How to Buy, Wear and Keep Hermès Scarves

Hermès “De La Mer Au Ciel” silk twill scarf, c. 2014, designed by Laurence Bourthoumieux. Sold for £144 via Chiswick Auctions (October 2016).

By: Fiona McKay & Xenia Capacete Caballero

As an icon of luxury, the classic Hermès scarf represents quality, craftsmanship, and timeless style. Before you set out to buy your next Hermes scarf from a dealer or auction, know what to look for. Learn how to tell the difference between a fake and the real thing, plus learn how to preserve the condition of your scarf over time as maintaining the value of a Hermes silk scarf requires proper care.

The First Hermès Silk Scarf

Founded in 1837, the French luxury house Hermès was established as a bridle and harness company for equestrian pursuits. In 1937 – one hundred years later – the design for the first Hermès scarf was born. The scarf or carré, meaning “square” in French, was based on a woodblock print by Robert Dumas, a member of the Hermès family. The scarf was made with raw silk from China, which was spun into yarn before it was woven into fabric and screen-printed.

hermes scarf

Hermes ‘Vif Argent’ silk scarf, designed in 2007 by Dimitri Rybaltchenko. Sold for £180 via Chiswick Auctions (May 2017).

The carré has proven its power to transcend age and to appeal to a diverse range of wearers. Famously adopted by 20th century icons from Grace Kelly and Audrey Hepburn to Queen Elizabeth II and Madonna, the scarf provides the wearer the versatility to adapt to any style and situation. Today, the Hermès scarf still proves to be an essential part of the contemporary wardrobe, popular with both young and older generations, and by men and women alike.

The Vintage Hermès Scarf

Since 1937, there have been up to 1,200 individual Hermès scarf designs created, with additional designs still being released on a seasonal basis. Even today, the timeless scarves are still produced in France in the same manner: silkscreened by hand with hems hand-rolled and hand-stitched. Taking up to six months to produce, this level of precision is reflected in the quality and cost of the scarves.

Hermès Festival des Amazones silk scarf, designed by Henri d’Origny. Sold for £120 via  Chiswick Auctions (October 2016).

Hermes Vintage Scarf Patterns

Often commemorative, designs can range from the more popular and classic motifs such as equestrian, military, and nautical, to the more playful botanical, natural, and mythological themes, to quirky and contemporary. Each one of the Hermès artists, who work freelance, are known for a particular style; artists such as Hugo Grygkar and Robert Dallet have achieved a highly collectable status. Other sought-after artists include Leigh Cook, Kermit Oliver, Zoé Pauwels, Leila Menchari, Annie Faivre, Laurence Bourthoumieux, and Eugene Brunelle.

“Springs” by Philippe Ledoux (left) and “Brides de Gala” by Hugo Grygkar (right), two of five Hermes scarves sold as one lot for £420 via Kerry Taylor Auctions (February 2018).

Contemporary Collaborations

In recent years, the luxury house has also successfully bridged craftsmanship with contemporary art through a series of collaborations, namely Gloria Petyar, N.S. Harsha, Ding Yi, Julio Le Parc, and Hiroshi Sugimoto.

“I prefer more adventurous and abstract designs by Zika Ascher – and these are becoming quite popular with contemporary art dealers. Their value at auction can vary, starting at around £200, but the most striking designs can sell for several hundreds if the bidding is competitive,” says Kerry Taylor, director and owner of
Kerry Taylor Auctions and textile consultant to Sotheby’s. “Our highest achieved price was a bold monochrome printed Alexander Calder for Zika Ascher, ‘La Mer’ printed silk square, which sold for £1,400 (hammer price) in 2013.”

How to Buy a Hermès Scarf

Whether you are looking to start a collection as a future investment or are keen to make a worthy, classic addition to your wardrobe, Meg Randell, Designer Fashion and Handbags Specialist at Chiswick Auctions in London, offers some useful advice: seek out limited editions.

Hermès “Ispahan” silk scarf (detail) c. 1966, designed by Maurice Tranchant. Sold for £130 via Chiswick Auctions (December 2016).

“Hermès often re-releases popular scarf designs, but there are some that were only released once,” Randell explains. “The Ispahan scarf (pictured above) was first designed in 1966 by Maurice Tranchant and is particularly rare as this was the only issue of this scarf ever made. Scarves such as this are particularly sought after for this reason.”

How to Tell a Fake Hermès Scarf from the Real Thing

  1. As a measure of authenticity, the hand-rolled edge of a true Hermès scarf should be arrow-straight and beautifully finished. “Any scarves with machine stitching or messy stitching should not be trusted,” says Randell.
  2. Designs continue to be re-issued in numerous colors, which can make authentication more challenging. “The printed designs will be crisp and use bright colors,” Randell says. “Most scarves will have their title somewhere in the design, and often will feature the signature of the artist.”

Detail of edge of Hermes ‘Carpe Diem’ Silk Scarf, designed by Joachim Metz in 1994.

Hermès scarves are a great addition to a wardrobe, and can instantly add individuality to any style. They are also highly collectible and timeless, holding their value far better than any other scarves on the market.

Taylor advises, however, that if you are planning to collect them, buy at auction rather than retail, as you are likely to get a better price for even the most attractive prints by known designers. Be sure to seek out quality scarves in good condition, too. “Scarves in good condition, and those that come with their original boxes, tend to do best at auction as they make great gifts,” Randell adds.

How to Wear a Hermès Scarf

If you decide to wear your scarf, opt for professional dry cleaning, ensuring that the hand-rolled edge should never be pressed. “The boxes and acid-free paper Hermès scarves come with are the perfect way to store your scarf, and this particular example looks as fresh as it would have when it was bought 24 years ago,” says Randell.


Giovanna Battaglia, Paris Fashion Week. Photograph by Silvia Olsen, courtesy of White Line Projects.

Other ways to keep your scarf in excellent condition: avoid wearing it on a rainy day. Silk may be damaged by contact with any type of liquid. Do not use any scarf clips, rings, or brooches that might puncture a hole or pull a thread. After you have worn your scarf, do not fold it right away, instead, leave it to “breathe” overnight.

“Keep your scarves folded, out of sunlight, and in their original box as they will be more desirable if they are re-sold in the future,” says Taylor. While scarves are easy to store and are extremely versatile, “condition is extremely important, as stains and tears greatly affect value.”

Hand-stitched label with care instructions on Hermes “Brides of Gala” silk scarf, designed by Hugo Grygkar, 1957.

Tips for preserving the condition of your Hermès scarf:

  1. Opt for professional dry cleaning, when needed
  2. Avoid contact with moisture of any kind
  3. Forgo scarf clips, rings and brooches
  4. Allow the scarf to “breathe” after use
  5. Keep scarves folded in their original box when stored

Alternatively, if you’re hoping to dodge possible wear and tear, you might instead consider hanging your Hermès scarves on your walls. “Hermès scarves are beautiful when mounted and framed,” says Taylor. “They make for interesting alternative artwork to display in the home.”

Looking for more? Click here to explore Hermes scarves on Invaluable now. Wondering what your Hermes scarf is worth? Click here to have it appraised by specialists.

About Fiona McKay & Xenia Capacete

Fiona and Xenia are the founders of White Line Projects, a curatorial and creative studio based in London. White Line Projects curates, designs, and produces a diverse range of projects including exhibitions, installations and digital experiences, and websites for clients in the fashion and cultural sectors. Fiona, Xenia, and the team at White Line Projects bring a diverse combination of skills and background experience, from visual communications and 3D technologies, to architecture, art history, and exhibition design, to theatre design and performing arts.