm x 23,5 cm (14,8 x 9,3 in), Plate: 30,6 cm x 18,2 cm (12 x 7,2 in), Depiction: 29,2 cm x 17,4 cm (11,5 x 6,9 in)
Fichter Kunsthandel
Nov. 29, 2024
Adriaen van der Werff
Est: $2,000 - $2,500
ADRIAEN VAN DER WERFF, work attributed (Dutch School, 1959-1722) Oil on canvas "Caritas romana" 55 x 44 cm. ADRIAEN VAN DER WERFF, obra atribuida (Escuela neerlandesa, 1959-1722) Óleo sobre tela "Caritas romana" 55 x 44 cm.
Zorrilla Subastas
Nov. 14, 2024
Adriaen van der Werff: Hercules between Virtue and Vice
Est: €40,000 - €60,000
WERFF, ADRIAEN VAN DER 1659 Karlinger-Ambacht - 1722 Rotterdam Title: Hercules between Virtue and Vice. Date: 1715 (?). Technique: Oil on wood. Measurement: 58.5 x 44.5cm. Notation: Signed and dated on the right side (possible residual signature): "[...] erf 715 (?)". Frame: Framed. Literature: B. Gaehtgens, Adriaen van der Werff 1659-1722, Munich 1987, pp. 252-253, no. 36 with ill.; Getty Provenance Index databases. J. Paul Getty Trust. Provenance: Private ownership, Germany; Auction Lempertz Cologne, 14th-16th November, 1974, lot. 206; presumably Sweden, private ownership; Auction Christie's London, 18th June, 1954, lot. 35; probably Edward Foster London auction, 19th May, 1830, lot. 48 (as 'Description Hercules accompanied by Wisdom'); Collection John Campbell, 1st Marquess of Bredalbane; Auction Christie's London, 14th-15th May, 1802, lot 59 (as 'Hercules betwixt Virtue and Pleasure [.] the figure of Hercules is perfect in drawing, and the expression of all the figures admirable'); Sir Simon Clarke Collection; Collection George Hibbert, until 1802; Collection Jan Jansz. Gildemester, Amsterdam; Alexandre-Joseph Paillet Collection, Paris, from 1786 (as 'Un Tableau allégorique de ce Maître, représentant Hercule entre le vice & la vertu'); Auction Jean J. Bertels London, 8th-9th May, 1783, lot 76 (as 'Hercules between Virtue and Vice; one of the best preserved pictures of this inestimable artist, whose fame is so well known to the great world'); Sir Gregory Page Collection, Brussels, until 1783; the painting can presumably be identified with the one described in an offer for sale by the merchant Boendermaker in Amsterdam dated 12th August, 1719 ('Hercules, sitende jongh sijnde, te denken; werd angevogten door twee vrouwen de eene de Deugt, de andere de Ondeugt, ofte Wellus'). Adriaen van der Werff is one of the protagonists of so-called Dutch Classicism, an era around 1700 in which artists liberated art from overly naturalistic or caricaturistic tendencies. He was often modelled on antique sculptures or the masters of the Italian Renaissance and early Baroque. Van der Werff is regarded as one of the Dutch artists of his time, who enjoyed the highest international reputation among his contemporaries and was admired and sought after by important collectors. Born near Rotterdam, van der Werff completes his training in the workshops of Cornelis Picolet and Eglon Hendrick van de Neer in Rotterdam and sets up his own business as a painter in 1676. From 1691 to 1695 he is head of the St Luke's Guild in Rotterdam and from 1697 he is court painter to John William of the Palatinate, with whom he has to spend six months a year. He is characterised above all by his small and medium-sized works, in which he applies meticulous attention to detail, refined sensuality, and a nuanced texture of flesh tones reminiscent of porcelain. His choice of subject matter also reflects the fashions of the time: initially he specialises in genre paintings, often with allegorical themes, and later in mythological, historical and biblical scenes, and portraits. The present painting, which was probably created at the court of Johann Wilhelm von der Pfalz, fits precisely into this category: it shows Hercules at the crossroads, flanked by two beautiful women, Vice on the right and Virtue on the left. The iconographic theme, of which there are numerous examples in the Renaissance, goes back to a fable by the Greek philosopher Prodicus of Keos, who lived between the 5th and 4th centuries BC and was passed down to us through the memorabilia of Xenophon. In the fable, two women appear to the young Hercules, one of whom presents herself as virtue and the other as happiness (or corruption). Each of them explains to the young hero the merits of one lifestyle or the other and tries to persuade him to follow the appropriate path. Adriaen van der Werff's work is clearly inspired by sculptures from the Greco-Roman period; the figure of Hercules in particular is reminiscent of the Belvedere torso, which was known from numerous engravings from this period or from copies and casts. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Adriaen van der Werff The Netherlands Classicism 17th/18th C. Old Masters Framed Mythology Painting Allegory
Van Ham Kunstauktionen
Oct. 30, 2024
Entourage de Adriaen van der Werff (Rotterdam 1659-1722) Granida et Daifilo
Est: €4,000 - €6,000
Entourage de Adriaen van der Werff (Rotterdam 1659-1722) Granida et Daifilo huile sur cuivre oil on copper 16.4 x 20.9cm (6 7/16 x 8 1/4in).
