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Edward Weston Sold at Auction Prices

Landscape painter, Photographer, b. 1886 - d. 1958

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  • Edward Weston (1886-1958), WING OF PELICAN, 1931
    Jun. 26, 2025

    Edward Weston (1886-1958), WING OF PELICAN, 1931

    Est: $1,500 - $2,500

    Edward Weston (1886-1958), American WING OF PELICAN, 1931 gelatin silver print Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed "2Bi" by Cole Weston in pencil to mount verso image 7.1 x 9.3 in — 18 x 23.5 cm Estimate: $1,500—2,500 CAD

    Waddington's
  • Edward Weston (1886-1958), KELP, 1930
    Jun. 26, 2025

    Edward Weston (1886-1958), KELP, 1930

    Est: $1,500 - $2,500

    Edward Weston (1886-1958), American KELP, 1930 gelatin silver print flush mounted to card Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed "5K" by Cole Weston in pencil to mount verso image 9.1 x 7.3 in — 23 x 18.5 cm Estimate: $1,500—2,500 CAD

    Waddington's
  • Edward Weston (1886-1958), SHELL, 1927
    Jun. 26, 2025

    Edward Weston (1886-1958), SHELL, 1927

    Est: $1,500 - $2,500

    Edward Weston (1886-1958), American SHELL, 1927 gelatin silver print Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed "1S" by Cole Weston in pencil to mount verso 9.4 x 7.3 in — 23.8 x 18.6 cm Estimate: $1,500—2,500 CAD

    Waddington's
  • Edward Weston (1886-1958) Photograph, 1937
    Jun. 25, 2025

    Edward Weston (1886-1958) Photograph, 1937

    Est: $1,000 - $2,000

    Edward Weston (American, 1886-1958) "Dante's View, Death Valley," Photograph, 1937, signed and dated. Unframed. Size: 7.5'' x 9.25'', 19 x 23 cm (photo); 20'' x 16'', 51 x 41 cm (mat).

    Material Culture
  • AVANT-GARDE AND SURREALISM. SEVENTEEN TITLES
    Jun. 17, 2025

    AVANT-GARDE AND SURREALISM. SEVENTEEN TITLES

    Est: €70 - €120

    (1) Man Ray, Photography and its Double. Ginko Press, 1998. Hc w. dust-j. (2) Edward Weston 1886-1958. Taschen, 1999. Hc w. dust-j. (3) André Kertéz, A Lifetime of Perception. Van Gennep, 1993. Hc w. dust-j. -and 14 others, incl. Walter Peterhams, Paul Outerbridge and Sasha Stone and 4 related titles. In good condition. (total 21)

    Zwiggelaar Auctions
  • Edward Weston on Point Lobos
    Jun. 12, 2025

    Edward Weston on Point Lobos

    Est: $200 - $300

    Heading: Author: Weston, Edward Title: My Camera on Point Lobos Place Published: Yosemite National Park & Boston Publisher:Virginia Adams & Houghton Mifflin Date Published: 1950 Description: 79, [2] pp. Thirty fine-screen halftone plates from photographs by Weston. 36.8x30.4 cm (14½x12"), comb-bound boards. First Edition. Weston‘s archetypal landscape, Point Lobos—or as the Spaniards named it Punta de los Lobos Marinos / Point of the Sea Wolves. "My work is always ahead of what I say about it. I am simply a means to an end: I cannot, at the time, say why I record a thing in a certain way, nor why I record it at all. The artist is an instrument through which inarticulate mankind speaks: he may be a prophet who at a needed moment points the way, forming the future, or he may be born at a time when his work is a culmination, a flowering in soil already prepared. If my work has vitality it is because I have done my part in revealing to others the living world about them, showing to them what their own untrained eyes have missed." - Edward Weston From his Daybook, March, 1931 as reprinted in the Foreword. Bookplate.

    PBA Galleries Auctions & Appraisers
  • Edward Weston (1886-1958)
    May. 22, 2025

    Edward Weston (1886-1958)

    Est: £2,000 - £3,000

    Edward Weston (1886-1958) TWO SHELLS, 1927. Silver gelatin print, printed later by Cole Weston, flush mounted to board, image/sheet size 24 x 18.7cm, board size 38 x 33.5cm, with "Negative by Edward Weston / Printed By" stamp, undersigned by Cole Weston in pencil verso, additionally titled, dated, and numbered by Cole Weston in pencil verso.

