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soldMay. 20, 2023Artus Wolffort, Luke the Evangelist
Est: €10,000 - €12,000Arthus Wolffort depicted the four evangelists together but also individually with their attributes. The present portrait of the Evangelist Luke is a variant of the version in the Prado, Madrid. The saint points demonstratively with his finger to the contents of the book in his hand. The head of the ox was placed by the artist in the small section of the background.
Kunsthaus Lempertz KG
soldJan. 13, 2022Mallorcan school; 18th century. "Flower vases and landscapes". Oil on canvas.
Est: €3,500 - €4,000Mallorcan school; 18th century. "Flower vases and landscapes". Oil on canvas. They show cracks and craquelure. Measurements: 80 x 100 cm (x2). In this pair of canvases we see a still life open to landscape on one side, following a composition typical of the full baroque, although the arrangement of the flowers, regular and geometric, remains faithful to the most static and rigorous models of the first half of the 17th century. However, not only the openness to the landscape but also the presence of architectural elements located in the background of each of the compositions indicate that we are dealing with works of an advanced date. The Mallorcan school of still lifes shows a strong influence of the Valencian school, although it had its own personality and must have enjoyed a certain importance, given the number of works that have survived to the present day. It developed mainly from the end of the 17th century and during the 18th century, with the appearance of the figure of Guillermo Mesquida (1625-1747), who raised the level of Mallorcan painting. He was the most famous painter of the Balearic Baroque and the absolute dominator of the artistic panorama between the end of the 17th century and the first half of the 18th century. He was an excellent painter of still lifes, although we do not have a single one of them today that we can attribute to him with absolute certainty. His biographers indicate that he was a pupil in Rome of the Italian Carlos Marata, a painter who had a great influence on the development of still life painting, as he collaborated with numerous specialists in this genre. Mesquida depicted fruit, animals and flowers in his works, and founded a workshop in Mallorca where numerous works were produced, some of which are still preserved today. His style would have been characterised by a great chromatic richness and a clear ostentatiousness and abundance of fruit and floral elements, traits that would be inherited by his followers of the Mallorcan school, as can be seen in this canvas. Thanks to Mesquida's influence, the Mallorcan still-life painters picked up Italian elements, especially Neapolitan and Roman, always combined with the influence of the Valencian school.
Setdart Auction House
soldJul. 07, 2021Artus Wolffort
Est: -Artus Wolffort (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldMay. 12, 2021Eliseu Meifrén
Est: -Eliseu Meifrén . (Barcelona, 1859-1940). Paisaje, óleo sobre lienzo, 71x70,5 cm.
Sala de Ventas
soldMar. 18, 2021ARTUS WOLFFORT (attr. a)
Est: €2,000 - €3,000(Anversa, 1581 - 1641) San Luca Olio su tavola, cm 64X49 Provenienza: Berlino, Collezione Ludwig Burchard Londra, Christie's, 9 luglio 1999 (come cerchia di) Italia, Collezione privata Colonia, Lempertz, 20 settembre 2017, lotto 89 (come cerchia di) Artus Wolffort fu un pittore di composizioni religiose e quadri di genere e ricoprì un ruolo di rilievo nell'ambito dell'arte fiamminga durante l'età di Rubens e Van Dyck. I soggetti a lui congeniali erano ispirati dalle sacre scritture, del nuovo e vecchio testamento, che offrivano l'opportunità di comporre grandi scenari narrativi e il successo di queste tele, spesso di notevoli dimensioni, è suggerito dall'esistenza di repliche, simili per dimensioni o eseguite su supporti in rame. Il suo stile inizialmente si assimila a quello di Otto Van Veen, con cui collabora attorno al 1615, mentre tra il terzo e quarto decennio si fa sempre più evidente l'influenza di Pietro Paolo Rubens, interpretato talvolta con piglio realistico, dettato dal caravaggismo nordico, come si evince osservando i Quattro evangelisti del museo di Belle Arti di Bordeaux. Una simile composizione attribuita al pittore fu esitata a Parigi presso Ader il 12 dicembre 1989 n. 57 (cfr. https://rkd.nl/explore/images/243986), mentre la medesima fisionomia si riscontra nel San Luca di collezione privata pubblicato nel volume: H. Vlieghe, Zwischen Van Veen und Rubens: A. Wolffort (1581- 1641), ein vergessener Antwerpener Maler, Wallraf-Richartz; Jahrbuch 9 (1977), pp. 97 - 98, ill. 8 (Cfr.https://rkd.nl/explore/images/243219). Bibliografia di riferimento: H. Vlieghe, Zwischen van Veen und Rubens: Artus Wolffort (1581-1641), ein vergessener Antwerpener Maler, Wallraf-Richartz jahrbuvh 39 (1977), pp. 93 - 136 H. Vlieghe, Nog wat over Wolffort, zijn atelier en Van Lint, in Feestbundel Kolveniershof en Rubenianum, Antwerpen 1981, pp. 83 - 87
Wannenes Art Auctions
soldJun. 16, 2020TABLEAUX
Est: €2,500 - €3,500Huile sur toile marouflée sur toile "Portrait d'un évangéliste" (?). Attribué à Artus Wolffort. Ecole flamande. Dim.:101,8x85,5cm.
