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Guanzhong Wu Sold at Auction Prices

Painter, b. 1919 - d. 2010

(b Yixing, Jiangsu Province, China, 1919) Chinese Painter. Wu Guanzhong studied at both the Hangzhou art academy and the Central Academy of Fine Arts in Beijing in his native China. In 1947, he received government permission from the Ministry of Administration to travel to Paris to study painting at the famous Ecole des Beaux-Arts. While in Paris, Wu also studied art history at the Ecole du Louvre, where he developed an appreciation for Western art. It would become a lifelong effort to synthesize his Chinese heritage with the Western tradition of oil painting. Wu returned to China in 1950 and began teaching at a number of art academies. He traveled extensively around the country making sketches for his works; these were often predominantly black and white dramatic landscapes or detailed depictions of trees. Utilizing loose and expressive brushstrokes he creates crisp open-air scenes. Throughout all of his work, Wu strove to reconcile the genre of oil painting with conventions of Chinese painting to create a sense of Chinese nationalism in the traditionally western medium.

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  • Wu Guanzhong: Ox (Publication included)
    Sep. 12, 2026

    Wu Guanzhong: Ox (Publication included)

    Est: -

    Based on the lot title and the content visible in the image, this work, titled "Ox," depicts a water buffalo, creating a serene yet modern atmosphere. Two black oxen, one lying down and one standing, dominate the main body of the painting, while a simplified calf adds a touch of depth in the distance, creating a sense of spatial layering. The composition unfolds horizontally, with the curves of the oxen's backs and horns echoing each other, adding a sense of flow and rhythm to the heavy black blocks. From a visual perspective, the work uses thick ink to depict the oxen's bodies, with brushstrokes combining splashing and outlining techniques. The ink is deep yet not rigid; touches of yellow, ochre, and red are interspersed throughout, contrasting with the gray-white water ripples and grass, adding brightness to the painting. The lines are concise, emphasizing form and spirit rather than meticulous detail, using the interplay of black and white and the rhythm of color dots to create a rustic and refreshing aesthetic. The ox's serene posture evokes both the intimacy of rural life and the playful use of formal refinement and planar composition in modern ink painting. The grass and water vapor at the bottom of the painting are rendered with light ink washes, while subtle red accents appear and disappear, lending an air of ethereal beauty to the overall composition. The artwork comes with a publication, which can serve as an important reference for future research, comparison, and appreciation; however, specific information should be based on the actual object and related materials. This type of subject matter is approachable yet elegant, and when framed, it is suitable for display in studies, tea rooms, halls, or refined clubhouses, allowing collectors to appreciate its simple brushstrokes and pastoral charm in everyday life.

    Japan International Industry Co Ltd
  • Wu Guanzhong: Long Corridor in a Water Town (Publication included)
    Sep. 12, 2026

    Wu Guanzhong: Long Corridor in a Water Town (Publication included)

    Est: -

    Based on the provided information and the images shown, this piece, "Water Town Corridor," focuses on the architecture of a Jiangnan water town. It employs a horizontal layout, featuring white walls and black tiles, winding corridors along the water, and a light blue hue for the water. The foreground and background spaces unfold naturally within the negative space. The painting does not rely on dense realism but rather on refining the imagery of a water town: rooftops, covered bridges, embankments, and tree shadows are transformed into flowing lines and planes, with a clear black-and-white contrast. Touches of red, blue, and yellow-green add a lively rhythm to the serene Jiangnan landscape. From a compositional perspective, the painting is permeated by undulating eaves and corridors, their lines flowing like water ripples, creating a musical horizontal rhythm. The contrast between the dark ink roofs and white walls, and the interplay of solid and void, showcases both the subtlety of traditional ink painting and the intervention of modern compositional sensibilities. Trees, positioned slightly to the upper right, intertwine ink and color to form a focal point; the water's edge and reflections below are rendered with simple brushstrokes, creating spatial depth and order within the overall spaciousness. In terms of brushwork, the lines in the painting are rounded and elastic, with clear contrasts in ink density and a refined, restrained color palette. The pale blue-green hue and grayish-white mist complement each other, creating a moist and tranquil atmosphere reminiscent of the Jiangnan region. The scattered figures and color dots, though small, effectively add a touch of life. The overall style is fresh and bright, possessing both lyrical and decorative qualities, suitable for quiet contemplation to appreciate the rhythm of the lines and the beauty of the negative space. The artwork includes publication information; however, it is still advisable to consult the actual object, publication materials, and professional opinions for a comprehensive understanding. From a display perspective, this type of horizontal scroll depicting a waterside scene has a peaceful atmosphere and good visual extension, making it suitable for hanging in studies, tea rooms, halls, or elegant clubs, adding a refined and timeless literati atmosphere to the space.