    Chiswick Auctions
  • Photograph, Edward Weston
    May. 16, 2025

    Photograph, Edward Weston

    Est: $700 - $1,000

    Edward Weston (American, 1886-1958), "Darin, about Twelve?," gelatin silver print, pencil signed and inscribed "Carmel" lower right, titled lower left, image/sheet: 9.75"h x 7.75"w, overall (with mat): 18.25"h x 15"w

    Clars Auctions
  • Edward Weston, Los Angeles Monument (Bellboy, San Fernando Road)
    May. 01, 2025

    Edward Weston, Los Angeles Monument (Bellboy, San Fernando Road)

    Est: $4,000 - $6,000

    Edward Weston Los Angeles Monument (Bellboy, San Fernando Road) 1937 vintage gelatin silver print 9.5 h x 7.5 w in (24 x 19 cm) Signed, titled and dated to verso 'Los Angeles Monument Edward Weston 1937'. Inscribed to verso by the artist's sister, Mary Weston Seaman 'This is an old plaster statue which caught my brother's attentive eye and excited his sense of humor'. Provenance: Gift from the artist to his sister, Mary Weston Seaman | Thence by decent | Sotheby's, Edward Weston's Gifts to His Sister, April 8, 2008, Lot 88 | Private Collection Exhibited: Edward Weston's Gifts to his Sister, January - March 1978, Dayton Art Institute, Dayton, OH (traveling exhibition) Literature: Edward Weston's Gifts to His Sister (in conjunction with the exhibition at The Dayton Art Institute, 1978), Foley, p.48 | Edward Weston: A Photographer's Love of Life (in conjunction with the exhibition at The Dayton Art Institute, 2004), Nyerges, pl. 45 This work will ship from Los Angeles, California.

    Rago Arts and Auction Center
  • Photograph, Edward Weston
    Apr. 18, 2025

    Photograph, Edward Weston

    Est: $1,500 - $2,500

    Edward Weston (American, 1886-1958), "Darin, about Twelve?," gelatin silver print, pencil signed and inscribed "Carmel" lower right, titled lower left, image/sheet: 9.75"h x 7.75"w, overall (with mat): 18.25"h x 15"w

    Clars Auctions
  • Photograph, Edward Weston
    Apr. 18, 2025

    Photograph, Edward Weston

    Est: $1,500 - $2,500

    Edward Weston (American, 1886-1958), "D. Rudhyar," 1929, gelatin silver print, pencil signed and dated lower right, titled lower left, image/sheet: 9"h x 7.5"w, overall (with back matting): 18"h x 14"w

    Clars Auctions
  • EDWARD WESTON (1886–1958). Peter and Rose Krasnow, 1928. signed and dated i
    Apr. 17, 2025

    EDWARD WESTON (1886–1958). Peter and Rose Krasnow, 1928. signed and dated i

    Est: $10,000 - $15,000

    EDWARD WESTON (1886–1958). Peter and Rose Krasnow, 1928. signed and dated in pencil (mount, recto); stamped 'From the Estate of / Peter Krasnow' in ink (mount, verso)image/sheet: 9 ¼ x 7 ¼ in. (23.4 x 18.4 cm.)mount: 18 x 14 in. (45.7 x 35.5 cm.).

    Christie's
  • EDWARD WESTON (1886–1958). Sign Post, Arizona, 1938. signed and dated in pe
    Apr. 17, 2025

    EDWARD WESTON (1886–1958). Sign Post, Arizona, 1938. signed and dated in pe

    Est: $8,000 - $12,000

    EDWARD WESTON (1886–1958). Sign Post, Arizona, 1938. signed and dated in pencil (mount, recto); signed, titled and dated in pencil (mount, verso)image/sheet: 7 ½ x 9 ½ in. (19 x 24.1 cm.)mount: 13 x 15 in. (33 x 38.1 cm.).

    Christie's
  • EDWARD WESTON (1886–1958). Rock and Sea, Point Lobos, 1938. signed, dated a
    Apr. 17, 2025

    EDWARD WESTON (1886–1958). Rock and Sea, Point Lobos, 1938. signed, dated a

    Est: $8,000 - $12,000

    EDWARD WESTON (1886–1958). Rock and Sea, Point Lobos, 1938. signed, dated and inscribed 'to Don Loving' in pencil (mount, recto); affixed 'first annual photographic salon of the Washington Council of Camera Clubs / Seattle Art Museum / September, 1942' exhibition label (mount, verso)image/sheet: 7 ½ x 9 ½ in. (19 x 24.1 cm.)mount: 15 x 16 in. (38.1 x 40.6 cm.).