Bonhams
Oct. 16, 2024
Adriaen van der Werff (1659 – 1722) – School
Est: €600 - €1,200
Adriaen van der Werff (1659 – 1722) – School, Paris giving the apple to Aphrodite in the back the two rejected godnesses surrounded by angels and animals in landscape. Oil on wooden panel. In carved and gilded baroque style frame. 55 x 48 cm.
Deutsch Auktionen
Sep. 28, 2024
A. WERFF (*1659) after GUNST (*1659), Bishop John Lesley of Ross, Copper engraving
Est: €45 - €75
Adriaen van der Werff (1659 Rotterdam - 1722 ibid.) after Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.): Portrait of Bishop John Lesley of Ross (also John Leslie, 1527 Kingussie -1596 Brussels), historian and scholar, 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Below the depiction in printing plate with the name and life data of the sitter as well as signed by the artist. Keywords: 18th century, Baroque, Portraits, Netherlands, Size: Paper: 31,3 cm x 18,9 cm (12,3 x 7,4 in), Depiction: 29,9 cm x 17,4 cm (11,8 x 6,9 in)
Fichter Kunsthandel
May. 25, 2024
Adriaen van der Werff (Rotterdam 1659 - 1722), circle of. The Judgement of Paris.
Est: -
Around 1700. Oil/wood. 51,5 x 45,5 cm. Retouchings. - Flemish portrait, history and figure painter. W. was taught painting in the studios of C. Picolet and E. van der Neer in Rotterdam. Since 1676 he worked as free lance artist and was in the board of the Rotterdam painter's guild in 1690/91. In 1969 he was appointed painter to the court in Düsseldorf by Kurfürst Johann Wilhelm von der Pfalz. W. also painted portraits of other regents, among them duke Anton Ulrich of Brunswick and king August II of Saxonia-Polonia. He was one of the most sought-after painters of his time. Mus.: St. Petersburg (Hermitage), Paris (Louvre), Amsterdam (Rijks-Mus.), London (Nat. Gall.), Berlin (Nat.-Gal.), Dresden (Gem.-Gal.), Florence (Uffizi, Pal. Pitti), Den Haag (Mauritshuis) a. many others. Lit.: Thieme-Becker.
Auktionshaus Stahl
May. 25, 2024
P. GUNST (17th) after WERFF (*1659), Portrait of Sir Francis Walsingham, around 1650, Copper engravi
Est: €450 - €600
Philipp van Gunst (17th century) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Sir Francis Walsingham, c. 1650, Copper engraving Technique: Copper engraving on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps (1915 Leipzig - 2007 Leipzig) . Leipzig. 20th century Inscription: At the lower part signed in the printing plate: "Adrn. vander Werff pinx. / P. a Gunst sculps.". At the lower part inscribed in the printing plate: "FR. WALSINGHAM, SECRETAIRE D'ELISABETH". Date: c. 1650 Description: Bust portrait of the British statesman Sir Francis Walsingham in an oval frame with a shield with a medusa head below. Person: Sir Francis Walsingham (1532 Chislehurst - 1590 London) led a spy network and foiled several assassination attempts on Elizabeth I of England (1558-1603) Keywords: Portrait, England, Printmaking, Politician, Medusa, 17th century, Baroque, Portraits, United Kingdom, Size: Paper: 29,6 cm x 17,4 cm (11,7 x 6,9 in), additional specification: Paper: 30.8 x 19.3 cm
Fichter Kunsthandel
May. 04, 2024
Werff, Adriaen van der
Est: -
Werff, Adriaen van der 1659 Krallingen - 1722 Rotterdam Verweilende Diana. Öl/Holz, 38,5 x 32 cm.