Vanderkindere
soldFeb. 18, 2020TABLEAUX
Est: €8,000 - €12,000Huile sur toile marouflée sur toile "Saint André". Par Artus Wolffort. Ecole flamande. (Voir au dos une étiquette de chez Sotheby's). Dim.:65x49,5cm.
Vanderkindere
soldJan. 02, 2020Artus Wolffort
Est: -Artus Wolffort (Amberes, 1581-1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldDec. 17, 2019Artus Wolffort
Est: -Artus Wolffort (Amberes, 1581-1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldOct. 02, 2019Artus Wolffort (Anversa 1581-1641) CRISTO ALLA PISCINA DI BETZAETA
Est: €18,000 - €25,000Artus Wolffort (Anversa 1581-1641) CRISTO ALLA PISCINA DI BETZAETA olio su tela, cm 170x240 CHRIST IN THE POOL OF Bethesda oil on canvas, cm 170x240 Il tema di della Piscina di Betzaeta, desunto dal racconto del Vangelo di Giovanni circa la guarigione di un paralitico da parte di Gesù (Giovanni 5: 1-15), è stato esplorato con successo da alcuni dei più grandi artisti fiamminghi seicenteschi. Michael Jaffé ha pubblicato una versione di questo dipinto come di Pieter van Mol (cfr. M. Jaffé, Exhibitions for the Rubens Year - II, in “The Burlington Magazine”, CXX, marzo 1978, p. 139, fig. 11) mentre altre opere con una composizione simile sono state variamente riferite a Otto van Veen, Werner van den Valkert, Claes Moeyaert e Jacob Jordaens (per un elenco completo delle versioni, cfr. H. Vlieghe, Zwischen van Veen und Rubens: Artus Wolffort (1581-1641) , ein vergessener Antwerpen Maler, in “Wallraf-Richartz-Jb.”, XXXIX, 1977, pp. 107-8, pl. 26-8 e note in calce 22-3). Un'altra versione, di pressocché analoghe dimensioni alla nostra, lasciata in eredità alla Galleria dell'Ontario nel 1983, è considerata autografa di Artus Wolffort (Anversa, 1581 – 1641): anche per la tela presentata il nome del Wolffort è quello più probabile. L’attività artistica di Artus Wolffort, quasi del tutto sconosciuta fino agli anni Settanta, è stata ricostruita sulla base di numerose immagini monogrammate: la maggior parte dell’opera documentata è costituita da soggetti religiosi e mitologici realizzati raffigurando figure quasi a grandezza naturale, come nel nostro caso. L'inclinazione barocca e l'atmosfera rubensiana della tela presentata suggerisce un confronto più stringente con le sue opere di età matura, dopo il 1630.