    Japan International Industry Co Ltd
  • Wu Guanzhong: Lotus
    Sep. 12, 2026

    Wu Guanzhong: Lotus

    Est: -

    "Lotus" unfolds in a long, vertical format. Combining the provided information and the content visible in the image, the work captures a corner of a lotus pond. It doesn't adhere strictly to realistic depiction, but rather uses vertical lines, ink blocks, and vibrant color dots to create a modern, ink-wash aesthetic. The lotus stems rise upright, while the leaves are rendered with bold, heavy strokes of ink, some heavy and weighty, others gracefully unfolding, echoing the lotus blossoms above. This creates a distinct rhythm in the overall composition, with varying degrees of density and sparseness. From a visual perspective, the work uses black and gray as its basic framework, supplemented by touches of orange-red, light green, and bright yellow. It possesses both the subtle, misty quality of ink wash and a bright, decorative feel. The lines are predominantly vertical, with varying degrees of wet and dry ink application. Some brushstrokes exhibit a sense of sweeping and dry brushwork, creating a sense of movement between the lotus leaves and the water vapor. Scattered green dots and small red brushstrokes, like shimmering light in the wind, enhance the vitality and spatial depth of the painting. The aesthetic appeal of this work lies not in the detailed depiction of the lotus's form, but in the concise yet varied brushstrokes that capture its elegance, uprightness, and vitality. The overall style is clear yet substantial; the bold ink conveys power, while the pale gray areas leave a lingering charm. It is suitable for close-up viewing of the brushstrokes, as well as for appreciating its composition from a distance. The image presents a vertical scroll visual effect. If the actual piece is well-mounted and preserved, it could create a fresh and modern focal point in a study, tea room, hall, or elegant club. However, the specific condition requires examination of the actual object and professional assessment.

    Japan International Industry Co Ltd
  • Wu Guanzhong: Spring Comes to Jiangnan (Framed)
    Sep. 12, 2026

    Wu Guanzhong: Spring Comes to Jiangnan (Framed)

    Est: -

    Based on the provided information, this painting, "Spring Arrives in Jiangnan," depicts the early spring scenery of a Jiangnan water town. The composition employs a horizontal layout, with large areas of blank space and flowing water forming a broad background. In the center, trees are arranged in a pleasingly dispersed manner, their black branches crisscrossing to create the visual focal point. The painting features interwoven touches of light ink, gray tones, and bluish-green, conveying both the vitality of early spring buds and the moist, misty atmosphere of the water town. From a visual perspective, the composition emphasizes the contrast between density and sparseness: the distant water surface unfolds gently with continuous lines, while the trees in the foreground are rendered with stronger ink lines and pointillism to create rhythmic variations. The lines, sometimes flowing and sometimes abrupt, possess a calligraphic sense of movement; the touches of blue and green are used sparingly, adding liveliness to the overall understated elegance and layering to the simplicity. The painting does not rely on complex elements for its appeal, but rather on the interplay of lines, dots, and planes to evoke the springtime atmosphere of Jiangnan. Its style is clear and bright, possessing a decorative quality and poetic space characteristic of modern ink painting. The lot comes framed; the overall preservation and mounting effect shown in the picture should be judged based on the actual item. In terms of display, its elegant color scheme and expansive yet vibrant composition make it suitable for hanging in studies, tea rooms, halls, and refined clubs. For collectors, the aesthetic appeal and value of the work can be appreciated through its Jiangnan theme, linear composition, use of negative space, and the interplay of color and ink. However, further assessment of specific details should be based on the actual condition of the item and professional advice.

