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Lot 1: Gio Bartolena - "Campagna Livornese"

Est: €1,000 EUR - €1,200 EURSold:
Casa D'Aste Santa GiuliaBrescia, ItalyJune 24, 2023

Item Overview

Description

Gio Bartolena, Livorno 1866 - Livorno 1942

Dimensions

Cm 15,5x14 | In 6.10x5.51

Artist or Maker

Medium

Oil on panel

Notes

. He was born in Leghorn(Livorno), from an old and wealthy family, on June 24, 1866 (some erroneously report 1869 as his birth date, others 1870). Grandson of painter Cesare, he began to be passionate about painting as a boy. In his early twenties he decided to leave for Florence with the intention of enrolling in the Accademia; but he ended up in the school of Fattori, who, having seen some of his drawings, wanted him with him. Of a lively and restless character, he attended school little, and the old painter expelled him, only to readmit him almost immediately, however, at the insistence of his uncle Cesare, his friend. Bartolena did not, because of this, change his behavior; however, he often met the master, who after the reconciliation had bound himself to the disciple by an affectionate friendship, in a club frequented also by Lega and Signorini. An exuberant and independent character, he enjoyed life, painting and spending the money his family provided him, until he was thirty, when an economic setback forced him to change his tenor. He left, then, for Marseille, and there he made a living as a conductor of horse-drawn streetcars, which he steered himself and then portrayed in his moments of freedom. Returning after six months to Livomo, he then went to Lucca and later to Florence. At the end of World War I he settled permanently in his hometown, now despondent, lonely, misanthropic after so much adversity. He did nothing but paint, stopping only when an art dealer tried to tie him to himself with a monthly stipend: as long as he did not have to fulfill contracts he preferred to live in misery. He loved to paint mostly still lifes, in which he approached the most diverse things he had collected and scattered in his studio (Hedgehogs and mug, Cigar and oranges). Endowed with a remarkable chromatic exuberance and sensuality, he strove to maintain all the freshness and glaze to his colors by spreading and processing them directly on the board, which he had previously treated with various substances so that it would not absorb. In some works it is greens that prevail, in others yellows (Herrings) or reds (Red Symphony). In addition to carnations, tomatoes, artichokes, seafood, mimosas, lemons, fish, etc., which are his recurring subjects, there is no, shortage of landscapes, which he often painted in the studio by scouring the surrounding countryside with a long marine spyglass. As in the still lifes, in them, mixed with a certain Macchiaioli spirit, there is all his expressionistic exasperation (Piazza in Livorno, Cisternone, Pines in Quercianella, etc.). There is no lack, among his works, of paintings of other subjects, e.g. Head of a Child, The Deer Hunt at San Rossore, Bathers; some of them, despite their typical originality of expression, reveal at bottom a Fattorian descent, such as The Buttero, Soldiers on Horseback and especially the Self-Portrait, which in setting and spirit is not a little reminiscent of Fattori's famous one. It should be noted, indeed, that this Factorian lineage is best seen in Bartolena's drawings. Here the sign, which in the paintings is submerged by color, though in its fragility less incisive than Fattori's, takes the Factorian exemplification of forms to its extreme consequences, acquiring almost the character of suggestions made at the point of a pen. It was not until 1927, that is, when he was over sixty years old, that Bartolena became known and appreciated by critics. In fact, in January of that year he "debuted" in Milan with a solo exhibition of some thirty paintings. Critics mentioned the names of the Fauves, Van Gogh, Cézanne, and Ensor, and Bartolena indirectly confessed his lack of culture, wondering who on earth Ensor and Van Gogh were. After the Milan solo exhibition he continued his existence as a lonely and misanthropic painter, ending it, poor and abandoned. He died in Livorno on February 26, 1942 in a hospital bed. Immediately after his death his painting was reevaluated, and in conjunction with this, as with Fattori, Lega and others, many forgeries were put on the market. Critics, while agreeing on the instinctive character of B.'s painting, have given judgments on it that are now excessively benevolent, focusing on the originality of the colorist's impetus, and now limiting, highlighting the provincialism of the Leghorn painter's production. In reality, Bartolena's vision is limited and lacks the cultural underpinnings that are inherent in Fauve painting, to which he has often been approached, just as it is far from the revolutionary conceptions of a Cézanne and a Van Gogh. In essence, he is a typical painter born of the Macchiaioli humus, to which he gave expressionistic accent by means of his furor as a colorist, a furor which Fattori, with his didactic method of "be individual, imitate no one," undoubtedly helped to bring about free and complete expression.

Payment & Shipping

Accepted forms of payment: Paypal, Wire Transfer

Shipping

The price of shipping varies depending on the size/type of the painting and the shipping address.
The price of shipping will be added to the total purchase and will be announced in the adjudication shortly after the auction.