Dusseldorfer Auktionshaus
Apr. 25, 2024
A Porcelain Picture “The Banishment of Hagar” after Adriaen van der Werff (1659-1722),
Est: €3,000 - €5,000
signed Louis Scherf (1870-1955) porcelain picture plate, a fine polychrome painted depiction of the Old Testament scene of the banishment of Hagar and her son Ishmael by Abraham, signed "L. Scherf - nach A. v. d. Werff", inscribed on the reverse "Die Verstossung der Hagar. - Kopie nach dem Original-Gemälde von Adrian v. der Werff (1659-1722), Gemäldegallerie-Dresden", picture plate 61 x 48 cm, frame 73.5 x 61 cm, impressed sceptre mark KPM, impressed numbers 683 and 538, year letter B 1902, plate painted in around 1910, (GO)
Dorotheum
Mar. 21, 2024
Attribué à Adriaen VAN DER WERFF Kraligen, 1659 - 1722, Rotterdam Suzanne au bain
Est: €800 - €1,200
Attribué à Adriaen VAN DER WERFF Kraligen, 1659 - 1722, Rotterdam Suzanne au bain Pierre noire et rehauts de craie blanche 27,5 x 17,2 cm - 10 13/16 x 6 3/4 in. Susanna at her bath Black chalk heightened with white PROVENANCE Porte en bas à droite le cachet de la collection Amédée-Paul-Émile Gasc (L. 1131).
Aguttes
Feb. 07, 2024
Adriaen van der Werff Hand Painted Porcelain Tile
Est: $1,000 - $2,000
Adriaen van der Werff (Dutch, 1659-1722) Hand Painted Porcelain Tile [The Expulsion of Hagar]. Tile measures 9.25 x 7.375 inches (23.5 x 19 cm). No damage to the tile. Frame has damage. Signed in pencil verso. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Grant Zahajko Auctions, LLC
Jan. 20, 2024
P. GUNST (*1659) after WERFF (*1659), King James V of Scotland, Copper engraving
Est: €300 - €400
Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of James V King of Scots (1512-1542), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. | P. à Gunst sculps.". Date: Description: Depiction of a portrait bust of Jacob V as a monument or funerary epitaph. Person: König der Schotten; King Jakob V., Scotland (1512 - 1542 ) Keywords: King of Scots, Scotland, Great Britain, James V, Henry VIII, , Mary Stuart, 18th century, Classicism, Portraits, United Kingdom,
Fichter Kunsthandel
Dec. 30, 2023
C. VERMEULEN (*1644) after WERFF (*1659), Portrait of Anne of Cleves, around 1670, Copper engraving
Est: €450 - €600
Cornelis Vermeulen (around 1644 Antwerp - around 1708 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Anne of Cleves, c. 1670, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adrn: vander Werff pinx. / Vermeulen sculps.". Lower middle inscribed in the printing plate: "Anne de Cleves [..]". Date: c. 1670 Description: Portrait of Anne of Cleves in a medallion hanging from a ribbon in a round arch. Two putti are playing below, the one on the left is holding another portrait medallion of Anne of 'Cleves in his hands, while the other is pointing into the distance with his right hand. At the back, the view opens onto a landscape with buildings Person: Anna von Kleve (1515 Düsseldorf - 1557 London) She was the fourth wife of the English King Henry VIII and was thus Queen of England from 6 January 1540 to 9 July 1540. Henry VIII planned another marriage for political reasons after the death of his third wife Jane Seymour. He chose Anne of Cleves because he liked her portrait painted by Hans Holbein, and signed the marriage contract without having met her personally. After their first meeting, he apparently felt disappointed in his expectations and had the marriage, concluded on 6 January 1540 in Greenwich, declared invalid six months later. Keywords: Printmaking, engraving, portrait, monarch, queen, England, Netherlands, Germany, 17th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Dec. 30, 2023
P. GUNST (17th) after WERFF (*1659), Portrait of Sir Francis Walsingham, around 1650, Copper engravi