    Japan International Industry Co Ltd
  • Wu Guanzhong(1919-2010) ,Chinese,Attributed To,Oil On Canvas, Original Period Frame
    Sep. 06, 2026

    Wu Guanzhong(1919-2010) ,Chinese,Attributed To,Oil On Canvas, Original Period Frame

    Est: $10,000 - $20,000

    The work retains original canvas and period frame with natural signs of age. The painting surface is clean and stable, without visible tear, hole, heavy craquelure or restoration. The overall preservation is consistent with its historical period.All images are taken from the actual lot, fully representing the current condition.No further official archived provenance or exhibition records available. Attributed based on stylistic characteristics of the artist. Outer FrameL71cm (27.95 in)W61cm (24.02 in)Painting CoreL60cm (23.62 in)W50cm (19.68 in)

    Hotspot Auctions
  • Mountain Stream, Album Leaf On Paper, Wu Guanzhong
    Sep. 06, 2026

    Mountain Stream, Album Leaf On Paper, Wu Guanzhong

    Est: $2,000 - $3,000

    Mountain-stream scenery on paper. Winding brook among scattered rocks, pines and mixed trees outlined by ink lines with colourful dabs. Concise and lively style. Signature and seals on lower-left, with one additional seal. Painting: L 137cm (53.94 in); W 70cm (27.56 in)

    Hotspot Auctions
  • Wu Guanzhong (1919-2010, Modern Times), Spring Woods, Pair Of Hanging Scrolls, Ink And Color On Paper
    Sep. 06, 2026

    Wu Guanzhong (1919-2010, Modern Times), Spring Woods, Pair Of Hanging Scrolls, Ink And Color On Paper

    Est: $2,000 - $3,000

    Pair of hanging scrolls, ink and color on paper. One depicts dark-ink forest with sturdy trunks, the other blooming branches dotted with multicolour spots. Signed and sealed, original silk mounting, well-preserved. Painting: L 114cm (44.88 in); W 38cm (14.96 in)

    Hotspot Auctions
  • Wu Guanzhong – Harbour Sailboats, oil on canvas
    Aug. 28, 2026

    Wu Guanzhong – Harbour Sailboats, oil on canvas

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Birds in Forest, ink and colour on paper, mounted
    Aug. 28, 2026

    Wu Guanzhong – Birds in Forest, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Landscape, ink and colour on paper, mounted
    Aug. 28, 2026

    Wu Guanzhong – Landscape, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Ocean, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Wu Guanzhong – Ocean, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Jiangnan Water Town, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Wu Guanzhong – Jiangnan Water Town, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Water Town Nostalgia, ink and colour on paper, mounted
    Aug. 28, 2026

    Wu Guanzhong – Water Town Nostalgia, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Scenery, ink and colour on paper, mounted
    Aug. 28, 2026

    Wu Guanzhong – Scenery, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong – Victoria Harbour View, ink and colour on paper, mounted
    Aug. 28, 2026

    Wu Guanzhong – Victoria Harbour View, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong(1919 2010) ,Chinese,Attributed To,Oil On Canvas, Original Period Frame
    Aug. 23, 2026

    Wu Guanzhong(1919 2010) ,Chinese,Attributed To,Oil On Canvas, Original Period Frame

    Est: $10,000 - $20,000

    Outer FrameL71cm (27.95 in)W61cm (24.02 in)Painting CoreL60cm (23.62 in)W50cm (19.68 in) The work retains original canvas and period frame with natural signs of age. The painting surface is clean and stable, without visible tear, hole, heavy craquelure or restoration. The overall preservation is consistent with its historical period.All images are taken from the actual lot, fully representing the current condition.No further official archived provenance or exhibition records available. Attributed based on stylistic characteristics of the artist.