    Christie's
  • 'Hand of Amado Galvan'
    Apr. 03, 2025

    'Hand of Amado Galvan'

    Est: $30,000 - $50,000

    Pier 24 Photography from the Pilara Family Foundation Sold to Benefit Charitable Organizations Edward Weston 1886-1958 'Hand of Amado Galvan' platinum-palladium print, signed, titled, dated, and annotated ‘Tonalá – Mexico’ in pencil on the reverse, framed, a San Francisco Museum of Modern Art loan label on the reverse image: 9¼ by 7¼ in. (23.4 by 18.4 cm.) frame: 20¾ by 16¾ in. (52.7 by 42.5 cm) Executed in 1925.

    Sotheby's
  • White Sands, New Mexico
    Apr. 03, 2025

    White Sands, New Mexico

    Est: $8,000 - $12,000

    Edward Weston 1886-1958 White Sands, New Mexico gelatin silver print, mounted, initialed and dated in pencil on the mount, framed image: 7½ by 9½ in. (19 by 24.1 cm.) framed: 17½ by 21⅜ in. (44.5 by 24.1 cm.) Executed in 1941, possibly printed in the late 1940s or early 1950s.

    Sotheby's
  • Edward Weston (Am. 1886-1958), "Nude" 1936, Gelatin silver print, framed under glass
    Mar. 29, 2025

    Edward Weston (Am. 1886-1958), "Nude" 1936, Gelatin silver print, framed under glass

    Est: $1,200 - $1,800

    Edward Weston (Am. 1886-1958) "Nude" 1936 Gelatin silver print, framed under glass Titled, dated, inscribed "Negative by Edward Weston" and "New England Photo Workshop Test Print" and signed in pencil by Cole Weston, the artist's son, on backing 8" x 10" actual, 15 1/8" x 15 1/2" framed

    Barridoff Auctions
  • Edward Weston Fifty Photographs in dj
    Mar. 06, 2025

    Edward Weston Fifty Photographs in dj

    Est: $400 - $600

    Heading: Author: Weston, Edward Title: Fifty Photographs Place Published: New York Publisher:Duell Sloan & Pearce Date Published: [1947] Description: Illustrated from 50 black and white photographs by Weston. (4to) original cloth-backed boards, printed dust jacket. One of 1500 copies, designed by Merle Armitage. First Edition. Signed by Edward Weston with his initials on a small piece of paper, pasted to the limitation statement, as issued. Instead of being hand-numbered, this copy is stated as "Personal" at the limitation. Scarce with jacket.

    PBA Galleries Auctions & Appraisers
  • Edward Weston, Duck and Lily
    Mar. 04, 2025

    Edward Weston, Duck and Lily

    Est: $500 - $700

    Edward Weston Duck and Lily c. 1939 gelatin silver print 7.625 h x 9.625 w in (19 x 24 cm) Numbered to verso '41'. Provenance: Montclair Art Museum, Montclair, NJ | Private Collection Literature: Edward Weston: His Life and Photographs, Maddow, pg. 243 Edward Weston: Photographs from the Collection of the Center for Creative Photography, Conger, fig. 1496 This work will ship from Lambertville, New Jersey.

    Los Angeles Modern Auctions
  • Edward Weston, Double Nautilus
    Mar. 04, 2025

    Edward Weston, Double Nautilus

    Est: $800 - $1,200

    Edward Weston Double Nautilus 1950 offset lithograph in colors mounted to illustration board image: 10.000 h x 8.125 w in (25 x 21 cm) mount: 17.750 h x 14.000 w in (45 x 36 cm) Signed and dated to mount 'EW 1950'. Inscribed by Merle Armitage to lower margin 'This present from dear Edward Weston goes to my friend Lloyd Wright-because he most understands and appreciates its symbolism--Merle Armitage '63'. Signed and inscribed to mount verso 'Merle- I inscribe this for you even though it's far from my original both in color and form--and in the magazine it is printed upside down-[illegible] Edward'. Provenance: Collection of Susan and G. Ray Hawkins, Beverly Hills This work will ship from Los Angeles, California.

    Los Angeles Modern Auctions
  • Edward Weston, Pepper No. 30
    Mar. 04, 2025

    Edward Weston, Pepper No. 30

    Est: $4,000 - $6,000

    Edward Weston Pepper No. 30 1930 / printed later gelatin silver print image: 9.250 h x 7.375 w in (23 x 19 cm) mount: 14.250 h x 13.000 w in (36 x 33 cm) Signed by the artist's son Cole Weston to artist's stamp verso 'Negative by Edward Weston / Print by Cole Weston'. Titled and dated to verso '30P Pepper. 1930'. Literature: The Daybooks of Edward Weston, Vol. 2, Weston, cover Edward Weston, 1886-1958, Weston and Pitts, cover This work will ship from Los Angeles, California.

