signed, signed in Hebrew, dated 1989, titled and titled in Hebrew
acrylic and oil on canvas
painted in 1989
59 by 29 1/2 in.
150 by 75 cm.
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In the 1980s Larry Abramson took leave from his minimalist drawings and moved to biomorphic paintings: abstract and sensual, in tones of violet and yellow, and a rectangular format showing evidence of unabashed neoromanticIsm; stranding the viewer in utopia, in a dialogue with the paintings of Caspar David Friedrich.