    Hotspot Auctions
  • 1975 WU GUANZHONG WATERCOLOR, LOTUS BLOSSOMS
    Aug. 21, 2026

    1975 WU GUANZHONG WATERCOLOR, LOTUS BLOSSOMS

    Est: $15,000 - $20,000

    Artist(s): Wu Guanzhong (1919-2010) The present work depicts a lotus pond before a tranquil Jiangnan waterside village, rendered in luminous washes of green, blue, and soft earth tones. Broad lotus leaves dominate the foreground, while distant dwellings and low mountains recede into a misty horizon. The composition demonstrates the artist’s characteristic ability to combine natural observation with decorative rhythm, transforming the landscape into an elegant arrangement of color and form. The subject of lotus blossoms, long associated with purity and spiritual refinement in Chinese culture, further enhances the poetic quality of the scene. Dimensions (Painting View/Sight): 72cm H x 48cm W Dated: 1975 Signed/Seal(s): Signed PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Wu Guanzhong (1919-2010) was one of the most influential Chinese painters of the twentieth century. Born in Jiangsu Province, he studied at the National Academy of Art in Hangzhou under leading artists of the period before continuing his education at the École Nationale Supérieure des Beaux-Arts in Paris. His exposure to both traditional Chinese painting and modern Western art profoundly shaped his artistic vision. Upon returning to China, Wu devoted himself to exploring the integration of Chinese ink painting with modern European compositional principles. His landscapes, architectural scenes, and depictions of rivers, villages, and gardens are celebrated for their lyrical abstraction, expressive brushwork, and distinctive use of color. Throughout his career, he emphasized the importance of artistic form and visual beauty, advocating the synthesis of Eastern and Western artistic traditions. Wu Guanzhong worked in both oil painting and ink, creating highly personal interpretations of landscapes inspired by regions such as Jiangnan, Guilin, and the Yangtze River area. His mature style, characterized by rhythmic lines, simplified forms, and poetic atmosphere, established him as one of the foremost modern Chinese artists. His works have been exhibited internationally and are held in major museum collections throughout China, Asia, Europe, and North America. Today, Wu Guanzhong is regarded as a pioneering figure in modern Chinese art whose innovations helped redefine the relationship between traditional Chinese aesthetics and modern artistic expression.

    Eden Fine Antiques Galleries LLC
  • 1975 WU GUANZHONG OIL ON CANVAS, FRAMED, BOULDERS LANDSCAPE
    Aug. 21, 2026

    1975 WU GUANZHONG OIL ON CANVAS, FRAMED, BOULDERS LANDSCAPE

    Est: $15,000 - $20,000

    Artist(s): Wu Guanzhong (1919-2010) A landscape of weathered granite boulders and wind-swept pines set against a mist-filled mountain backdrop. Executed with vigorous brushwork and a restrained palette of whites, grays, greens, and blacks, the painting conveys both the monumentality of the rocky terrain and the lyrical movement of the trees. The contrast between the rounded masses of the stones and the elegant verticality of the pines creates a dynamic compositional rhythm that reflects the artist’s lifelong pursuit of formal harmony. Oil on Canvas, wooden Framed Dimensions (Painting View/Sight): 74cm H x 100cm W Dated: 1975 Signed/Seal(s): Signed PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Wu Guanzhong (1919-2010) was one of the most influential Chinese painters of the twentieth century. Born in Jiangsu Province, he studied at the National Academy of Art in Hangzhou under leading artists of the period before continuing his education at the École Nationale Supérieure des Beaux-Arts in Paris. His exposure to both traditional Chinese painting and modern Western art profoundly shaped his artistic vision. Upon returning to China, Wu devoted himself to exploring the integration of Chinese ink painting with modern European compositional principles. His landscapes, architectural scenes, and depictions of rivers, villages, and gardens are celebrated for their lyrical abstraction, expressive brushwork, and distinctive use of color. Throughout his career, he emphasized the importance of artistic form and visual beauty, advocating the synthesis of Eastern and Western artistic traditions. Wu Guanzhong worked in both oil painting and ink, creating highly personal interpretations of landscapes inspired by regions such as Jiangnan, Guilin, and the Yangtze River area. His mature style, characterized by rhythmic lines, simplified forms, and poetic atmosphere, established him as one of the foremost modern Chinese artists. His works have been exhibited internationally and are held in major museum collections throughout China, Asia, Europe, and North America. Today, Wu Guanzhong is regarded as a pioneering figure in modern Chinese art whose innovations helped redefine the relationship between traditional Chinese aesthetics and modern artistic expression.