Est: €450 - €600
Philipp van Gunst (17th century) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Sir Francis Walsingham, c. 1650, Copper engraving Technique: Copper engraving on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps (1915 Leipzig - 2007 Leipzig) . Leipzig. 20th century Inscription: At the lower part signed in the printing plate: "Adrn. vander Werff pinx. / P. a Gunst sculps.". At the lower part inscribed in the printing plate: "FR. WALSINGHAM, SECRETAIRE D'ELISABETH". Date: c. 1650 Description: Bust portrait of the British statesman Sir Francis Walsingham in an oval frame with a shield with a medusa head below. Person: Sir Francis Walsingham (1532 Chislehurst - 1590 London) led a spy network and foiled several assassination attempts on Elizabeth I of England (1558-1603) Keywords: Portrait, England, Printmaking, Politician, Medusa, 17th century, Baroque, Portraits, United Kingdom,
Fichter Kunsthandel
Sep. 23, 2023
A. WERFF (*1659) after GUNST (*1659), Bishop John Lesley of Ross, Copper engraving
Est: €45 - €75
Adriaen van der Werff (1659 Rotterdam - 1722 ibid.) after Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.): Portrait of Bishop John Lesley of Ross (also John Leslie, 1527 Kingussie -1596 Brussels), historian and scholar, 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Below the depiction in printing plate with the name and life data of the sitter as well as signed by the artist. Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Sep. 23, 2023
N. PITAUT (17th) after WERFF (*1659), Portrait P. M. Vermigli (1499-1562), around 1700, Copper engra
Est: €45 - €75
Nicholas Pitaut jun. (17th century) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Peter Martyr Vermigli (1499 Florence - 1562 Zurich), c. 1700, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr. vander Werff pinx / Pitaut Sculps". Date: c. 1700 Description: Adriaen van der Werff (Rotterdam 1659 - Rotterdam 1722) was a Dutch painter, etcher, draughtsman and architect. He worked in Rotterdam and Düsseldorf, among other places. Peter Martyr Vermigli, actually Pietro Mariano Vermigli (Florence 1499 - Zurich 1562) was a Reformed theologian, Augustinian in Fiesole, abbot in Spoleto and finally professor in Strasbourg, Oxford and Zurich. Person: Peter Martyr Vermigli (1499 Florence - 1562 Zurich) Was a religious priest in the Augustinian Order and, from 1541, a reformer, Reformed theologian and Old Testament scholar in Strasbourg, Oxford and Zurich. Keywords: 17th century, Romanticism, Architecture, France,
Fichter Kunsthandel
Aug. 30, 2023
Attributed to Adriaen Van Der Werff (Dutch 1659-1722): Portrait of a Gentleman
Est: $400 - $600
Attributed to Adriaen Van Der Werff Dutch, 1659-1722 Portrait of a Gentleman oil on canvas unsigned
Abell Auction
Jan. 16, 2023
Adriaen Van Der Werff (Dutch, 1659 - 1722), "Ravishment of Lucretia", oil on wood panel, depicts the nude noblewoman in distress, fighting off her attacker, Sextus Tarquinius, the son of the king of Rome, who stands a...
Est: $750 - $1,500
Adriaen Van Der Werff (Dutch, 1659 - 1722), "Ravishment of Lucretia", oil on wood panel, depicts the nude noblewoman in distress, fighting off her attacker, Sextus Tarquinius, the son of the king of Rome, who stands above her with dagger, a servant partially depicted at left edge, no signature viewed, old wax seals or collector's stamps to panel, in molded and gilded frame with loss, not examined out of frame, wear includes loss to skin tone areas and scattered throughout, craquelure, rubbing of edges, assumed inpainting under heavy varnish, sold as is, panel size: 11" x 15 1/2". [Deaccessioned to benefit the Slater Memorial Museum's acquisition fund.]
Winter Associates, Inc.