Auction Details

Auction of works of art

by
Casa D'Aste Santa Giulia
June 24, 2023, 03:00 PM CET

Via Fratelli Cairoli, 26, Brescia, 25122, IT

Terms

Live bidding may start higher or lower

Buyer's Premium

€0 - 399,999:25.0%
€400,000+:18.0%

Bidding Increments

From:To:Increment:
€0€499€50
€500€1,999€100
€2,000€4,999€200
€5,000+€500

TERMS AND CONDITIONS

TERMS AND CONDITIONS
Santa Giulia Auctions of Samuele Casadio is hereinafter referred to as "Santa Giulia".
Sales are attributed to the highest bidder and are for "cash".
Santa Giulia is acting as the consignor in its own name and on behalf of the Vendor, pursuant to article 1704 of the Civil Code. The sale is made between the Vendor and the Buyer; hence, Santa Giulia assumes no liability for buyers or third parties other than that as the consignor. Responsibilities pursuant to articles 1476of the Civil Code remain with the vendors of the works The Auctioneer's hammer fall, or online auction timed out, marks the conclusion of the contract of sale between the seller and the Buyer.
Lots to be auctioned are to be regarded as second-hand goods supplied as antiques and, as such, do not constitute "products" as defined by art. 3(e) of the Consumer Code (Legislative Decree 6.09.2005 no. 206).
Before the auction there will be a viewing, during which the Auctioneer, or the staff, will provide clarifications or suggestions; the viewing enables to certify the authenticity, the attribution, the state of conservation, the provenance, item type and quality, and to detect and explain catalogue errors or lack of precision. Any client who is unable to view the items directly, can require a condition report (this service is available only for the lots with an estimated selling price higher than 500 euros).
People interested in buying a lot, therefore, undertake first to attend the auction, to analyse it in depth and, where appropriate, also with the help of an expert or a restorer to investigate the characteristics. After the sale, no dispute is accepted; Santa Giulia and the Vendor shall not be liable for any defect concerning the auctioned items.
The lots are sold with any and all faults and imperfections, such as breakages, renovations, defects or replacements. These features, although not mentioned in the catalogue, cannot be regarded as the cause of disputes on sales.
Antiques may have been restored or subject to changes, such as "all-over painting": these operations cannot be considered to be latent defects o forgeries of the lot.
Clock movements are not revised.
Descriptions and illustrations of the items in the catalogues and in the brochures merely identify the lots and therefore can be reviewed before the sale of the lot. Santa Giulia shall not be responsible for any error, failure or forgery because we make no warranty (express or implied) as to auction lots. The aim of catalogue and brochure illustrations shall be to identify the lot and are not deemed to represent the state of conservation.
For ancient and 19th century paintings we declare only artist's time and school.
20th and 21st century works (modern and contemporary art)usually come with a certificate of authenticity and other documents mentioned in the sheet.
Certificates, valuations or opinions cannot be used after the auction as a dispute about work authenticity. As far as books are concerned, no dispute as to binding damages, stains, holes, trimmed tables or papers and defects that do not impair the text and/or the pictures is accepted; just like index absence, white sheets, postings, appendices and supplements following the publication.