    Los Angeles Modern Auctions
  • Edward Weston, Shells
    Mar. 04, 2025

    Edward Weston, Shells

    Est: $20,000 - $25,000

    Edward Weston Shells 1927 vintage gelatin silver print 9.250 h x 7.375 w in (23 x 19 cm) Signed and dated to verso 'Edward Weston 1927'. Provenance: Weston Photo Gallery, Carmel, CA | Private Collection Literature: Edward Weston: Photographs from the Collection of the Center for Creative Photography, Conger, fig. 545 Edward Weston: Photography and Modernism, Stebbins Jr. et al., pl. 35 Supreme Instants, Newhall, cat. no. 143 This work will ship from Chicago, Illinois.

    Los Angeles Modern Auctions
  • EDWARD WESTON (1886-1958) Shenandoah Valley. 1941; printed late 1940s by Brett Weston.
    Feb. 13, 2025

    EDWARD WESTON (1886-1958) Shenandoah Valley. 1941; printed late 1940s by Brett Weston.

    Est: $4,000 - $6,000

    EDWARD WESTON (1886-1958) Shenandoah Valley. 1941; printed late 1940s by Brett Weston. Silver contact print, the image measuring 7⅝x9¾ inches (19.4x24.8 cm.), the sheet slightly larger, with Weston's credit and a numeric notation "29.0.16.1" in pencil in Dody Weston Thompson's hand, on verso. Provenance The Estate of Dody Weston Thompson; Christie's, 20/21 Photographs Selected by James Danziger, May 22, 2015, lot 87; to a Private Collector Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat no. 1684/1941

    Swann Auction Galleries
  • EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed late 1940s.
    Feb. 13, 2025

    EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed late 1940s.

    Est: $20,000 - $30,000

    EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed late 1940s. Silver print, the image measuring 7½x9½ inches (19.1x24.1 cm.), the mount 13⅝x15⅞ inches (34.6x40.3 cm.), with Weston's initials and negative date in pencil on mount recto, and the negative date and negative notation "43SO" in pencil in Cole Weston's hand on mount verso. Provenance Christie's New York, April 15, 2010, lot 408; to Paul Hertzmann, San Francisco, California; to a Private Collection This is the first of the "Soil" images made in November according to Weston's log. [….] As usual, Weston uses the entire frame; this time he includes not only a horizon line but also a sky full of cloud activity, complementing the interaction of shadow and sand below. Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat no. 943/1936

    Swann Auction Galleries
  • EDWARD WESTON (1886-1958) Artichoke Halved. 1930; printed 1970s by Cole Weston.
    Feb. 13, 2025

    EDWARD WESTON (1886-1958) Artichoke Halved. 1930; printed 1970s by Cole Weston.

    Est: $2,000 - $3,000

    EDWARD WESTON (1886-1958) Artichoke Halved. 1930; printed 1970s by Cole Weston. Silver print, the image measuring 7¼9¼ inches (18.4x23.5 cm.), the mount 13⅛x15 inches (33.3x38.1 cm.), with Cole Weston's signature, his title, date, negative number "28V," and "Negative by Edward Weston Print by" in pencil on mount verso. Weston wrote in his Daybooks about photographing vegetables on a number of different occasions. In 1930, "A celery heart becomes heroic--a new field is opening to me--on the horizon I see a microscope!" A year later he noted, "Another vulva found in my halved artichoke--and very farfetched the likeness." Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 616/1930

    Swann Auction Galleries
  • EDWARD WESTON (1886-1958) Church Door, Hornitos, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1940; printed circa 195
    Feb. 13, 2025

    EDWARD WESTON (1886-1958) Church Door, Hornitos, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1940; printed circa 195

    Est: $4,000 - $6,000

    EDWARD WESTON (1886-1958) Church Door, Hornitos, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1940; printed circa 1951 by Brett Weston. Silver print, the image measuring 7½x9½ inches (19.1x24.1 cm.), the mount 13¾x16 inches (34x40.6 cm.), with Weston's initials and negative date in pencil on mount recto, and the Portfolio Print stamp with the print number in pencil on mount verso; with a Dody Weston Thompson Collection of Edward Weston Photographs label with her signature in ink on mat verso. Provenance Dody Weston Thompson Collection; to the Collection of Dr. James and Debra Pearl Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 1505/1940

    Swann Auction Galleries
  • EDWARD WESTON (1886-1958) Carmelita Maracci. 1937; printed 1940s.
    Feb. 13, 2025

    EDWARD WESTON (1886-1958) Carmelita Maracci. 1937; printed 1940s.