    Eden Fine Antiques Galleries LLC
  • 1977 WU GUANZHONG OIL ON CANVAS, FRAMED, BRIDGE
    Aug. 21, 2026

    1977 WU GUANZHONG OIL ON CANVAS, FRAMED, BRIDGE

    Est: $15,000 - $20,000

    Artist(s): Wu Guanzhong (1919-2010) A quiet canal scene within a Jiangnan water town, with whitewashed houses lining a narrow waterway crossed by a stone arch bridge. A solitary boatman occupies the foreground while reflections animate the dark water below. Executed in a restrained palette of black, white, and gray with small accents of color, the painting emphasizes the geometric relationship between architecture, water, and space. The bold simplification of forms and the contrast between dark roofs and white walls closely relate to the visual vocabulary associated with Wu Guanzhong’s mature period. Oil on Canvas, wooden Framed Dimensions (Painting View/Sight): 52cm H x 44cm W Dated: 1977 Signed/Seal(s): Signed PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Wu Guanzhong (1919-2010) was one of the most influential Chinese painters of the twentieth century. Born in Jiangsu Province, he studied at the National Academy of Art in Hangzhou under leading artists of the period before continuing his education at the École Nationale Supérieure des Beaux-Arts in Paris. His exposure to both traditional Chinese painting and modern Western art profoundly shaped his artistic vision. Upon returning to China, Wu devoted himself to exploring the integration of Chinese ink painting with modern European compositional principles. His landscapes, architectural scenes, and depictions of rivers, villages, and gardens are celebrated for their lyrical abstraction, expressive brushwork, and distinctive use of color. Throughout his career, he emphasized the importance of artistic form and visual beauty, advocating the synthesis of Eastern and Western artistic traditions. Wu Guanzhong worked in both oil painting and ink, creating highly personal interpretations of landscapes inspired by regions such as Jiangnan, Guilin, and the Yangtze River area. His mature style, characterized by rhythmic lines, simplified forms, and poetic atmosphere, established him as one of the foremost modern Chinese artists. His works have been exhibited internationally and are held in major museum collections throughout China, Asia, Europe, and North America. Today, Wu Guanzhong is regarded as a pioneering figure in modern Chinese art whose innovations helped redefine the relationship between traditional Chinese aesthetics and modern artistic expression.

    Eden Fine Antiques Galleries LLC
  • WU GUANZHONG OIL ON CANVAS, FRAMED, RIVERSIDE VILLAGE
    Aug. 21, 2026

    WU GUANZHONG OIL ON CANVAS, FRAMED, RIVERSIDE VILLAGE

    Est: $20,000 - $30,000

    Artist(s): Wu Guanzhong (1919-2010) A densely clustered riverside village rendered through vigorous brushstrokes and a restrained palette punctuated by brilliant accents of color, exemplifies the visual language associated with Wu Guanzhong’s mature period. The compression of architectural forms into an almost abstract pattern of black, white, and gray masses reflects his lifelong exploration of the relationship between traditional Chinese landscape concepts and modern composition. Oil on Canvas, wooden Framed Dimensions (Painting View/Sight): 47cm H x 47cm W Signed/Seal(s): Signed PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Wu Guanzhong (1919-2010) was one of the most influential Chinese painters of the twentieth century. Born in Jiangsu Province, he studied at the National Academy of Art in Hangzhou under leading artists of the period before continuing his education at the École Nationale Supérieure des Beaux-Arts in Paris. His exposure to both traditional Chinese painting and modern Western art profoundly shaped his artistic vision. Upon returning to China, Wu devoted himself to exploring the integration of Chinese ink painting with modern European compositional principles. His landscapes, architectural scenes, and depictions of rivers, villages, and gardens are celebrated for their lyrical abstraction, expressive brushwork, and distinctive use of color. Throughout his career, he emphasized the importance of artistic form and visual beauty, advocating the synthesis of Eastern and Western artistic traditions. Wu Guanzhong worked in both oil painting and ink, creating highly personal interpretations of landscapes inspired by regions such as Jiangnan, Guilin, and the Yangtze River area. His mature style, characterized by rhythmic lines, simplified forms, and poetic atmosphere, established him as one of the foremost modern Chinese artists. His works have been exhibited internationally and are held in major museum collections throughout China, Asia, Europe, and North America. Today, Wu Guanzhong is regarded as a pioneering figure in modern Chinese art whose innovations helped redefine the relationship between traditional Chinese aesthetics and modern artistic expression.