Pandolfini Casa d'Aste
soldJun. 01, 2019Artus Wolffort
Est: -Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldMay. 16, 2019Artus Wolffort
Est: -Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldMay. 06, 2019*ARTUS WOLFFORT (1581-1641) (omgeving)
Est: €3,000 - €4,000*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Brussel/Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, als Peter van Mol. Vermoedelijk kopie naar een voorlopig onbekend origineel dat deel uitmaakte van een reeks schilderijen van de twaalf apostelen die Wolffort vervaardigde circa 1617 (Hans Vlieghe) of ca. 1622-1625 (Julius Held). Omdat er van sommige apostelen ondertussen meerdere quasi identieke versies zijn opgedoken, allen van gelijkaardig formaat, kunnen we ervan uitgaan dat er verschillende apostelenreeksen bestonden die gemaakt werden voor de vrije markt, als devotiestuk voor privégebruik. Alle tonen de apostel met zijn attribuut en credo op een stenen cartouche onderaan waarop ook het nummer in de reeks staat. In dit schilderij gaat het om apostel Filippus met het vijfde credo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (Die nedergedaald is ter helle, de derde dag verrezen uit de doden) en een kruis. Onderhavig schilderij werd aangekocht op de veiling van de nalatenschap van de Belgische kunsthistoricus Georges Hulin de Loo in 1947. Tot deze collectie behoorden negen schilderijen van apostelen, allen toegeschreven aan Peter van Mol (loten 116-124). Drie werken uit deze collectie werden ondertussen geïdentificeerd en toegeschreven aan Wolffort. Het gaat om de apostelen Mattheus (doek, 113 x 96,5, Londen, Sotheby's, 8,7,2004, lot 254), Johannes de evangelist (doek, Brugge, Sint-Trudoabdij, 113,5 x 98) en Jacobus de mindere (doek, Brugge, Sint-Trudoabdij, 113.5 x 96). 116.5 x 99 French Translation *ARTUS WOLFFORT (1581-1641) (entourage) Apôtre Philippe. Toile. Provenance: Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, comme Peter van Mol. Probablement copie d'après un original, inconnu à nos jours, faisant partie d'une série figurant les douze apôtres que Wolffort a réalisé vers 1617 (Hans Vlieghe) ou vers 1622-1625 (Julius Held). Puisqu'il existe plusieurs versions quasi identiques et du même format de certains apôtres, on peut supposer que plusieurs suites d'apôtres existaient et étaient à vendre sur le marché libre comme pièce de dévotion pour le culte domestique. Tous montrent l'apôtre avec son attribut et son crédo sur un cartouche en pierre ou figure également le numéro de la série. Celui-ci montre l'apôtre Philippe avec la cinquième crédo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' et une croix. Il fut acheté à la vente de la succession de l'historien d'art belge Georges Hulin de Loo en 1947. Cette collection comprenait neuf tableaux figurant des apôtres, tous attribués à Peter van Mol (lots 116-124). Trois oeuvres de cette collection ont été identifiées et sont attribuées aujourd'hui à Wolffort. 116.5 x 99 English Translation *ARTUS WOLFFORT (1581-1641) (circle) circle Apostle Philip. Canvas. Provenance: Brussels, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, as Peter van Mol. Probably a copy after an unknown original belonging to a series of paintings depicting the twelve apostles, made by Wolffort circa 1617 (Hans Vlieghe) or ca. 1622-1625 (Julius Held). Of some apostles several nearly identical versions are known, all of similar size, which indicates that multiple apostle series has been painted, which were made for the free market and could be bought for personal use as devotional object. All of these paintings show the same formula: the portrait of the apostle with his attribute and with his creed and its number inscribed in a stone cartouche. This painting portrays the apostle Philip with fifth creed 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (he descended to the dead. On the third day he rose again) and a cross. The present painting was acquired in the sale of the bequest of the Belgian art historian Georges Hulin de L
Bernaerts Auctioneers
soldDec. 19, 2018Artus Wolffort
Est: -Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
soldDec. 11, 2018WOLFFORT Artus (1581 - 1641) Huile sur toile marouflée sur toile "Jésus gué
Est: €1,200 - €1,800WOLFFORT Artus (1581 - 1641) Huile sur toile marouflée sur toile "Jésus guérit un paralytique à la piscine de Béthesda"(Jean 5: 1-15). Attribué à l'entourage d'Artus Wolffort. Ecole anversoise. (Une composition similaire de la main d'Artus Wolffort se trouve à la cathédrale de Séville). (*). Dim.:113,8x168cm.