    Est: $6,000 - $9,000

    EDWARD WESTON (1886-1958) Carmelita Maracci. 1937; printed 1940s. Silver print, the image measuring 4⅝x3⅝ inches (11.8x9.2 cm.), flush mounted, the secondary mount 8¼x6⅞ inches (21x17.5 cm.), with Weston's initials and date "1935" in pencil on secondary mount recto, and his signature, title, and date "1935" in pencil on secondary mount verso. Provenance A Private Collection in Mexico; to the Present Owner Also known as Carlotta Grisi, Carmelita was an accomplished modern dancer who knew Weston in Santa Monica. Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat no. 1172/1937

    Swann Auction Galleries
  • Edward Weston (1886-1958), RANCHO SONOMA, 1937
    Jan. 30, 2025

    Edward Weston (1886-1958), RANCHO SONOMA, 1937

    Est: $2,000 - $4,000

    Edward Weston (1886-1958), American RANCHO SONOMA, 1937 gelatin silver print flush mounted to card Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed "CR-LL-19" by Cole Weston in pencil to mount verso image 7.3 x 9.3 in — 18.5 x 23.6 cm Estimate: $2,000—4,000 CAD

    Waddington's
  • Edward Weston (1886-1958), CYPRESS ROOT AND SUCCULENTS, POINT LOBOS, 1930
    Jan. 30, 2025

    Edward Weston (1886-1958), CYPRESS ROOT AND SUCCULENTS, POINT LOBOS, 1930

    Est: $2,500 - $3,500

    Edward Weston (1886-1958), American CYPRESS ROOT AND SUCCULENTS, POINT LOBOS, 1930 gelatin silver print flush mounted to a card support Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed "43T" by Cole Weston in pencil to mount verso image 9.3 x 7.3 in — 23.6 x 18.5 cm Estimate: $2,500—3,500 CAD

    Waddington's
  • Edward Weston (1886-1958), Fifty Photographs, Australian Centre of Photography, Paddington, 1976, Original Exhibition Poster
    Jan. 13, 2025

    Edward Weston (1886-1958), Fifty Photographs, Australian Centre of Photography, Paddington, 1976, Original Exhibition Poster

    Est: $30 - $50

    Edward Weston (1886-1958), Fifty Photographs, Australian Centre of Photography, Paddington, 1976, Original Exhibition Poster

    Theodore Bruce Auctioneers & Valuers
  • Edward Weston Nude, [Charis], Santa Monica, 1936
    Dec. 05, 2024

    Edward Weston Nude, [Charis], Santa Monica, 1936

    Est: $20,000 - $30,000

    WESTON, EDWARD (1886–1958) Nude, [Charis], Santa Monica, 1936, likely printed early 1940s. Gelatin silver print, dry-mounted to card, 9 1/2 x 7 5/8 inches (243 x 193 mm), initialed "EW" and dated at lower right in pencil, the mount verso with full signature and title in Weston's hand in pencil, negative number 227 N in pencil at upper right, the "Art Lending Service of the Museum of Modern Art" label completed in typewriter mounted at upper right. Minor silvering noted to extreme edges of print, several minuscule indentations noted in raking light, not breaking the emulsion (most of these pinpoint, and probably in the emulsion itself). Fully signed lifetime prints of Weston's magnificent nude portrait of his wife-to-be Charis are quite rare in commerce. In the early 1940s, when the present example was likely prepared, Weston had stopped signing the front mount with his full signature and negative date, using initials and negative date. He had written "I will be more widely acclaimed and my work sought for after I am gone. I must realize that every print I send out (God forgive the portraits) with my signature is going to be severely criticized by those who know" (from the Daybooks, 1930). As his Parkinsonism progressed and his writing became more labored, this must have become ever more a concern. In the earlier part of the decade, he still signed and titled the reverse of the mounts, as was done here, stopping even that in the late 1940s. Fully signed later lifetime prints of this, one of the most iconic photographs of the twentieth century, are quite rare and exceptionally desirable. Merle Armitage, Fifty Photographs: Edward Weston (New York, 1947), pl. 21 Ben Maddow, Edward Weston: Fifty Years (Aperture, 1973), p. 267 Amy Conger, The Form of the Nude (New York, 2005), p. 97 Nancy Newhall, The Flame of Recognition (Aperture, 1965), p. 65 Brett Abbott, Edward Weston’s Book of Nudes (J. Paul Getty Museum, 2007), pl. 39 Charis Wilson, Edward Weston: Nudes (Aperture, 1993), p. 82

    DOYLE Auctioneers & Appraisers
  • Edward Weston, Maudelle Weston, 1939
    Dec. 05, 2024