    Eden Fine Antiques Galleries LLC
  • WU GUANZHONG, China 1919-2010, Study for Hometown, Original Ink and Watercolour., I: 38cm x 38cm, F: 63cm x 63cm
    Aug. 18, 2026

    WU GUANZHONG, China 1919-2010, Study for Hometown, Original Ink and Watercolour., I: 38cm x 38cm, F: 63cm x 63cm

    Est: $2,000 - $3,000

    WU GUANZHONG China, 1919-2010 Study for Hometown Original Ink and Watercolour. Ink wash and colour painting on paper, signed with one red seal artists seal. Artwork is matted, framed and ready to hang.

    Ozbid Auctions
  • WU GUANZHONG (CHINA, 1919-2010), CHINA, ATTRIBUTED TO, OIL ON CANVAS, ORIGINAL PERIOD FRAME
    Aug. 16, 2026

    WU GUANZHONG (CHINA, 1919-2010), CHINA, ATTRIBUTED TO, OIL ON CANVAS, ORIGINAL PERIOD FRAME

    Est: $8,000 - $12,000

    Wu Guanzhong was a master Chinese painter and art educator of the 20th century and this closely follows his style. He was one of the famous "Three Chinese Masters" in France, together with Zhao Wuji and Zhu Dequn. Dimensions: Unframed (13.39" x 9.45"); framed (18.11" x 14.57"). Dimensions: Length: 34cm (13.39in), Width: 24cm (9.45in) Item description © The East is Red Auctions

    The East Is Red Auctions
  • WU GUANZHONG A RETROSPECTIVE
    Aug. 15, 2026

    WU GUANZHONG A RETROSPECTIVE

    Est: $75 - $125

    ??????. Presented by Hong Kong Arts Centre Curated by Michael Chen Sponsored by British-American Tobacco Co. (HK) Ltd.

    Davis Brothers Auction
  • WU GUANZHONG (CHINA, 1919-2010), CHINA,ATTRIBUTED TO, OIL ON CANVAS, ORIGINAL PERIOD FRAME
    Jul. 26, 2026

    WU GUANZHONG (CHINA, 1919-2010), CHINA,ATTRIBUTED TO, OIL ON CANVAS, ORIGINAL PERIOD FRAME

    Est: $8,000 - $12,000

    Wu Guanzhong was a master Chinese painter and art educator of the 20th century and this closely follows his style. He was one of the famous "Three Chinese Masters" in France, together with Zhao Wuji and Zhu Dequn. Dimensions: Unframed 34cm x 24cm (13.39" x 9.45"); framed 46cm x 37cm (18.11" x 14.57")

    Hotspot Auctions
  • Wu Guanzhong, Landscape and Figure, Ink and Color on Gold-Flecked Paper, Mounted
    Jul. 24, 2026

    Wu Guanzhong, Landscape and Figure, Ink and Color on Gold-Flecked Paper, Mounted

    Est: -

    L:42cm;W:37cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Water Town, Ink and Color on Paper, Mounted
    Jul. 24, 2026

    Wu Guanzhong, Water Town, Ink and Color on Paper, Mounted

    Est: -

    L:65cm;W:36cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong Spring Already Inside the Wall
    Jul. 19, 2026

    Wu Guanzhong Spring Already Inside the Wall

    Est: -

    Wu Guanzhong Spring Already Inside the Wall

    Tokyo Kirin Auction
  • WU GUANZHONG(1919-2010) ,CHINESE,ATTRIBUTED TO,OIL ON CANVAS, ORIGINAL PERIOD FRAME
    Jul. 12, 2026

    WU GUANZHONG(1919-2010) ,CHINESE,ATTRIBUTED TO,OIL ON CANVAS, ORIGINAL PERIOD FRAME

    Est: $10,000 - $20,000

    Outer FrameL71cm (27.95 in)W61cm (24.02 in)Painting CoreL60cm (23.62 in)W50cm (19.68 in),The work retains original canvas and period frame with natural signs of age. The painting surface is clean and stable, without visible tear, hole, heavy craquelure or restoration. The overall preservation is consistent with its historical period.All images are taken from the actual lot, fully representing the current condition.No further official archived provenance or exhibition records available. Attributed based on stylistic characteristics of the artist.