Vanderkindere
soldDec. 10, 2018*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Bru
Est: €5,000 - €8,000*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Brussel/Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, als Peter van Mol. Vermoedelijk kopie naar een voorlopig onbekend origineel dat deel uitmaakte van een reeks schilderijen van de twaalf apostelen die Wolffort vervaardigde circa 1617 (Hans Vlieghe) of ca. 1622-1625 (Julius Held). Omdat er van sommige apostelen ondertussen meerdere quasi identieke versies zijn opgedoken, allen van gelijkaardig formaat, kunnen we ervan uitgaan dat er verschillende apostelenreeksen bestonden die gemaakt werden voor de vrije markt, als devotiestuk voor privégebruik. Alle tonen de apostel met zijn attribuut en credo op een stenen cartouche onderaan waarop ook het nummer in de reeks staat. In dit schilderij gaat het om apostel Filippus met het vijfde credo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (Die nedergedaald is ter helle, de derde dag verrezen uit de doden) en een kruis. Onderhavig schilderij werd aangekocht op de veiling van de nalatenschap van de Belgische kunsthistoricus Georges Hulin de Loo in 1947. Tot deze collectie behoorden negen schilderijen van apostelen, allen toegeschreven aan Peter van Mol (loten 116-124). Drie werken uit deze collectie werden ondertussen geïdentificeerd en toegeschreven aan Wolffort. Het gaat om de apostelen Mattheus (doek, 113 x 96,5, Londen, Sotheby's, 8,7,2004, lot 254), Johannes de evangelist (doek, Brugge, Sint-Trudoabdij, 113,5 x 98) en Jacobus de mindere (doek, Brugge, Sint-Trudoabdij, 113.5 x 96). 116.5 x 99 *ARTUS WOLFFORT (1581-1641) (entourage) Apôtre Philippe. Toile. Provenance: Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, comme Peter van Mol. Probablement copie d'après un original, inconnu à nos jours, faisant partie d'une série figurant les douze apôtres que Wolffort a réalisé vers 1617 (Hans Vlieghe) ou vers 1622-1625 (Julius Held). Puisqu'il existe plusieurs versions quasi identiques et du même format de certains apôtres, on peut supposer que plusieurs suites d'apôtres existaient et étaient à vendre sur le marché libre comme pièce de dévotion pour le culte domestique. Tous montrent l'apôtre avec son attribut et son crédo sur un cartouche en pierre ou figure également le numéro de la série. Celui-ci montre l'apôtre Philippe avec la cinquième crédo ''DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' et une croix. Il fut acheté à la vente de la succession de l'historien d'art belge Georges Hulin de Loo en 1947. Cette collection comprenait neuf tableaux figurant des apôtres, tous attribués à Peter van Mol (lots 116-124). Trois oeuvres de cette collection ont été identifiées et sont attribuées aujourd'hui à Wolffort. 116.5 x 99 ENGLISH *ARTUS WOLFFORT (1581-1641) (circle) circle Apostle Philip. Canvas. Provenance: Brussels, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, as Peter van Mol. Probably a copy after an unknown original belonging to a series of paintings depicting the twelve apostles, made by Wolffort circa 1617 (Hans Vlieghe) or ca. 1622-1625 (Julius Held). Of some apostles several nearly identical versions are known, all of similar size, which indicates that multiple apostle series has been painted, which were made for the free market and could be bought for personal use as devotional object. All of these paintings show the same formula: the portrait of the apostle with his attribute and with his creed and its number inscribed in a stone cartouche. This painting portrays the apostle Philip with fifth creed 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (he descended to the dead. On the third day he rose again) and a cross. The present painting was acquired in the sale of the bequest of the Belgian art historian Georges Hulin de Loo in 1947. A series of nine paintings were sold in this sale, all attributed to Peter van Mol (lots 116-124). Over the last decades three of these paintings have been identified and attributed to Wolffort: the apostles Matthew (canvas, 113 x 96,5, London, Sotheby's, 8,7,2004, lot 254), John the Evangelist (canvas, Bruges, Saint Trudo abbey, 113,5 x 98) en James the just (canvas, Bruges, Saint Trudo abbey, 113.5 x 96). 116.5 x 99
Bernaerts Auctioneers
soldNov. 09, 2018Artus Wolffort
Est: €10,000 - €12,000Artus Wolffort (Amberes, 1581 -1641). "La huida de Egipto", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor.