    Edward Weston, Maudelle Weston, 1939

    Est: $3,000 - $5,000

    WESTON, EDWARD (1886-1958) Maudelle Weston, 1939, probably printed in the 1940s. Gelatin silver print, mounted to card, 7 1/2 x 9 1/2 inches (191 by 241 mm), mount verso with annotation 'N-39-M-6 (EW)' in pencil on the reverse. Tones excellent, no surface defects noted in raking light. See Conger 1478, Aperture Edward Weston Portraits, No. 140, August 1995, p. 79 Provenance: Estate of John and Charlotte Parkinson Christie's New York, 14 October 2008, Sale 2106, Lot 440

    DOYLE Auctioneers & Appraisers
  • Edward Weston Juniper, High Sierra, 1937
    Dec. 05, 2024

    Edward Weston Juniper, High Sierra, 1937

    Est: $8,000 - $12,000

    WESTON, EDWARD (1886–1958) Juniper, High Sierra, 1937, likely printed early 1940s. Gelatin silver print, dry-mounted to card, 9 1/2 x 7 1/2 inches (241 x 190 mm), initialed "EW" and dated at lower right in pencil, the mount verso with full signature and title in Weston's hand in pencil, negative number "J1-C-2g in pencil in lower left, the "Art Lending Service of the Museum of Modern Art" label completed in typewriter mounted at upper right. Minor silvering noted in raking light to extreme edges of print. Framed.

    DOYLE Auctioneers & Appraisers
  • Edward Weston Kelp, Point Lobos, 1930
    Dec. 05, 2024

    Edward Weston Kelp, Point Lobos, 1930

    Est: $4,000 - $6,000

    WESTON, EDWARD (1886–1958) Kelp, Point Lobos, 1930, likely printed early 1940s. Gelatin silver print, dry-mounted to card, 7 1/2 x 9 1/2 inches (190 x 241 mm), initialed "EW" and dated at lower right in pencil, the mount verso with full signature and title in Weston's hand in pencil, negative number 11 K in pencil in lower left, the "Art Lending Service of the Museum of Modern Art" label completed in typewriter mounted at upper right. Very minor silvering noted in raking light to extreme edges of print. Framed.

    DOYLE Auctioneers & Appraisers
  • Edward Weston, Pepper, 1929
    Nov. 29, 2024

    Edward Weston, Pepper, 1929

    Est: €3,000 - €4,000

    Mounted on original cardboard, dated and titled by Cole Weston in pencil and with photographer's stamp, therein signed and dated by the latter in pencil, on the reverse of the mount.

    Kunsthaus Lempertz KG
  • Edward Weston (1886-1958)
    Nov. 19, 2024

    Edward Weston (1886-1958)

    Est: £1,000 - £1,500

    Edward Weston (1886-1958) LANDSCAPE, c.1937. Silver gelatin print, printed later by Brett Weston, flush mounted to board, image/sheet size 18.7 x 24cm, board size 35 x 40.5cm, with "Photograph by Edward Weston / Printed Under His Direction" label, signed by Brett Weston, affixed to verso, and additional date and numerical annotations by Brett Weston in pencil verso.

    Chiswick Auctions
  • EDWARD WESTON 'DUNES' PHOTO-LITHO
    Nov. 11, 2024

    EDWARD WESTON 'DUNES' PHOTO-LITHO

    Est: $500 - $1,000

    Edward Weston 'Dunes' photo-litho. Mounted. Measures 8 x 10 inches.

    Antiques & Modern Auction Gallery
  • EDWARD WESTON 'NAUTILUS' PHOTO-LITHO
    Nov. 11, 2024

    EDWARD WESTON 'NAUTILUS' PHOTO-LITHO

    Est: $500 - $1,000

    Edward Weston (American, 1886-1958) 'Nautilus' glossy photo-litho. Mounted. Measures 10 x 8 inches.

    Antiques & Modern Auction Gallery
  • EDWARD WESTON (1886-1958) Egg Slicer. 1930; printed circa 1953-54 by Brett Weston.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Egg Slicer. 1930; printed circa 1953-54 by Brett Weston.

    Est: $6,000 - $9,000

    EDWARD WESTON (1886-1958) Egg Slicer. 1930; printed circa 1953-54 by Brett Weston. Silver contact print, the image measuring 8x10 inches (20.3x25.4 cm.), with the Estate of Edward Weston stamp with the number "78" in pencil on print verso; accompanied by a paper folder with The Photographs of Edward Weston/Arizona Board of Regents label and the number "25 M #78" in pencil. Provenance A California Collection Five different images of the egg slicer have been located. He included one in the Delphic exhibition in 1930. Another was illustrated in a review in Theatre Arts Monthly, which was probably the same used in his show at De Young in San Francisco that fall - and it sold in both cases. Weston reacted: "I suppose it is purchased because it's "modern." I am so sick of the word! My squash is just as "modern." One's spirit of approach may be contemporary, but subject matter is immaterial, and fine art of any period is "modern," and much that is labeled "modern" is very academic, decked out with a few frills." Reproduced Amy Conger, (CCP/The University of Arizona), cat no. 596/1930

    Swann Auction Galleries
  • EDWARD WESTON (1886-1958) Cypress, Rock, Stone Crop. 1930.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Cypress, Rock, Stone Crop. 1930.