    Hotspot Auctions
  • WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, JIANGNAN HOUSES, MOUNTED FOR FRAMING
    Jul. 08, 2026

    WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, JIANGNAN HOUSES, MOUNTED FOR FRAMING

    Est: $900 - $1,200

    Attributed to Wu Guanzhong (Wu Kuan-chung). Jiangnan Houses. Ink and color on paper, mounted for framing. 69 x 138 cm. Condition: Creases and stains to the mounting and painting.

    China Arts Auction
  • WU GUANZHONG (CHINESE, 1919-2010), ATTRIBUTED TO, OIL ON CANVAS ORIGINAL PERIOD FRAME
    Jun. 28, 2026

    WU GUANZHONG (CHINESE, 1919-2010), ATTRIBUTED TO, OIL ON CANVAS ORIGINAL PERIOD FRAME

    Est: $8,000 - $12,000

    Wu Guanzhong was a master Chinese painter and art educator of the 20th century and this closely follows his style. He was one of the famous "Three Chinese Masters" in France, together with Zhao Wuji and Zhu Dequn. Dimensions: unframed 60cm x 50cm (23.62" x 19.69"), framed 72cm x 62cm (28.35" x 24.41"). Item description

    Hotspot Auctions
  • Wu Guanzhong, Landscape, Oil on Canvas
    Jun. 26, 2026

    Wu Guanzhong, Landscape, Oil on Canvas

    Est: -

    L:42cm;W:29cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted
    Jun. 26, 2026

    Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted

    Est: -

    L:68cm;W:57cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Landscape, Oil on Canvas
    Jun. 26, 2026

    Wu Guanzhong, Landscape, Oil on Canvas

    Est: -

    L:42cm;W:30cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Landscapes (Two Leaves), Ink and Color on Paper, Mounted
    Jun. 26, 2026

    Wu Guanzhong, Landscapes (Two Leaves), Ink and Color on Paper, Mounted

    Est: -

    L:43cm;W:43cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Jiangnan Water Town, Ink and Color on Paper, Mounted
    Jun. 26, 2026

    Wu Guanzhong, Jiangnan Water Town, Ink and Color on Paper, Mounted

    Est: -

    L:68cm;W:68cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted
    Jun. 26, 2026

    Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted

    Est: -

    L:53cm;W:101cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted
    Jun. 26, 2026

    Wu Guanzhong, Landscape, Ink and Color on Paper, Mounted

    Est: -

    L:72cm;W:69cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong; Two Swallows
    Jun. 21, 2026

    Wu Guanzhong; Two Swallows

    Est: S$3,200 - S$4,200

    Lot: 909 - Wu Guanzhong (1919 - 2010, Chinese); Two Swallows; ; lithograph on rice paper no. 2/100; 69 x 136 cm; signed with Chinese characters and numbered on lower left, stamped with artist’s seal on upper right; Pick up point: Singapore; Tags: Chinese, china, modern, print, landscape IMPORTANT INFO Bidders need to know We encourage all buyers to check for condition reports and or other photos before bidding. The absence of a condition report does not imply that the lot is free from damage and wear. Please go through photos for more details on conditions and age; color will be different depends on your screen. All the items are sold as is and all sales are final. We encourage all bidders to review our terms and conditions before bidding. Please contact us through email info@larasati.com if you need any further information.