Sala de Ventas
soldOct. 25, 2018Artus Wolffort
Est: -Artus Wolffort (Amberes, 1581 -1641). "La huida de Egipto", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor.
Sala de Ventas
sold
soldDec. 11, 2017ARTUS WOLFFORT (1581-1641) (circle)studio Suzanna and the
Est: €3,000 - €4,000ARTUS WOLFFORT (1581-1641) (circle) studio Suzanna and the elders. Canvas. Relined. 97 x 116 ARTUS WOLFFORT (1581-1641) (omgeving) Suzanna en de ouderlingen. Doek. Verdoeking. 97 x 116
Bernaerts Auctioneerssold
May. 26, 2017Wolffort, Artus: Der Apostel Matthäus
Est: €1,800 - €2,400Werkstatt. Der Evangelist Matthäus.Öl auf Leinwand, doubliert. 58 x 48,5 cm.Das Gemälde gehörte wohl zu einer Folge der vier Evangelisten. Als Modell für unsere Darstellung des hl. Matthäus diente wohl das von Artus Wolffort monogrammierte Gemälde des Heiligen in unbekanntem Besitz, das Hans Vlieghe in seinem Aufsatz zu dem Künstler illustriert (s. Hans Vlieghe: Zwischen van Veen und Rubens: Artus Wolffort (1581 - 1641), ein vergessener Antwerpener Maler, in: Wallraf-Richartz-Jahrbuch, XXXIX, 1977, S. 95, Abb. 4) und von welchem noch eine weitere Fassung bekannt ist. Wir danken Dr. Hans Vlieghe für die Bestätigung der Zuschreibung auf der Basis eines Photos. - Provenienz: Fleischer, Köln (Klebeetikett verso, als Jacob Jordaens).Sammlung Lohse, Berlin.Privatsammlung Rheinland. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Galerie Bassenge
soldDec. 12, 2013Artus Wolffort, 1581 Antwerpen - 1641, Nachfolge des
Est: €5,000 - €6,000DIE DREIFALTIGKEIT Öl auf Leinwand. 128 x 92 cm. Darstellung von Gottvater, dem Sohn und dem Heiligen Geist, die Figuren in Lebensgröße, in Dreiviertelansicht wiedergegeben. Im Vordergrund steht Jesus mit entblößtem Oberkörper, die Hüfte bedeckt mit dem Lendentuch, über die Schultern ein seitlich herabziehender, roter Mantel gelegt. Die rechte Hand Christi deutet auf die Seitenwunde. Links Gottvater bärtig wiedergegeben, auf dem Haupt die dreistufige Tiara, die Papstkrone, in den Händen hält er eine glasartig durchsichtige Kugel des Universums mit bekrönendem Kreuz. Zwischen den Köpfen die weiße Taube des Heiligen Geistes. (930259) Artus Wolffort, 1581 - 1641, follower of Oil on canvas. 128 x 92 cm.
Hampel Fine Art Auctions
soldSep. 19, 2013Artus Wolffort, 1581 Antwerpen - 1641, Nachfolge des
Est: €7,000 - €9,000DIE DREIFALTIGKEIT Öl auf Leinwand. 128 x 92 cm. Darstellung von Gottvater, dem Sohn und dem Heiligen Geist, die Figuren in Lebensgröße, in Dreiviertelansicht wiedergegeben. Im Vordergrund steht Jesus mit entblößtem Oberkörper, die Hüfte bedeckt mit dem Lendentuch, über die Schultern ein seitlich herabziehender, roter Mantel gelegt. Die rechte Hand Christi deutet auf die Seitenwunde. Links Gottvater bärtig wiedergegeben, auf dem Haupt die dreistufige Tiara, die Papstkrone, in den Händen hält er eine glasartig durchsichtige Kugel des Universums mit bekrönendem Kreuz. Zwischen den Köpfen die weiße Taube des Heiligen Geistes. (930259) Artus Wolffort, 1581 - 1641, follower of Oil on canvas. 128 x 92 cm.
Hampel Fine Art Auctions- Nov. 04, 2010
Studio of Artus Wolffort (Antwerp 1581-1641)
Est: £2,500 - £3,500Studio of Artus Wolffort (Antwerp 1581-1641) The Deposition oil on canvas 67½ x 47½ in. (171.5 x 120.7 cm.)
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