    Est: $20,000 - $30,000

    EDWARD WESTON (1886-1958) Cypress, Rock, Stone Crop. 1930. Silver print, the image measuring 9½x7½ inches (24.1x19.1 cm.), the mount 18x14 inches (45.7x35.5 cm.), with Weston's signature and date and his initials and edition notation 1/50 in pencil, on mount recto, and the negative notation "42T" in pencil on mount verso. Provenance A California Collection This vintage print was likely the first successful print that Weston made of this seminal image. The soft evening light falls on the North Shore of Pt. Lobos, creating a dreamy atmosphere in which bleached cypresses, granite, and stone crop form constellations against the dark background of the cliff. This structure still stands today, 89 years later, with only minor alterations to the cypress. Weston's two-decade career at Point Lobos, starting in 1929, is epitomized by his unrivaled ability to distill moments in the outside world to represent essences of his inward world.

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  • EDWARD WESTON (1886-1958) Church Door, Hornitos. 1940.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Church Door, Hornitos. 1940.

    Est: $30,000 - $45,000

    EDWARD WESTON (1886-1958) Church Door, Hornitos. 1940. Silver print, the image measuring 7⅝x9½ inches (19.4x24.1 cm.), the mount 14x15½ inches (35.5x39.4 cm.), with Weston's initials and date in pencil on mount recto, and his signature, title, date, and negative notation "ML40-H-6," and the inventory notation "46.206.13" in pencil, on mount verso. Provenance A California Collection The notation "46.206.13" corresponds to the numbering system used for Edward Weston's retrospective at MoMA in 1946, in which this print was most likely exhibited. Reproduced Amy Conger, (CCP/The University of Arizona), cat no. 1505/1940

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  • EDWARD WESTON (1886-1958) Whale Vertebrae, Point Lobos. 1934; printed circa 1953-54 by Brett Weston.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Whale Vertebrae, Point Lobos. 1934; printed circa 1953-54 by Brett Weston.

    Est: $5,000 - $7,000

    EDWARD WESTON (1886-1958) Whale Vertebrae, Point Lobos. 1934; printed circa 1953-54 by Brett Weston. Silver contact print, the image measuring 8x10 inches (20.3x25.4 cm.), with the Estate of Edward Weston stamp with the number "17" in pencil on print verso; accompanied by a paper folder with The Photographs of Edward Weston/Arizona Board of Regents label and the number "20 B #17" in pencil. Provenance A California Collection Reproduced Amy Conger, (CCP/The University of Arizona), cat no. 795/1934

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  • EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed circa 1953-54 by Brett Weston.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed circa 1953-54 by Brett Weston.

    Est: $7,000 - $10,000

    EDWARD WESTON (1886-1958) Dunes, Oceano. 1936; printed circa 1953-54 by Brett Weston. Silver contact print, the image measuring 8x10 inches (20.3x25.4 cm.), with the Estate of Edward Weston stamp with the number "799" in pencil on print verso; accompanied by a paper folder with The Photographs of Edward Weston/Arizona Board of Regents label and the number "23SO #799" in pencil. Provenance A California Collection In 1939, Weston decided to give five hundreds of his finest prints to the Huntington Library in Pasadena. Although he emphasized the work he did on his Guggenheim grants from 1937 through 1939, for a number of reasons, he included eighteen from this series in 1936. Of the 832 Project Prints made in the fifties to represent his life's work, twenty-three were from this group. Clearly, in Weston's opinion, this series would contribute in a major way to the picture he hoped to leave of himself. Reproduced Amy Conger, (CCP/The University of Arizona), cat no. 934/1936

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  • EDWARD WESTON (1886-1958) William Edmondson, Sculptor, Nashville, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1941;
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) William Edmondson, Sculptor, Nashville, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1941;