    Larasati Auctioneers
  • Wu Guanzhong(1919-2010) ,Chinese,Attributed to,Oil on canvas, original period frame
    Jun. 14, 2026

    Wu Guanzhong(1919-2010) ,Chinese,Attributed to,Oil on canvas, original period frame

    Est: $10,000 - $20,000

    Outer FrameL71cm (27.95 in)W61cm (24.02 in)Painting CoreL60cm (23.62 in)W50cm (19.68 in)The work retains original canvas and period frame with natural signs of age. The painting surface is clean and stable, without visible tear, hole, heavy craquelure or restoration. The overall preservation is consistent with its historical period.All images are taken from the actual lot, fully representing the current condition.No further official archived provenance or exhibition records available. Attributed based on stylistic characteristics of the artist.

    Hotspot Auctions
  • WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, LANDSCAPE, MOUNTED FOR FRAMING
    Jun. 09, 2026

    WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, LANDSCAPE, MOUNTED FOR FRAMING

    Est: $1,000 - $1,500

    Attributed to Wu Guanzhong (Wu Kuan-chung). Landscape (Flower Stream). Ink and color on paper, mounted for framing. 139 x 68 cm. Condition: Creases and stains on the mounting and painting.

    China Arts Auction
  • WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, ZHOUZHUANG, MOUNTED FOR FRAMING
    Jun. 09, 2026

    WU GUANZHONG (WU KUAN-CHUNG), ATTRIBUTED TO, ZHOUZHUANG, MOUNTED FOR FRAMING

    Est: $700 - $1,000

    Attributed to Wu Guanzhong (Wu Kuan-chung). Zhouzhuang. Ink and color on paper, mounted for framing. 53 x 76 cm. Condition: Drawn on sketch paper, unmounted and unbacked. Creases and stains on the painting.

    China Arts Auction
  • Wu Guanzhong (1919-2010), attributed to, Figures
    Jun. 02, 2026

    Wu Guanzhong (1919-2010), attributed to, Figures

    Est: $3,500 - $5,500

    Dimensions: Width: 21.0 cm (8.27 in) x Height: 16.0 cm (6.30 in). All measurements are approximate.

    Hotspot Auctions
  • Wu Guanzhong (1919-2010), attributed to, Untitled
    Jun. 02, 2026

    Wu Guanzhong (1919-2010), attributed to, Untitled

    Est: $3,500 - $5,500

    Dimensions: Width: 30.0 cm (11.81 in) x Height: 30.0 cm (11.81 in). All measurements are approximate.

    Hotspot Auctions
  • Wu Guanzhong (1919-2010), attributed to, Houses
    Jun. 02, 2026

    Wu Guanzhong (1919-2010), attributed to, Houses

    Est: $1,500 - $2,500

    Dimensions: Width: 40.0 cm (15.75 in) x Height: 30.0 cm (11.81 in). All measurements are approximate.

    Hotspot Auctions
  • Wu Guanzhong (1919-2010), attributed to, Untitled
    Jun. 02, 2026

    Wu Guanzhong (1919-2010), attributed to, Untitled

    Est: $1,500 - $2,500

    Dimensions: Width: 30.0 cm (11.81 in) x Height: 30.0 cm (11.81 in). All measurements are approximate.

    Hotspot Auctions
  • Wu Guanzhong, Village Landscape, Oil on Canvas
    May. 29, 2026

    Wu Guanzhong, Village Landscape, Oil on Canvas

    Est: -

    L:42cm;W:30cm

    Fung Ngai Auctioneers (HK)
  • Wu Guanzhong, Jiangnan Water Town, Ink and Color on Paper, Mounted
    May. 29, 2026

    Wu Guanzhong, Jiangnan Water Town, Ink and Color on Paper, Mounted

    Est: -

    L:46cm;W:68cm

    Fung Ngai Auctioneers (HK)
  • WU GUANZHONG (WU KUAN-CHUNG), AFTER, BIRCHES, OIL ON CANVAS
    May. 27, 2026

    WU GUANZHONG (WU KUAN-CHUNG), AFTER, BIRCHES, OIL ON CANVAS

    Est: $1,000 - $1,500

    After Wu Guanzhong (Wu Kuan-chung). Birches. Oil on canvas, framed. 79.5 x 59.5 cm. Condition: There are stains to the painting.

    China Arts Auction
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