Nov. 09, 2022
Adriaen van der WERFF Rotterdam, 1659 - 1722 Portrait d'un gentilhomme accoudé à un piédestal devant un parc Huile sur toile
Est: €20,000 - €30,000
Adriaen van der WERFF Rotterdam, 1659 - 1722 Portrait d'un gentilhomme accoudé à un piédestal devant un parc Huile sur toile Signée 'Adriaen v(...) / werff. fe(...)' en bas à gauche Portrait of a man in a park, oil on canvas, signed, by A. van der Werff h: 50,50 w: 40,50 cm Provenance : Probablement vente Lespinasse de Langeac, Paris, Paillet, 27 janvier 1802, n°220 ; Vendu à Hyppolite Delaroche ; Probablement vente Lespinasse de Langeac, Paris, Paillet, 17 janvier 1809, n°130 ; Vente anonyme ; Londres, Christie's, 19 juillet 1974, n° 64 ; Vente Comtesse de Lalaing et al., Londres, Sotheby's, 7 juillet 1976, n° 90 ; Vente anonyme ; Paris, Me de Maigret, 12 juin 2009, n°42 ; Vente anonyme ; Paris, Daguerre, 13 novembre 2013, n° 48 ; Collection particulière, France Bibliographie : Barbara Gaehtgens, 'Adriaen van der Werff 1659-1722', Munich, 1987, p. 385, n°121, repr. Commentaire : C'est en amoureux de l'Antiquité qu'Adriaen van der Werff a peint le modèle de ce portrait. Il est représenté dehors dans un parc, portant une luxueuse chemise de satin mordoré. Le côté droit offre une ouverture au-delà des rosiers, vers la statue du Faune aux cymbales et un ciel du soir couvert de nuages. Ce portrait est caractéristique de la manière d'Adriaen van der Werff. Les hommes, accoudés sur un élément architectural, sont généralement placés sur la gauche de la composition, laissant apparaître une vue dégagée sur un élément de décor antiquisant. Le peintre est particulièrement habile dans la représentation des tissus : chacun des plis du costume démontre la qualité de l'étoffe et toute sa délicatesse. L'artiste néerlandais est rapidement reconnu pour ses portraits puisque qu'après être devenu doyen de la guilde de Saint-Luc de Rotterdam, confrérie de peintres indiscutée, il est nommé en 1696 peintre de cour à Düsseldorf, avant d'y être anobli par l'électeur palatin. Estimation 20 000 - 30 000 €
Artcurial
Jul. 19, 2022
Adriaen van der Werff,
Est: £3,000 - £5,000
Adriaen van der Werff, Dutch 1659-1722- Portrait of Adriaen Paets, half-length, seated in a landscape, with his right arm resting on a carpet; oil on canvas, 49.5 x 40 cm. Provenance: The estate of the late designer Anthony Powell. Literature: O. Ydema, 'Carpets and Their Datings in Netherlandish Paintings, 1540-1700', Antique Collectors' Club, 1999, p.107, fig.110 (illustrated) (listed as whereabouts unknown). Note: Adriaen Paets (1631-86) was a director of the Rotterdam Chamber of the Dutch East India Company. His portrait was also painted by Adriaen van der Werff’s younger brother and principal studio assistant Pieter van der Werff (1695-1722) as part of a series of portraits of the directors of the Rotterdam Chamber of the Company. The portrait is currently held at the Rijksmuseum in Amsterdam [SK-A-4511], https://www.rijksmuseum.nl/nl/collectie/SK-A-4511. The present work is certainly familiar with Van der Werff's oeuvre: a half-length figure, with one arm leaning, and with a landscape beyond (see, for example, the Portrait of Cornelis Gerard Fagel of 1694 in the Goltziusmuseum, Venlo, or the Portrait of a gentleman in a silk gown of 1685 in the National Gallery, London). Characteristic also is the artist's concentration on the rendition of texture and surface, which strongly connects his style with the Leiden fijnschilders, and besides possesses a distinctive elegance that is drawn not only from the fine fabrics and gracefully mannered pose of the sitter, as well as from the classical allusion of the statue in the background that is also closely reminiscent of his portraiture. Significant emphasis is placed on the sitter’s wealth and social status, conveyed through his nonchalant pose as well as the items around him, including the luxurious carpet on which the gentleman leans. Van der Werff completed a number of significant commissions for high-profile sitters throughout northern Europe, including John Churchill, 1st Duke of Marlborough; William III and Mary II (with Étienne-Jehandier Desrochers); and Johann Wilhelm II, Elector Palatinate. For a comparable work with similar dimensions, see ‘Portrait of a Man in a Quilted Gown’, National Gallery, London [no.NG1660]. The present work was presumably painted in around 1680-90. Please refer to department for condition report
Roseberys
May. 21, 2022
Adriaen van der Werff, Portrait of a Gentleman
Est: €4,000 - €6,000
Adriaen van der Werff, Portrait of a Gentleman
Kunsthaus Lempertz KG
May. 18, 2022
Etienne Desrocheres (1668 - 1741) from Adriaen van der Werff (1659-1722): Mary II Tudor of England
Est: -
Etienne Desrocheres (1668 - 1741) from Adriaen van der Werff (1659-1722) Mary II Tudor of England After the painting by Adriaen van der Werff (1659-1722), plate from "Histoire d'Angleterre" by Larrey, 1697, in Paris. Slightly burnished paper, lack in the upper right corner.