    Est: $5,000 - $7,500

    EDWARD WESTON (1886-1958) William Edmondson, Sculptor, Nashville, from Edward Weston: Fiftieth Anniversary Portfolio, 1902-1950. 1941; printed circa 1951 by Brett Weston. Silver print, the image measuring 7½x9¾ inches (19.1x24.8 cm.), the mount 13¾x9½ inches (34.9x24.1 cm.), with Weston's initials and the negative date in pencil on mount recto, and the Portfolio Print stamp with the print number "10" in pencil on mount verso. Provenance Dody Weston Thompson Collection; to the Collection of Dr. James and Debra Pearl Edward and Charis were in Nashville from September 2 until September 8. He saved about forty negatives from the work he did while he was in Tennessee, and at least twenty-five of them were from Nashville. Most of those were of William Edmondson and his sculpture. He made at least one other exposure of Edmondson in this pose, T41-ED-4. In both, the sculptor is in his studio along with the instruments and symbols of his trade: his toolbox., blocks of stone, a carving, marble chips, dust all over the ground, and even a ladder. The black space inside his workshop isolates the important components almost as if they were parts of an equation. The differences between the pictures are, in fact, slight: in the other, his face is a little more frontal and relaxed; his jaw a little more to the left; maybe the background is not quite as dark since the frame of the screen door is visible. Weston probably took two so that one could be published in Leaves of Grass and he would still have a variant. Both images were extremely popular. The picture may have had particular appeal to liberals since it shows a black artist who partly overcame difficult constraints dictated by the times. It is said that Hearst, owner of Vanity Fair, refused to use any of Louise Dahl-Wolfe's photographs of Edmondson taken in 1933, or run anything on him, because he was black. Some see it as a representation of a naïve and direct artisan discovered by Weston, unaware that in 1937 Edmondson was the first black man to have a one-man show at the Museum of Modern Art. In 1948, Edward sent Nancy Newhall a print for her study on black culture. Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 1632/1941

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  • EDWARD WESTON (1886-1958) Pepper (2P). 1929; printed 1950s or before 1958 by Cole Weston.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Pepper (2P). 1929; printed 1950s or before 1958 by Cole Weston.

    Est: $3,000 - $4,500

    EDWARD WESTON (1886-1958) Pepper (2P). 1929; printed 1950s or before 1958 by Cole Weston. Silver print, the image measuring 9⅜x7½ inches (23.8x19.1 cm.), with Edward Weston's credit, the title, and the negative date in pencil in Cole Weston's hand on verso. Provenance Cole and Brett Weston; to the Collector Jim Newberry circa 1964 Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 564/1929

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  • EDWARD WESTON (1886-1958) Yucca, Wonderland of Rocks. 1937; printed early 1940s.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Yucca, Wonderland of Rocks. 1937; printed early 1940s.

    Est: $5,000 - $7,500

    EDWARD WESTON (1886-1958) Yucca, Wonderland of Rocks. 1937; printed early 1940s. Silver print, the image measuring 9½x7½ inches (24.1x19.1 cm.), the mount 16⅜x13⅝ inches (41.6x34.6 cm.), with Weston's initials and negative date in pencil on mount recto, and his signature, title, negative date (twice), and negative number "MD-W-1G" in pencil, on mount verso. The exhibition and publication records of this image indicate that Weston thought highly of it. In June when he returned to Wonderland of Rocks, which is part of the Joshua Tree National Monument, he went back to the same spot and photographed this fist of rocks without the blooming yucca (Figures1021-23/1937). Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 999/1937

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  • EDWARD WESTON (1886-1958) Excusado. 1924; printed before 1974 by Cole Weston.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Excusado. 1924; printed before 1974 by Cole Weston.

    Est: $2,500 - $3,500

    EDWARD WESTON (1886-1958) Excusado. 1924; printed before 1974 by Cole Weston. Silver print, the image measuring 9⅜x7⅜ inches (23.8x18.7 cm.), the mount 15x13¼ inches (38.1x33.6 cm.), with the Negative by Edward Weston stamp with Cole Weston's signature in pencil, and the title, negative notation 5M, and negative date also in pencil, on mount verso. Provenance Tom Halsted, 1974; by descent to the Present Owner Weston inscribed on the verso of a print of this image: "Modern Classicism." Reproduced Amy Conger, (CCP/The University of Arizona), cat no. 184/1925

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  • EDWARD WESTON (1886-1958) Juniper, High Sierra (Lake Tenaya). 1937.
    Oct. 31, 2024

    EDWARD WESTON (1886-1958) Juniper, High Sierra (Lake Tenaya). 1937.

    Est: $10,000 - $15,000

    EDWARD WESTON (1886-1958) Juniper, High Sierra (Lake Tenaya). 1937. Silver print, the image measuring 9½x7½ inches (24.1x19.1 cm.), the mount slightly larger, with Weston's signature, title, and date in pencil on mount verso. Provenance Edward Weston; to the artist Willson Stamper; by descent; to Swann Galleries, New York, sale 2436, lot 59, February 14, 2017 Reproduced Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography (CCP/The University of Arizona), cat. no. 1088/1937

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