Royal Worcester Porcelain: Elegance and Excellence in Ceramics
Royal Worcester porcelain enjoyed more than three centuries of production and still holds the title as one of England’s most historic and beloved makers. This endurance is thanks to the company’s indelible commitment to high quality craftsmanship and timeless elegance in each line they created.
Join us as we dive into the story of Royal Worcester porcelain. In addition to highlighting key historical landmarks in the company’s development, we’ll pass along some of the most iconic lines for which Royal Worcester is most celebrated.
Origins of Royal Worcester Porcelain
In the 18th century, Europeans were desperately trying to get in on the porcelain game. They had seen the beauty and delicacy of such wares as they had been imported into Western Europe from East Asian workshops for generations, yet they were behind in understanding clay’s ideal chemical makeup, which Chinese and Japanese makers had discovered centuries prior. Specifically, they knew that kaolin mixed into one’s clay allows for higher firing temperatures and thus more delicate and dynamic forms. British Doctor John Wall and apothecary William Davis set out to experiment on this formula in the 1750s and soon discovered the use of clay made from high-talc compounds proved an effective variation on kaolin and used this discovery to fuel the creation of their first soft-paste porcelain factory that same decade.
Following Worcester’s creation of a magnificent dinner service for the brother of King George III in 1770, the King granted the workshop a Royal Warrant in 1789 that officially made the factory ‘Manufacturers to their Majesties’. A major triumph that secured Royal Worcester’s name, Wall and Brand’s original workshop nevertheless experienced some fits and starts in development as it changed hands in the subsequent years. Its reorganization in 1862, however, by William Henry Kerr and Richard William Binns, revolutionized operations and thus led to the official opening of the Worcester Royal Porcelain Company Limited in 1862.
The company continued to grow and consume other studios to become one of England’s most prestigious porcelain producers by the turn of the century. The story of Royal Worcester porcelain shifted dramatically in 2009 when Portmeirion Pottery purchased the remaining components of the company. The storied company lives on, though, both in the Royal Worcester Porcelain Museum and in the fine examples of the company’s creations still available on the auction market.
Characteristics of Royal Worcester Porcelain
Setting Royal Worcester porcelain ahead of its porcelain competition was the company’s unyielding commitment to the following components:
Cultivated Craftsmanship
Royal Worcester porcelain garnered much of its acclaim simply from the incredible workmanship that went into each piece. Patterns with utmost intricacy were featured on many of their lines to elevate the elegance of their porcelain to truly be fit for kings.
Technical and Design Innovation
Refining both soft-paste and then hard-paste porcelain techniques, Royal Worcester Porcelain artists also sought continued innovation in terms of forms and patterns.
Durable Delicacy
In addition to showcasing the brilliance of graceful forms, Royal Worcester Porcelain was also celebrated for its relative durability alongside such beauty.
Important Royal Worcester Porcelain Patterns
Any piece of Royal Worcester porcelain will delight its owner, however, seasoned collectors of the porcelain maker will often seek wares from the company’s most celebrated lines. These include:
Blue and White Patterns (1780s)
Following the company’s receipt of King George III’s Royal Warrant, Royal Worcester began to turn out numerous wares in the Blue and White pattern. So-called as it borrowed heavily from the blue-and-white Asian export porcelain, this early line set the company on course for continued ceramic success. These early pieces, such as these moon flasks, showcased some of the ways Royal Worchester’s designers both absorbed but also advanced upon designs filtering in from East Asia. Despite introducing new motifs in the following years, Royal Worcester continued to produce Blue and White patterns into the 20th century.
Painted Fruits and Florals (1880s)
With the first pieces depicting fruits painted by Octar Copson in the early 1880s, Royal Worcester’s artists continued to return to various still lifes in their painted porcelain designs that celebrated the beauty of natural flora and fauna. Some of these wares, like those designed by William Hawkins, positioned these scenes of fruits and florals as framed works ensconced in Neoclassical flourishes. More contemporary contributors to this Royal Worcester tradition can be found in Christopher Hughes’ wares, whose floral motifs enveloped the entirety of each porcelain form.
Reticulated Patterns (1890s)
Though more of a technique than a pattern, one of the most unique creations of Royal Worcester workshops was artist George Owns’ reticulated wares, so named as the comprised pieces carefully pricked with a multitude of holes to give the piece a lace-like feel. These incredible vessels, which ranged from elaborate vases and jugs to decorative pieces, would require a remarkable amount of time to create but resulted in transformative porcelain pieces that fooled the eye with their fictive textures. At the same time, this method allowed makers like Owens to incorporate allusions to other artistic traditions like those of the Near East in the gilded accents and forms conveyed.
Evesham Pattern (1960s)
The debut of the Evesham line in the 1960s brought the elegance of Royal Worcester porcelain into the modern kitchen. At a more modest price point than some of its past regal commissions and formulated to withstand greater temperature variability for both oven cooking and refrigerator storage, the Evesham pattern nevertheless still sported the refined beauty of all other lines. Taking its inspiration from the natural surroundings of the town of the same name just outside Stratford-Upon-Avon, England, Evesham pattern porcelain typically features an artfully rendered fruit or blossom against a crisp white ground and accented with delicate gilded details along the edges or handles.
The Legacy and Collectability of Royal Worcester Porcelain
The legacy of this most historic porcelain company endures in the brand’s incredible collectability, but with that collectability comes high prices depending on the period and style of Royal Worcester porcelain that appears at the auction block. For those considering their own Royal Worcester Porcelain collection, we’ll close with a few tips on how to seek out the best values.
Master Marks
Royal Worcester porcelain should be stamped with a maker’s mark that can help identify the period in which it was created. Marks added before the Royal Warrant can at times be difficult to interpret, but post-1780s these marks are usually legible and often include a circle enclosing a stylized ring of intersecting W-letter forms that are topped with a crown.
Singular Styles
Beyond these marks, some Royal Worcester porcelain pieces also include artist’s signatures. Given the tendency for respective artists within the Royal Worcester workshop to specialize in a certain style of painting, sometimes the imagery alone is adequate to attribute a porcelain piece to a maker, but a signature concretizes those connections.
Avoid Imposters
With all popular makers comes fraudulent followers, so inspecting a potential Royal Worcester porcelain piece carefully can prevent falling victim to frauds. For example, signs of crackle glazing or overpainting are red flags that a piece is not authentic, as are sloppily applied back-stamped maker’s marks. A final test to ensure Royal Worcester porcelain is real is to hold it to a light source: the prevalence of talc-rich steatite, or soapstone, in Royal Worcester pieces means that their wares will have a slightly greenish hue when light is passed through them.
Keeping these elements in mind while building a collection of Royal Worcester porcelain means you can access the best examples for your collection. As you add these pieces, celebrate your role in ensuring the continued legacy of Royal Worcester porcelain and its enduring commitment to tradition.
Alexis holds a PhD in art history and has enjoyed professional roles across gallery, museum, and academic settings. Thanks to these myriad experiences, Alexis holds a wealth of knowledge across the fields of fine and decorative arts and enjoys every opportunity to share these insights along with the stories of these makers and objects with Invaluable collectors.