Bertolami Fine Art s.r.l.
May. 13, 2022
German Porcelain Historical Plaque of ‘The Banishment of Hager and Ishmael’ KPM, Late 19th Century Sight size: 15-1/4 x 13-1/2 in (38.7 x 34.3 cm);, Framed: 27-1/2 x 23-1/8 in (69.9 x 58.7 cm)
Est: $2,000 - $4,000
German Porcelain Historical Plaque of ‘The Banishment of Hager and Ishmael' KPM, Late 19th Century After a painting by Adriaen Van der Werff (Dutch 1659-1722); verso with an impressed scepter above 'K.P.M.' above an 'H' together adjacent to an artisan mark near l.r. and a carved '15'-13' - signed 'Hammond' l.r. in glaze.
Weschler's
Mar. 12, 2022
ADRIAEN VAN DER WERFF (WERKSTATT/SCHULE) DIE HEILGE MARIA MAGDALENA
Est: €200 - €400
ADRIAEN VAN DER WERFF (WORKSHOP/SCHOOL) 21 January 1659 Kralingen-Ambacht (Rotterdam) - 12 November 1722 Rotterdam SAINT MARY MAGDALENE Oil on copper plate. 30 x 23,5 cm (F. 44 x 38 cm). Partly slightly old restored, old retouching. Frame of the late 18th century. Barbara Gaehtgens mentions in her monograph on Adriaen van der Werrff two known and today lost, somewhat smaller versions of the painting offered here. One work for Duke Anton Ulrich in 1709, originally painted for van der Werff's wife, and one work for the Palatine Elector Lothar Franz von Schönborn. Compare: Gaehtgens, Barbara: Adriaen van der Werff 1659-1722. Munich, 1987, p. 352, Figs. 96 and 97. Abb. 96 und 97. Provenance: South German private collection. ADRIAEN VAN DER WERFF (WERKSTATT/SCHULE) 21. Januar 1659 Kralingen-Ambacht (Rotterdam) - 12. November 1722 Rotterdam DIE HEILGE MARIA MAGDALENA Öl auf Kupfertafel. 30 x 23,5 cm (R. 44 x 38 cm). Part. leicht altrest., Altretuschen. Rahmen des späten 18. Jh. Barbara Gaehtgens erwähnt in Ihrer Werkmonographie zu Adriaen van der Werrff zwei bekannte und heute verschollene, etwas kleinere Fassungen des hier angebotenen Gemäldes. Eine Arbeit für den Herzog Anton Ulrich im Jahre 1709, die ursprünglich für van der Werffs Frau gemalt wurde und eine Arbeit für den pfälzischen Kurfürsten Lothar Franz von Schönborn. Vgl. hierzu: Gaehtgens, Barbara: Adriaen van der Werff 1659-1722. München, 1987, S. 352, Abb. 96 und 97. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 12, 2022
ADRIAEN VAN DER WERFF (WERKSTATT/SCHULE) JUPITER UND LEDA
Est: €2,000 - €4,000
ADRIAEN VAN DER WERFF (WORKSHOP/SCHOOL) 21 January 1659 Kralingen-Ambacht (Rotterdam) - 12 November 1722 Rotterdam JUPITER AND LEDA Oil on canvas on oak panel (maroufl.). 44,5 x 52 cm (F. 58 x 66 cm). Remains of signature at centre right. Verso: Inscribed on old paper label: 'De la collection de M W. Koutcharoff Congo Belge-Yangambi. Furthermore old French auction label. Part. rest., old retouching, loss of colour. Frame. Provenance: Westphalian private collection. ADRIAEN VAN DER WERFF (WERKSTATT/SCHULE) 21. Januar 1659 Kralingen-Ambacht (Rotterdam) - 12. November 1722 Rotterdam JUPITER UND LEDA Öl auf Leinwand auf Eichenholztafel (maroufl.). 44,5 x 52 cm (R. 58 x 66 cm). Signaturreste rechts mittig. Verso: Auf altem Papierlabel bezeichnet: 'De la collection de M W. Koutcharoff Congo Belge-Yangambi. Weiterhin altes französisches Auktionsetikett. Part. rest., Altretuschen, Farbverluste. Rahmen. Provenienz: Westfälische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 19, 2022
Werff, Adriaen van der
Est: €200 - €300
(1659 Rotterdam 1722). Portrait einer jungen Frau nach rechts. Bleistift u. Kreide auf Papier. Ca. 15 x 12 cm. Signiert unten rechts mit A. van der Weff. Punktuell auf Karton mont. - Leicht gebräunt. D
Kiefer Buch- und Kunstauktionen
Nov. 03, 2021
ADRIAEN VAN DER WERFF (Kralingen 1659-1722 Rotterdam) Study of a Kneeling Female Nude.