Objections must first be submitted to Santa Giulia scientific advisor and Client's expert, and sent by registered post with return receipt within 15 days of the sale. Beyond this deadline, Santa Giulia of Samuele Casadio disclaims all responsibility. Valid claims are only refunded of the amount paid, against the return of the work. In the event of valid claims accepted by Santa Giulia in respect of forged items, provided that written notice is received within 3 months offault report and no later than 5 years after the auction sale, and, provided that the Buyer can return the lot free from any third party claims and that the state is the same as at the time of sale, Santa Giulia may, in its sole discretion, rescind the sale and give by prior notice, to the Buyer who requests it, Vendor's full name. Not with standing the above, Santa Giulia will not refund the Buyer if the description of the lot conforms to experts' opinion at the date of the sale or says that authenticity or lot assignment is disputable, and also if at the date of lot publication forgery could be proven only by difficult, unreasonably expensive analysis, that may also damage or diminish the value of the lot.
The Auctioneer may accept work buying commissions at a fixed price and submit bids on behalf of a third party. During the course of the auction, there may be telephone bids that are accepted at Santa Giulia's unquestionable judgement and transferred to the Auctioneer at bidder's risk. Calls can be registered.
The goods are sold by the Auctioneer; in the event of bid claims, the items are put back to auction in the same section, according to the last bid.
In addition, in his sole discretion and at any time, he may: rescind the sale of the lot, place consecutive bids or reply to the bids in seller's best interest, up to the reserve price, and take suitable measures, such as match or separate the lots or change the sale order.
Before the auction, the clients who want to bid shall request to Santa Giulia's staff the "personal number" providing the particulars and the address, and the copy of the identity document. Santa Giulia may also require the production of bank or other financial references in order to pay the bid price and the auction rights. At the bid, people must in any case provide Santa Giulia with their personal particulars and address.
Santa Giulia reserves the right, in its absolute discretion, to refuse entry to its premises for the auction, as well as to reject the bids of unknown or unwanted buyers, unless a deposit covering the price of the lots or a warranty are provided.
Because of a delay in making full payment, or in the event of non-payment, Santa Giulia can reject the bids made by or on behalf of you by your representative at any future sale.
To the hammer price, the following charges are applied: 23% of auction rights up to€ 400,000.00, and 18% on sums exceeding the amount, including VAT in accordance with current legislation.
Any other applicable fees and taxes in relation to the purchase are the responsibility of the bidder. At the sale, the Buyer shall pay a deposit and make the payment before collecting the goods at his own expense and risk, within 10 days of the sale.
If the bidder fails to pay the amount, in whole or in part, within the specified term, Santa Giulia reserves the right at its sole discretion to: return the good to the consignor by requesting to the defaulting Buyer to pay the commission; take judicial action in order to enforce the obligation to purchase; sell the lot by private treaty or at any future sale on behalf and at the expenses of the higher bidder, pursuant to article 1515, without prejudice to claim damages. Beyond this deadline, Santa Giulia has no responsibility to the Bidder in connection with the deterioration of the goods and reserves the right to charge fees for the storage of the lots as well as to the reimbursement of any shipping fees to the premise, as per the rates. Sold item loss or damages will be Buyer's responsibility at the sale.
Santa Giulia delivers the purchased goods to the Buyer subject to the payment of the amount and of any commissions, expenses or reimbursements. For items under State notification laws (Legislative Decree no.42, 22.01.2004, Cultural Heritage Code) and ss.mm., Buyers are required to comply with applicable regulations; in the event of State right of first refusal, the bidder shall not claim a refund (from Santa Giulia or vendors) of price or commission interest rate already paid.
Export of the products by buyers who live or do not live in Italy is subject to the above rule, as well as to current customs, foreign exchange and fiscal code regulations. Therefore, the export of 70-year-old products always requires a license for product free movement issued by the qualified Authority.
Santa Giulia assumes no liability to buyers in connection with sold lot export limitations and licenses or certificates required by the Italian law. For the lots including protected materials and species, such as coral, ivory, turtle, crocodile, whale bones, rhinoceros horns, buyers need CITES export license issued by the Ministry of Environment and Protection of Territory.
Buyers are invited to ask about limitations and restrictions regulating the importation in the various states and countries.
On April 9th, 2006the Legislative Decree 13 February 2006, no. 118, came into force which, pursuant to Directive 2001/84/EC, introduced in the Italian legal system the artist's right, or entitled people's right, to be paid an extra amount on the sale price of the original works following the first sale ("resale royalty"). The resale right applies if the hammer price is not lower than 3,000.00.

We work out the amount as follows:
4% between 0 and 50,000.00 euros;
3% between 50,000.01 and 200,000.00 euros;
1% between 200,000.01 and 350,000.00 euros;
0,5% between 350,000.01 and 500,000.00 euros;
0,25% over 500,000.00 euros.
Santa Giulia, as the auction house pays the "resale right" to the Italian Society of Authors and Publishers (SIAE).
In addition to the clearing price, commissions and other expenditure, the Buyer agrees to pay the "resale right" that is up to the Vendor in accordance with Article 152, paragraph I, Law 22 April 1941, no. 633. The estimates in the catalogue are expressed in euros and give only an approximate indication. These amounts can be equal, higher or lower to lot reserve prices agreed upon with the consignors.
These Terms of Sale, governed by the Italian law, are implicitly acknowledged by the people taking part to the auction procedure and are made available to anyone upon request. All disputes arising out of Santa Giulia auction sale activity are subject to the exclusive jurisdiction of the courts in Brescia.
Pursuant to art. 13 of Legislative Decree 196/2003 (Code for the protection of personal data), Santa Giulia, in its capacity as data controller, informs that the personal data provided shall be used, in paper-based and electronic systems, to fully and comprehensively implement the sale/purchase agreements stipulated by the company itself, as well as to perform any other service pertinent to Santa Giulia S.a.s object of the company. Data supply is discretionary, but strictly necessary for contract completion.
Attending and registering allows Santa Giulia to send out the catalogues of the upcoming auctions as well as other information material. Communications on the sale are made by registered mail to:
Santa Giulia Casa d'Aste,
via Cairoli, 26 - 25122 Brescia

Payment

We accept cash payments for purchases up to €1999,99.

We recommend payment by bank transfer.
PayPal payments may be subject to fees.

Shipping Terms

The price of shipping varies depending on the size/type of the painting and the shipping address.
The price of shipping will be added to the total purchase and will be announced in the adjudication shortly after the auction.

Buyer's Premium

25% for purchases up to 399,999.99€
18% for purchases over 400,000.00€