Est: $1,500 - $2,500
ADRIAEN VAN DER WERFF (Kralingen 1659-1722 Rotterdam) Study of a Kneeling Female Nude. Red chalk on cream laid paper, squared for transfer in pencil. 134x105 mm; 5 1/2x4 1/4 inches. Provenance: Private collection, New Jersey. This drawing may be a preparatory study for the kneeling nude at the left of Werff's oil painting Moses Saved from the Water, 1722, now in the Musée Des Beaux-Arts, Rennes.
Swann Auction Galleries
Oct. 16, 2021
Werff, Adriaen van der
Est: €300 - €450
(1659 Rotterdam 1722). Portrait einer jungen Frau nach rechts. Bleistift u. Kreide auf Papier. Ca. 15 x 12 cm. Signiert unten rechts mit A. van der Weff. Punktuell auf Karton mont. - Leicht gebräunt. D
Kiefer Buch- und Kunstauktionen
Sep. 18, 2021
N.PITAUT (17th) after WERFF (*1659), Portrait of Peter Martyr Vermigli (1499-1562), around 1700, Cop
Est: €30 - €50
Nicholas Pitaut d. J. (17th century) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.), Portrait of Peter Martyr Vermigli (1499-1562), c. 1700, Copper engraving Technique: Copper engraving on Paper Date: c. 1700 Description: Pitaut, Portrait of Peter Martyr Vermigli, copper engraving after Adriaen van der Werff, c. 1700. Description: Copper engraving by Pitaut, inscribed: "Martyr", below some verses in French, below: "Adr. vander Werff pinx Pitaut Sculps". Adriaen van der Werff (Rotterdam 1659 - Rotterdam 1722) was a Dutch painter, etcher, draughtsman and architect. He worked in Rotterdam and Düsseldorf, among other places. Peter Martyr Vermigli, actually Pietro Mariano Vermigli (Florence 1499 - Zurich 1562) was a Reformed theologian, Augustinian in Fiesole, abbot in Spoleto and finally professor in Strasbourg, Oxford and Zurich. Person: Peter Martyr Vermigli (1499 Florence-1562 Zurich) Was a religious priest in the Augustinian Order and, from 1541, a reformer, Reformed theologian and Old Testament scholar in Strasbourg, Oxford and Zurich. Keywords: , 19th century, Romanticism, Architecture, France, Size: 39,0 cm x 24,5 cm Condition: Rather good Condition. Margins slightly creased and with smaller tears.
Fichter Kunsthandel
Sep. 11, 2021
ADRIAEN VAN DER WERFF (SCHULE), BACCHUS UND ARIADNE
Est: €600 - €1,200
ADRIAEN VAN DER WERFF (SCHOOL) 21 January 1659 Kralingen-Ambacht (Rotterdam) - 12 November 1722 Rotterdam BACCHUS AND ARIADNE Oil on canvas (relined). 53,5 x 73 cm. Part. min. damaged, rest., old retouchings. Provenance: South German Private Collection. ADRIAEN VAN DER WERFF (SCHULE) 21. Januar 1659 Kralingen-Ambacht (Rotterdam) - 12. November 1722 Rotterdam BACCHUS UND ARIADNE Öl auf Leinwand (doubl.). 53,5 x 73 cm. Part. min. besch., rest., Altretuschen. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf